HART, Pro (1928-2006) 'Blade Shearers' S/Print 244/3

Pro Hart (1928-2006) Australian, in the shearing shed, oil on board, signed and dated 74, 25 x 35.5cm

Kevin Charles (Pro) Hart (Australian, 1928-2006) Swamp with waterbirds signed 'PRO HART' (lower right) oil on board 55.3 x 76.9cm (21 3/4 x 30 1/4in).

PRO HART (Australian 1928-2006) A PAINTING, "Morgan Series # 2," 1968, oil on board, signed L/R "PRO HART," and dated L/L "1968;" 17 3/4" x 23 3/4", framed 22 3/4" x 29". Provenance: Estate of Donald

AGUSTIN FERNANDEZ (1928 – 2006) Cuban, stenciled silk screen, 20th Century Untitled, 1976, Signed and dated lower right - Agustίn Fernandez - 76. H. 30 x W. 22 inches

AGUSTÍN FERNÁNDEZ (1928-2006) Untitled, 1966 signed and dated 'Agustin Fernandez 66' (lower right) oil on canvas 25 1/2 x 31 1/2 in. 64.7 x 80 cm. Footnotes: Provenance Private

Frederick Hart, American (1943-1999). Ex Nilhilo Fragment #6 bronze wall sculpture by Hart of a woman's torso titled 'Out of Darkness', stamped by the foundry F. E. Hart @2006 F Hart and P. E. C. F. 5

147 Schalenträgerin, "mboko" (TRIBAL ART) Luba-Shankadi, DR Kongo Kunstgewerbe / pièce d'artisanat / handicraft Holz. H 39,5 cm. Provenienz: Nachlass Kurt Hösli-Brutschin (1928-2006), Basel. Publiz

Carla Lavatelli (1928-2006): One and a Half Steel and bronze, 1976, on a black stone base. 23 in. (height with base). Property from the Joukowksy Collection

146 Schalenträgerin, "mboko" (TRIBAL ART) Luba-Shankadi, DR Kongo Kunstgewerbe / pièce d'artisanat / handicraft Holz. H 50,5 cm. Provenienz: Nachlass Kurt Hösli-Brutschin (1928-2006), Basel. Publiz

148 Sitz (TRIBAL ART) Luba, DR Kongo Kunstgewerbe / pièce d'artisanat / handicraft Holz. H 44 cm. Provenienz: Nachlass Kurt Hösli-Brutschin (1928-2006), Basel. Publiziert: Seylaz, Paul (1971). Afriq

66 Figur, "iginga" Lega, DR Kongo Gesockelt (base included) H 11,5 cm. Provenienz: Nachlass Kurt Hösli-Brutschin (1928-2006), Basel. Publiziert: Seylaz, Paul (1971). Afrique Noire. Sculptures des col

98 Palmwein-Becher (no reserve price) Kuba, DR Kongo Rechter Fuss angefügt Holz. H 16,5 cm. Provenienz: Nachlass Kurt Hösli-Brutschin (1928-2006), Basel. Das heutige Königreich Kuba ist eine von de

154 Nackenstütze (no reserve price) Mongo, DR Kongo Holz, Polsternägel. H 15,5 cm. Provenienz: Nachlass Kurt Hösli-Brutschin (1928-2006), Basel. Nackenstützen dienten nebst der Grundfunktion auch

Ralph Arnold (American, 1928-2006) The Trip oil and acrylic with collage on canvas signed Arnold (lower right) 30 1/4 x 20 inches.

118 Rotholzpulver-Deckeldose (TRIBAL ART) Kuba, DR Kongo Holz. H 7 cm. B 27 cm. Provenienz: Nachlass Kurt Hösli-Brutschin (1928-2006), Basel. Das heutige Königreich Kuba ist eine von der Herrschersc

153 Figur, Janus (no reserve price) Luba, DR Kongo Holz. H 23 cm. Provenienz: Nachlass Kurt Hösli-Brutschin (1928-2006), Basel. CHF 100 / 200 EUR 94 / 188

DESCRIPTION: An Augustin Fernandez (Cuba 1928 - New York 2006) Oil Painting on canvas depicting an abstract bouquet of flowers. Agustin Fernandez was a Cuban painter, sculptor, and multimedia artist.

Property from a Savannah, GA Estate Description: Sabre with Latin Inscription, Possibly Persian, the blade inscribed near hilt 'Pro Deoe Patrim, Propatrim Libertad Vitam' and 'Tron Ingare Virgo Ma

PERKINS, Wendell Thompson, (American, 1928-1997): "Pumpkins", inspired by Thomas Hart Benton's 1934 painting "Going Home", Oil/Canvas, 20" x 24", signed lower right, inscribed verso "painted for Kenne

Salvatore Del Deo (American Born 1928) oil on canvas, The Day After - 2006. 20 x 30 inches. Berta Walker Gallery Provincetown Ma.

Frederick Hart (American, 1943-1999) 'The Muses: Music' signed limited edition bronze bust, 2006, depicting a peaceful woman with eyes closed and windswept hair, signed, dated, and numbered 16 of 65,

Thomas Hart Benton (Missouri, 1889-1975) Tractor Study for America Today, circa 1928 Graphite on paper 9 3/4" x 10 1/2" Benton scholar Dr. Henry Adams: "Like the Ford pick-up describe

Frederick Hart (American, 1943-1999) 'The Muses: Dance' signed limited edition bronze bust, 2006, depicting a peaceful woman with eyes closed and windswept hair, signed, dated, and numbered 16 of 65,

Nikolai Shin (1928 in Dalnegorsk, Primorsky Krai, Soviet Union August 18, 2006 in Tashkent, Uzbekistan) was an Uzbekistani painter of Korean descent, sometimes referred to by Korean newspapers as the