Francisco Goya, Etching (Provenance from Museum)

FRANCISCO GOYA (1746-1828) Que pico de Oro, plate 53 (from Los Caprichos) Etching, aquatint on wove paper, circa 1797 7 1/4" x 5" Includes an old museum inscription to verso and also museum exhibition

Francisco Goya appears in Lower right. Attribute to Francisco Goya Technique: Etching Measures: 8 X 11.50 inches Image size and 20 X 22 Frame size Medium: Paper. Provenance: Private Collection. Lived

Francisco Goya (Spanish, 1746-1828) Etching On Paper, C. 1863, Se Aprovechan From Los Desastres De La Guerra, H 5'' W 8'' Signed in plate. Frame Measurements 12" x 15". Provenance: From the Estate of

DESCRIPTION: A Francisco Goya print of an etching titled:"Con Razon o Sin Ella". Originally leased by the consignor, then bought from the Brooklyn Museum Art Sales and Rental Gallery. Copy of invoices

Francisco Goya (Spanish, 1746-1828) Bullfighting (two works) etchings Larger: 8 1/2 x 12 1/4 inches. Estimate $1,000-2,000 Provenance: R.S. Johnson Fine Art, Chicago, Illinois

BOOKS: (6) vols. Art and Photography, Includes: Dodgson, The Etchings of James McNeill Whistler, The Studio, Limited, 1922; Fifty Drawings by Francisco Goya, Metropolitan Museum of Art, 1941; Marie He

After Francisco de Goya (Spanish, 1746-1828), "Dios los Cria y Ellos se Juntan (from Los Proverbios)," etching with aquatint, unsigned, overall (unframed/matted): 16"h x 20"w. Provenance: Barclay Simp

Francisco de Goya (Spanish, 1746-1820). “Ysele Quema la Casa” from Los Caprichos (plate 18), etching and aquatint on laid paper, first edition. Provenance: Private Collection, Cashiers, NC.; Sothe

QUE VIENE EL COC (H.38V), 1797, Plate 3 from Los Caprichos, etching and burnished aquatint, from the fifth edition published 1881-1886 by Real Academia, Madrid, plate 8 ½ x 6”, Provenance: Gerhard

Francisco Jose de Goya (Spanish, 1746-1828). "El si Pronuncian y la Mano al Argan, al Primero que Ilega" - 1790s, etching and aquatint. Titled lower center, COA from Nathan Daniel Isen, Philadelphia.

Artist:Goya, Francisco (Spanish 1746-1828) Title:La Tauromaquia No. #21 (Death of the Mayor Torrejon) (Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejón

Francisco Goya (Spanish 1746-1828)- ''La Tauromaquia''- etching and aquatint , 1816 with blindstamp, from the 5th edition out of 8, printed in 1921 in an edition of 200, very good condition. 13 7/8 x

12 1/2" x 17 1/2" sheet, plate: 8 1/4" x 12", printed circa 20th c. with an artist stamp to lower right side

AFTER FRANCISCO GOYA, ETCHING & AQUATINT, "CAPRICHOS: PLATE 14, QUE SACRIFICIO!":Framed and matted under glass.

Francisco Goya, etching Little Prisoner, 1867 1st Edition

Francisco Goya (Spanish, 1746-1828), etching, "Le Petit Prisoner", unsigned, Gazette des Beaux-Arts, imp. Delatre, Paris, 4-1/8" x 3-5/16", framed 13-1/4" x 10-1/4", very good condition, not examined

After Francisco Goya - Etching -Man in Chains. measures approx. 4 x 3-3/4 inches overall framed 15 x 13-1/2 inches

Francisco Jose De Goya Y Lucientes (Spanish 1746-1828)                    The Little Prisoner  (Harris 26)         

Francisco Goya (Spanish 1746-1828)- ''The Little Prisoner'' (Harris 26)- etching, as published in 'Gazette Des Beaux Arts', light struck. 4 1/8 x 3 1/4''

"Los Ensacados" (The men in sacks) from the "Disparates", edition unknown. Dimensions: Frame: H 15.75" x W 19.75" Sight: H 9" x W 13" Condition: Good impression, slightly wavy in frame with very sligh

Goya, After Francisco (Spanish, 1746-1828), The Little Prisoner, etching and aquatint on paper, c. 1876, Gazette des Beaux Arts, Imp. Delatre Paris printed in lower margin, plate mark 4.25 x 3.25 inch

A Francisco Goya (Spanish artist, 1746-1828), The Little Prisoner, etching and aquatint on paper, c. 1876, Gazette des Beaux Arts, Imp. Delatre Paris printed in lower margin, plate mark. Framed and gl

Unframed Francisco Goya etching, "Esta no lo es menos," 8"h. x 9 1/2"w.

Some waviness to paper. 5 1/2" x 8"