ENRIQUE BRECCIA - Minas

118a tav. pubblicata a pag. 134 dell’”Albo speciale di Tex” n. 31, giugno 2016. Matita e china su cartoncino, cm 30x40. Firmata. Un esempio della grande arte del maestro argentino attivo dal 196

Enrique Breccia Las puertas de la noche ENG Opening original art for the 6th episode. Pencil, ink and tempera on drawing paper. Signed IT Tavola di apertura per il sesto capitolo, Tormenta su testi di

Enrique Breccia Tex - Scure di Guerra ENG Original illustration, ink on drawing paper. Excellent conditions, scroll signed. IT Illustrazione originale china su carta da disegno cm 25,5x19. In eccellen

Enrique Breccia Las Puertas de la Noche: entre Sombras ENG Original opening art for the Entre Sombras episode, pencil and ink on drawing paper. Sigend. Excellent conditions. ITTavola d’apertura per

Mayisyan, 1961, oil on canvas, 31 1/2 x 39 1/2 in (80 x 100 cm), titled, dated and resigned verso, PROVENANCE: Private collection Armenia/California , ART NOTATION: This lot comes with a Certificate o

Untitled Oil on Canvas. Signed verso. From a New York collection. - Dimensions: 69" h x 90" w x 1.5" d.

Fall, 1961, oil on canvas, 26 x 34 3/5 in (66 x 88 cm), PROVENANCE: Certificate of authenticity from the Minas Avetsian Foundation accompanies this painting.

Enrique Alferez (Mexican/New Orleans, 1901-1999) , "Study for Miami Indian", c. 1950, cast concrete, unsigned, h. 19 1/2 in., original wood base, overall h. 31 1/2 in Exh.: The Helis Foundation Enriqu

Oil on canvasSigned in the lower left corner. Presented in ebonized molded frame by Hijos de J.Cano, Madrid.. 38 x 48 cm

Late Naqada II to Early Naqada III, Ca. 3500 - 3200 BC. A charming breccia jar with an ovoid body that tapers in towards the narrow base and deep red-brown veining which permeates the pale-yellow ston

Ancient Egypt, Predynastic Period, Naqada I to II, ca. 3650 to 3200 BCE. A stunning jar of tall and slender form that is hand-carved from breccia exhibiting mottled red and cream hues. The piriform ve

Minas Avetisian (Armenian, 1928-1975) unframed oil on canvas painting of a village scene, signed lower right. [26 1/2" H x 35 1/2" W]. In good condition.

Paseantes en la Calle, 1983-84 Oil on prepared canvas Signed and dated lower left: Tabara '83; signed and dated again: E. Tabara '84, and titled, verso 43" H x 43" W Provenance: The Carolyn J.

MINAS AVETISIAN (ARMENIAN 1928-1975) Street Scene oil on board 35 x 49 cm (13 13/4 x 19 1/4 in.) PROVENANCE Estate of Levon Airapetian CONDITION Observed in frame, the painting a

Antique pair of bronze & breccia violetta marble pedestals. 46 1/8” H x 13 3/4” W x 13 3/4” D. Shipping in USA or International please contact James Lawrence from the local UPS Store: 954-463-04

Twelve Egyptian Alabaster, Breccia and Other Stone Vessels Old Kingdom to Late Period, 2575-343 B.C. one of the articles likely a lid, now separated from its body.  Height of tallest example 2 5/8 in

Enrique Martinez Celaya Desire and Stages 1998oil, pencil, feathers and tape on paper 42 h × 52 w in (107 × 132 cm) Provenance: Estate of Stephen Cohen | Private C

Enrique Chavarria (Mexican, 1927-1998) "Creator of the Planets" Oil on board. Signed 'CH' and dated '1971' (lower center). 31 3/4 x 23 1/4 in. (image) Peter Bartlow Gallery. The estate of Dr. Seymour

Naqada II Period, 3500-3200 BC. A breccia stone vessel in the shape of a bird with drilled eyes, cylindrical hole in the back with flat rim; two pierced lug handles to the side. See Aston, B.G., Ancie

Enrique Martinez Celaya, oil on canvas, Enrique Martinez Celaya (Cuban, b. 1964), "The Unforgettable", signed, titled and dated in marker verso, additionally inscribed and signed in pencil verso (1999

Enrique Echeverria Mexican, 1923-1972 Flores Amarillas, 1965-66 Signed and dated Echeverria 66 (lr) Oil on canvas 16 x 20 inches (40.6 x 50.8 cm) Provenance: Acquired directly from the artist by the c

Enrique Alferez (Mexican/New Orleans, 1901-1999), "Seated Figure", terracotta, unsigned, h. 15 3/4 in., w. 10 1/2 in., d. 10 1/2 in

Enrique Celaya, mixed media, 1998, Enrique Martinez Celaya (Cuban-American, b. 1964), "The Tiger of Corners", oil, hair and varnish on canvas, signed, dated and titled verso, in slat frame, approx. 50

MINAS AVETISIAN (ARMENIAN 1928-1975) Mountainous Scape,1965 gouache on paper 15 x 24 cm (5 7/8 x 9 1/2 in.) framed dimensions: 40 x 49.5 cm (15 3/4 x 19 1/2 in.) signed and dated lower right; inscribe