Edward Steichen Harold Lloyd Photo & Autograph

Edward Steichen 1928 Photograph and 2 others. Cut Signature "To Pat Harold Lloyd" 18 x 14

Edward Steichen 1928 Photograph and 2 others. Cut Signature "To Pat Harold Lloyd" 18 x 14

LLOYD HAROLD: (1893-1971) American film comedian, Academy Award winner. Vintage signed and inscribed 10 x 8 photograph of Lloyd in a half-length pose, in costume as Harold Diddlebock alongside actors

Sight- 10 3/4" x 12 3/4"

Steichen met the American painter William Merritt Chase in New York in 1900, when he had approached the famous artist for career advice. They became fast friends.Though Steichen originally had aspirat

A 30s postcard photo of legendary comedian Lloyd signed adding a sketch of his famous eyeglasses with COA

Harold Lloyd historic photo and signature card, signature reads "Luck Harold Lloyd," size as framed 19" x 11.5", an American actor, comedian, film director, film producer, screenwriter, and stunt perf

Steichen, Edward (Luxembourg/American, 1879-1973), Improvisation - George Washington, taken c.1925, gelatin silver photograph, printed in 1982 by George Tice from the original negative, in an edition

A black and white photograph of author Fannie Hurst with the following photo-printed inscription: "To Harold Lloyd, to whom I owe many a moment of delight, Fannie Hurst." Framed, 17 1/2 by 14 1/2 inch

Harold Lloyd Feet First Photograph, inscriptions read ‘Harold Lloyd Feet First Directed by Clyde Brueman’, ‘Movie Star News’, subject a man hanging off a metal beam, measures 8 1/8 x 10 inches

Harold Lloyd Feet First Photograph, inscriptions read ‘Harold Lloyd Feet First Directed by Clyde Brueman’, ‘Movie Star News’, subject a man hanging off a metal beam, measures 8 1/8 x 10 inches

4 Copies of Edward Steichen's Family of Man Photo Book, 1988. Originally published for the Museum of Modern Art by Maco Magazine Corp/ Simon & Schuster to accompany the monumental 1955 exhibition at M

Heading: (Limited Editions Club) Author: Thoreau, Henry David Title: Walden or Life in the Woods Place Published: Boston Publisher:Limited Editions Club Date Published: 1936 Description

Taking on Supplies, June 1943 Gelatin Silver Photograph, 20"x16" Verso: inscribed in pencil “Bu Aer 51058” (Bureau of Aeronautics) Title “Taking on supplies” The Naval Aviation

A Lillian Gish personally owned photograph credited to Edward Steichen A gelatin silver print photograph of Lillian Gish, credited to Edward Steichen, with ink-stamp 'LILLIAN GISH' verso. 8 x 10 in. F

Sepia photograph of actor Edward G. Robinson (Romanian-American 1893-1973) as a gangster during the Golden Age of Hollywood's movies. His autograph is in a lozenge shaped cut-out part of the hunte

Yousuf Karsh (Armenian/Canadian, 1908-2002) Portrait of Edward Steichen (1965), silver gelatin emulsion photograph, signed in ink along lower margin, stamped, titled and dated on verso. Size: 19.5" x

Artist: EDWARD STEICHEN Print Title: For Travelers Aid Society A photograph taken by Edward Steichen for the Travelers Aid Society, an organization created in St. Louis Missouri providing assistance t

Size: 8 x 12'Johnny Depp

Edward Steichen (American, 1876-1973), "Leslie Howard," photograph on Kodak paper with Portralure toner; authorized and approved posthumous print from the original negative, signed verso by George Tic

Attr Edward Steichen photogravure, depicting a sepia toned photo of a butterfly in shadow with a cascading shadow on the surface its on.Gallery tag on backside reads, Edward Steichen, DIAGRAM OF DOOM,

Six Books on Photography/Celebrities: "Fred Astaire, His Friends Talk" "Harold Lloyd, Master Comedian" "Jean Howard's Hollywood, A Photo Memoir" "Marlene, An Intimate Photographic Memoir" "Visual Aid"

PHILIPPE HALSMAN (1906–1979) | Edward Steichen Jumping, New York 1959 | Vintage silver print, double-weight semi-matte paper, in fine condition 24,8 x 20,3 cm Photographer’s stamp, publica

Edward Steichen: Three Pears and an Apple, c. 1920/later, photogravure, ed. 500 + 1 AP, Image size: 12.5" x 9.75"; Sheet Size: 20" x 16". The painterly effects of Three Pears and an Apple, a selection