Vostok 1 Acrylic - Flown outer hull from the Vostok 1's

Details: Space Shuttle Orbiters collection of flight-flown artifacts from all 5 Orbiters. The relics are encapsulated in a 5 x 3 x 1" acrylic disp

Richard Hull (American, b. 1955) Relief, 2006 charcoal and acrylic on canvas signed Richard Hull, titled and dated (verso) 19 1/2 x 20 inches.

Apollo 11 space flown artifacts in acrylic, paperweight form. 2.5" x 1.5". -----------------------------------------------------------------------------------------------------------------------------

Don Hornberger, Landscape, N.Y. 1921 - 2006, acrylic on panel, landscape with hill, fence and baron trees, sight 4" x 8", wood inner frame on velour, wood and gilt outer frame, 12" x 16 1/4". CONDITIO

Metal can in the back with acrylic face. Does have a crack and dial and a few cracks along outer edges. Lights up and runs. 10 1/4 in x 25 in.

STS-5, 11 novembre - 16 novembre 1982 #Flown #Nasa Provenance : One of the most important European collections Fragment de gaine adhesive (environ 1 x 0,5 cm) ayant vole a bord de l’orbiter Col

PETER MAX (American, b. 1937) "Quite Lake Version I #139," 2017, acrylic painting on canvas, canvas: 22.5 x 28 inches, framed: 30 x 36, signed upper right, stamped "Peter Max 2017" on canvas and label

18K yellow gold Circular white porcelain dial with black Arabic hour markers, black minute outer 1/5 second track and red every 5 seconds, sub-seconds dial, signed "Patek Philippe and Cie Geneva", gol

"Composition # 1". Acrylic on canvas. Dimensions: H 27.5" x W 29.5" KXANDO0002 / C

Swiss 18k G Minute Repeater W Chronograph C. 1888: 18k Haas minute repeating watch with chronometre. With Roman hour chapters, outer 1/5 second mar

FAILE (b. 1975) Smokin Silence, 2005 Original. 1/1. Acrylic and spray paint on wood. 32 x 14 inches (81.3 x 35.6 cm) Signed and dated in pencil to reverse. FAILE (Pronounced "fail") is a Brooklyn-base

Breitling Navitmer stainless steel chronograph watch, circa 1967, black dial with luminous baton hour markers, outer 1/5th second and tachymetre scales, sunken silvered subsidiary dials at 3, 6 and 9

printed 1979; gelatin silver print; signed in pencil on the mount; titled, dated in ink and with 'Carmel' credit stamp on the mount verso; matted and framed under acrylic; 15 1/4 x 18 inches sight; 22

Ed Moses Vision Catcher #4 (Spec Spac #1) 1998acrylic on canvas 78 h × 66 w in (198 × 168 cm) Signed, titled and dated to verso 'Spec Spac #1 Y Branco 98'. LAMA would like to thank

1933; RKO, France; lithograph in colors on paper, framed under acrylic; 62 1/2 x 46 3/4 inches sight; 66 1/4 x 50 1/4 inches frame

lithograph in colors; pencil-signed lower right; numbered 12 / 125 lower left; matted and framed under acrylic; 25 1/2 x 19 1/2 inches sight; 38 1/2 x 30 1/2 inches frame

Painting of a dog in front of a print of a dog in front of a painting of a dog in front of a print. #1, 1991 Acrylic and graphite on canvas Signed and dated right of center: Mason; signed and dated

Lot 9 Vasa Velizar Mihich American (b. 1933) Untitled (Column) (1970) acrylic on wood base signature etched to bottom of acrylic height (acrylic): 99 1/2 inches base: 4 1/2 x 15 x 15 3/4 inches Additi

Walter Darby Bannard Cendrillon #1 1970acrylic on canvas 54 h × 60 w in (137 × 152 cm) Signed, titled and dated to verso 'W.D. Bannard Cendrillon #1 1970'. Provenanc

plate 3; 1976; etching with aquatint in colors on wove paper; pencil-signed lower right; numbered 11/50 lower left; blind stamp lower left; matted and framed under acrylic; 41 1/4 x 35 1/2 inches shee

Norman Mercer American, 1916-2007 Platonic Series Pyramid Cast acrylic 32 1/2 x 16 x 16 1/4 inches (82.5 x 40.6 x 41.3 cm) •

Antoine Rose (Belgian, b.1974) Red Lobster 2014, signed and numbered 2/10 on label verso. Archival pigment print face-mounted on acrylic. (52 1/2 x 39 3/8 in. (133.4 x 100cm))

STATUE OF LIBERTY, 2017, version 1, #283, acrylic painting on canvas, signed upper right, artist’s stamp and studio number 393593 on verso, 12 x 9”, frame 24 ½ x 21 ½ x 3&rd

mixed media on paper; signed lower right; Provenance: The Estate of Barry Tarlow, Los Angeles; framed floating under acrylic; 28 1/2 x 28 1/2 inches; 31 1/2 x 32 inches frame