Goya, Francisco de Lo que puede un Sastre (Was ein

After Goya, Francisco de (Spanish 1746 - 1828). Lo Que Puede un Sastre! - Plate 52 from Los Caprichos. Third state. Etching and aquatint on wove paper. Sheet: 7" x 9 1/2". Framed. 12" x 15". Condition

Artist: Francisco Goya Title: Plate 52 Lo Que Puede un Sastre Year: 1799 Dimensions: 11.5in. by 8.25in. Edition: From the rare limited edition Suite: Los Capric

Francisco Jose De Goya y Lucientes (Spanish 1747-1828) Lo Que Puede Un Sastro! From Los Caprichos, plate no. 52, matted and framed. Dimensions: 8.5 x 5.5 in. image size, 21 x 17 in. as framed. Condi

Goya's "Lo Que Puede un Sastre" (What a Tailor Can Do!) etching copy. Engraving 6.5" x 10"; Framed 25.25" x 28.75". Provenance: Park West Gallery. Condition report: Good, no issues, please examine all

After FRANCISCO GOYA (Spanish, 1746-1828), ''Ya Tienen Siento'', ''Soplones'', ''Que Viene el Coco'', ''Lo que Puede and Sastre'', four etchings from Los Caprichos Suite, later editions, each plate: 1

DESCRIPTION: Francisco Goya (Spanish, 1746-1828). Etching with drypoint on laid paper. "Tristes Presentimientos do lo que ha de Acontecer (Sad Forebodings of what is going to happen)". Plate 1 of Los

Three prints Etching Including two from La Tauromaquia: no. 35 "No se puede saber por que" and no. 40 "Algun partido saca" (sight 7 x 8-5/8 in.); plus a bullfighting scene marked "2" upper right and b

Framed etching on paper, "No se puede saber por que" (One Can't Tell Why), from the series "Los desastres de la guerra" (The Disasters of War), after Francisco Jose de Goya y Lucientes (Spain, 1746-18

FRANCISCO GOYA (1746-1828) De que mal morira Engraving on paper 16" x 12" sheet

Very good sight condition. Framed, matted and sealed under glass. Not examined out of frame. Plate size approx. 6 1/4" x 8 1/4". Image size approx. 5 3/4" x 7 3/4".

Francisco Goya etching: Cogida de un moro estando en la plaza (A Moor caught by the bull in the ring). Etching approximately 13 1/2" x 9 1/2"

"Que Pico de oro!" (What a Beak of Gold!) etching by the infamous Spanish artist Francisco Goya. Professionally mounted in a gold and silver brushed 23 1/2" x 26 1/8" x 1" frame. Viewing area is 7" x

Francisco de Goya (Spanish, 1746-1828) 'Yo Lo Vi' Etching and Print Assortment (7) items including 1863, Francisco de Goya y Lucientes (Spanish, 1746-1828) 'Yo Lo Vi' etching and burnished aquatint on

Francisco de Goya 1746 _ 1828 Por Que Engraving. Professionally framed and matted period engraving by Francisco de Goya. Shown in the artist's catalogue raisonne. Measures 10.5 x 12 inches. This work

Francisco de Goya, etching and aquatint, 1815, Francisco de Goya (Spanish, 1746-1828), "La que mal mardia nunca la flata que dija" (Disparate Matrimonial), plate 7 from Los Proverbios, signed in the p

Francisco Jose de Goya (Spain, 1746 - 1828) "Que Valor!" - Plate 7 Etching and aquatint from Disaster of War series. Printed by Calcografia Nacional, Madrid Published by Real Academia de Nobles Artes

FRANCISCO GOYA (1746-1828) Que pico de Oro, plate 53 (from Los Caprichos) Etching, aquatint on wove paper, circa 1797 7 1/4" x 5" Includes an old museum inscription to verso and also museum exhibition

DESCRIPTION: Francisco De Goya (Spain, 1746 - 1828) Caballo tirado por un toro (Horse Thrown by a Bull) Plate B. Etching, burnished aquatint and drypoint. In gilt frame. Visible plate mark. Label for

Francisco de Goya (Spanish, 1746-1820). 5 plates from “Desastres de la Guerra” - circa 1810/1866, comprising “Muertos Recogidos” (63), “Que Valor!” (7), “Extrana Devocion!” (66), “Cl

Francisco Jose De Goya (Spain, 1746-1828) Aguarda que te unten (Awaits to be anointed) The third edition etching with burnished aquatint printed on woven paper and published by the Calcografia for the

"Si Quebro el Cantaro" from Los Caprichos. Numbered plate 25 top right-hand corner. 1797-1798. Etching and aquatint. Plate size: 8 1/8 in. x 5 7/8 in. (20.64 cm x 14.92 cm). "Que Pico de Oro" from Los

Francisco Jose de Goya Y Lucientes (Spanish 1746-1828)- ''Que Sacrificio'' (Delteil 51); (Harris 49)- aquatint and etching, Plate 14 from 'Los Caprichios', glued to top mat along top edge. 7 x 4 3/4''

QUE VIENE EL COC (H.38V), 1797, Plate 3 from Los Caprichos, etching and burnished aquatint, from the fifth edition published 1881-1886 by Real Academia, Madrid, plate 8 ½ x 6”, Provenance: Gerhard

Francisco Jose de Goya (Spanish, 1746-1828). "El si Pronuncian y la Mano al Argan, al Primero que Ilega" - 1790s, etching and aquatint. Titled lower center, COA from Nathan Daniel Isen, Philadelphia.