Agnes Kellogg (20 th Century) California

STILL LIFE, 1961, mixed media on board, signed lower right, signed and dated on verso, 48 x 36â€. From the collection of Paul J. Coady. Provenance: Santa Monica Auctions November 2004, lot 134.

TWISTER, 2005, paper, glass and metal sculpture, signed and dated and titled underneath, 13 ½ x 8 x 8”. From the Collection of Laura Lee Stearns, Los Angeles.

RED; BLUE; MOSS/ LIME GREEN; YELLOW, 1996, four oil and varnish on wood panels, each with artist’s stamp on verso, each 24 x 18”. Provenance: Patricia Correia Gallery, Santa Monica. (4)

XRAY (Death Behind You), 2008; THE SHADOW, 2007, a pair metallic jet prints, both initialed and dated and titled in pen, with artist’s stamp on frame verso, each with finger-joint frames 31 x 3

ANCIENT BRISTLECONE PINES, photo on plasticized canvas, mounted on board, a signature not found, 71 x 71”. Provenance: Diana Zlotnick Collection.

DANCE OF LIFE, 1982, watercolor on paper, initialed lower right and dated lower left in pencil, artist’s labels on back, image 26 x 11”, sheet 30 ¼ x 14”, frame 32 ¼ x

BLING, 2004, acrylic painting with collage on paper, a signature not found, possibly signed on verso, 50 x 38”, frame 53 x 41 ¼”. Provenance: Diana Zlotnick Collection.

CORNER STONE, 1988, cut and welded and painted metal sculpture, signed and dated and titled, 34 ¼ x 21 ½ x 14”, weight 22 lbs.

BEAUTIFUL WOMAN, five color screenprints, each signed in pencil, each from a numbered edition or an artist’s proof, all published by Mirage Editions with blind stamps, sheets average 36 x 30&rd

CAMEL, hand-painted resin sculpture, signed and inscribed AP (artist’s proof) from an unrealized edition, overall including Plexiglas box 3 ¼ x 7 x 3”.

SHOOT OUT, oil painting on Masonite, signed lower left, 22 x 20”, frame 27 x 25”.

RITUALS AND HOMAGES, 1977-78, gouache and watercolor on illustration board, signed, 40 x 30", framed, original illustrations for exhibition poster for B. Lewin Gallery, Beverly Hills.

GETTING RATIONAL: THE SPACE ELEVATOR, 2003-4, acrylic painting and collage on canvas, signed and dated lower right, titled and dated on verso, 55 x 46”. Provenance: Artist’s label on vers

SWING, moveable metal sculpture, signed, 24” tall; RIBBED CYLINDER, metal sculpture, a signature not found, 5 x 17 ½ x 5”, combined weight just under 20 lbs.

ALLIGATOR, hand-painted resin sculpture, signed and numbered 2/8 from an unrealized edition, mounted to a walnut wood base, overall 3 ½ x 12 ½ x 6 ¾”.

A TORCH FOR POSTERITY, 1986, painted wood construction, signed and dated on verso, 72 x 35”. Provenance: Orlando Gallery, Sherman Oaks, CA.

Dennis Mukai BEAUTIFUL WOMAN, four color screenprints, each signed in pencil, each from a numbered edition or an artist’s proof, all published by Mirage Editions with blind stamps, sheets avera

GEISHAS, oil painting on Masonite, signed lower right, 30 x 24”, frame 35 x 29”.

PARK CINEMA, 1961, oil painting on canvas, signed and dated lower right, 22 ½ x 48”, frame 24 x 50”. Provenance: New York Circulating Library of Paintings.

PATCHWORK FIELDS, oil painting on canvas, initialed lower right, inscribed on verso, 30 x 24”, frame 31 ½ x 25 ¾”.

EGYPTIAN BOOK, 1988, painted open book with paddle inset, with chain and beads and mixed media appointments, signed and dated on last page lower right, 25 ¾” tall including metal stand, p

ROSES AND A LOT OF THORNS, 2019, acrylic painting on panel, signed and dated lower left, 8 x 8”.

BLIPS, manipulated metal and acrylic painted wood slats, signed and titled on verso, 42 x 28 x 6”.

Glazed Roku earthenware urn, signed underneath, 19” tall, 9 ½” diameter.