AFTER CLAUDE LE LORRAIN: "AN ITALIANATE LANDSCAPE"

oil on wood panel 11 1/2 X 15 1/2 inches

AFTER CLAUDE LORRAIN HAND COLORED ETCHING 19TH C. H 7.5" W 10" LANDSCAPE Claude le Lorrain delint. Published April 25th. 1774 by John Boydell Engraver in Cheapside. Mezzotint by Richard Earlom. From t

This is an antique print by Italian artist Claude Le Lorrain Gellee (1600- Rome 1682). Titled Le Bouvier or "The Cowherd" features some cattle crossing a stream against a bucolic landscape. The paper

60 Earlom, Richard (English 1743-1822), Etching and Roulette, Mezzotint Landscapes. All different images dating from 1776 and 1777. After the drawings by Claude Le Lorrain. Image size 8" x 10". Fair t

Six framed prints of continental landscapes, offset lithograph after engravings by Claude le Lorrain, mounted in gilt frames. Image size: 11.25" x 13.75" Ht: 15" Wd: 18" (framed)

Framed etching by Claude Gellee (called Le Lorrain 1600-1682). The etching depicts a shepherd and shepherdess conversing in a landscape, tending to their flock of sheep and cattle. Good impression wit

Framed Roman School oil on wood panel painting, Landscape with Fishermen, in the style of Claude Le (Gellee) Lorrain (France, Italy, c.1600-1682), sight: approx 7.75"h, 11.25"w, overall: approx 13.75"

Claude Lorrain. (born Claude Gellee, called le Lorrain in French and traditionally just Claude in English) (French, c. 1600 - 1682). Landscape with the Marriage of Isaac and Rebecca. Antique steel eng

Manner of Claude Lorrain (French, 1600-1682) "Untitled (Landscape with Figures at a River)" Oil on canvas Unsigned Approx. 23" x 30" (framed)

1777 Liber Veritatis Claude Le Lorrain Portfolio 35 Etchings with etching and Life of artist in front. Measurements in inches: 17 x 11, images around 10 x 8 Condition:Has toning and foxing Shipping:We

A pair of Claude le Lorrain etchings from the original drawings in the collection of the Duke of Devonshire published in 1776, each depicting scenes of Greek mythology. Frame openings: 8-1/2in x 10-1/

"Landscape with Jacob and Laban's Daughters", after Claude Lorrain, anonym, antique hand colored lithograph, 1820s-1840s with picture matte and glass frame, unmarked. Probably American artwork reflect

Landscape based on Claude Lorrain's "Tobias and the Angel" from "Liber Veritatis" (the version engraved by Richard Earlom in 1774); anonym, antique hand colored lithograph, 1820s-1840s with picture ma

Pair of 18th C. engravings/ mezzotints published by John Boydell after drawings by Claude le Lorrain, the drawings after the artist's own paintings. From the book Liber Veritatis, a remarkable work in

Set of 4 Claude Le Lorrain delin prints. 27"h x 30"w overall each

Each depicting English countryside scenes 8 1/2 x 10 1/2 inches (sight)

Lot of two prints from the original drawings in the collection of Edmund Turner, Esq., No. 61 and No. 66, Claude le Lorrain, Delin. [Image: 7 1/4" H x 10 1/4" W; Frame: 17 3/4" H x 21 1/4" W].

DESCRIPTION: After Claude Le Lorrain (French,1600-1682). Engraving on paper of ships in a harbor. "No. 33 Claude le Lorrain. From the Original Drawing in the Collection of the Duke of Devonshire. Publ

Two scenes. Each Image 9 x 10.5 in. Each Frame 13 in x 14 in. Matted and Glazed Condition consistent with age and use.

Good plate mark." Claude le Lorrain delin No. 47 Published Sep 1st 1774 by John Boydell Engraver in Cheapside R Earlon Fecit. Plate 10.5" high x 7.5" wide, sight 11.5" high x 8.25" wide, framed under

(18th/19th century) A pair of peasants, hand-colored engravings; three portrait miniatures, within a shield frame, hand-colored engravings; two after Claude Le Lorrain, R. Earlom, engraver, engravings

The Landing on the Latium Coast Medium: etching and aquatint (after the drawing). Engraved by Richard Earlom (1742-1822) after Claude le Lorrain. From Claude Lorrain's Liber Veritatis, this is Plate 1

Antique Hand Colored Etching After Claude le Lorrain Delin (circa 1600 - 1682). Professionally framed and matted. In Frame 15"x18"x1". Weight 3 pds 3 oz.

Richard Earlom (1743-1822), etching after a drawing by Claude le Lorrain number 178 from the Original Collection of the Duke of Devonshire, 1776, published by John Boydell. Visible approx. 11.5 x 14.7