Lee Mullican (1919-1998) 2 Bon A Tirer Lithos

Lee Mullican (1919-1998). Bon a Tirer lithograph ("good to print proof" - the final trial proof). Untitled (from Fables series IX). Artist signed in pencil lower right. Blind stamp of Tamarind Lithogr

Lee Mullican (1919-1998). Bon a Tirer lithograph ("good to print proof" - the final trial proof). Untitled (from Fables series II). Artist signed in pencil lower right. Blind stamp of Tamarind Lithogr

Lee Mullican (1919-1998). Bon a Tirer lithograph ("good to print proof" - the final trial proof). Artist signed in pencil lower right. Blind stamp of Tamarind Lithography Workshop, Inc. Measures 30" x

Lee Mullican (1919-1998). Bon a Tirer lithograph ("good to print proof" - the final trial proof). Titled "Jam Passage". Artist signed in pencil lower right. Blind stamp of Tamarind Lithography Worksho

Lee Mullican (1919-1998). Bon a Tirer lithograph ("good to print proof" - the final trial proof). Untitled (from Fables series VIII). Artist signed in pencil lower right. Blind stamp of Tamarind Litho

Lee Mullican (1919-1998). Bon a Tirer lithographs ("good to print proof" - the final trial proof). The cover page and description page from the Fables series, which is titled "Fables, Ten Lithographs

LEE MULLICAN (1919-1998) Bird Totem #4, 1983 bronze 31 1/4 x 4 1/2 x 3 1/2 in. 79.4 x 11.4 x 8.9 cm. Footnotes: Provenance Herbert Palmer Gallery, Los Angeles Acquired directly from the

Lee Mullican (American, 1919-1998) miniature assemblage of (3) bronze castings, unsigned, 3-1/2" x 2-7/8" x 1-5/8", very good condition, The bronze came from Philadelphia Estate along some of the othe

LEE MULLICAN (1919-1998) Bright Path, 1967 signed, inscribed and dated 'Lee Mullican 1967 Venice' (on the reverse); titled, perhaps in a different hand, ''Bright Path'' (on the stretcher bar) oil on c

ARTIST: Lee Mullican (1919-1998) MEDIUM: Oil on Canvas DATE: 1988 DIMENSIONS: 29.5 x 24.5 in.(sight); 31 x 26 in. (framed) SIGNATURE: Verso Lee Mullican 1988 Taos CONDITION: Good PROVENANCE: Fenix Gal

Lee Mullican (1919-1998) Moonfall 1977 Signed verso and titled 'Transfigured (a Series) Six of Seven' and 'Moonfall', dated 1977. Work measures 20 x 26, frame is 26.25 x 32.25 inches. We happily provi

Lee Mullican (1919-1998) Untitled, 1955 Wash on paper Signed and dated on recto Sheet: 18.5 x 23.5 inches; Framed: 24.5 x 30 inches

Lee Mullican Lot of Four (1919-1998) Untitled, 1948 Wash on paper Each signed and dated on recto Image: 8.75 x 11 inches; Framed: 15.5 x 12.5 inches; 8.75 x 11 inches; Framed: 15.5 x 12.5 inches; Imag

Belkis Ayón (Cuban, 1967-1999) 'Sin Titulo' 1998 Collagraph Bon à Tirer from an edition of 45; 30 x 22 (in) Signed and dated in pencil Belkis Ayón / 98, lower right From the Irony and Survival on t

Fritz Scholder, "Indian Portrait No. 2", B. A. T. ("bon a tirer") pencil-signed lithograph on Arches paper, includes book wherein it is published plate: 11 x 7 in., sheet: 15 x 11 in.

Lee Godie (American, 1908-1998) Untitled (Lady with Updo) mixed media on canvas signed Lee Godie (lower left) 24 1/2 x 18 inches.

Robert Lee Morris 18K hammered bangle, a flat lower wrist surround with a raised free edge upper, signed by the artist and dated 1998, stamped RLM and 18K at interior, 35.2 DWT, 7-5/8"

R. Scott Nickell (1958- ) General Robert E. Lee Medium: bronze, 7/30 Dimensions: 24 3/4 x 9 3/4 x 9 1/4 Framed/base dimensions: 26 1/2 x 9 3/4 x 9 1/4 Signature: inscribed: © 1998 R. Scott Nickell "

Two Bathing Nudes, 1919 14" x 20" oil on board signed lower right with Eva Lee Gallery label 21" x 27 1/2" overall with the frame

Mirror of the Little Pools, acrylic on canvas, by Lee Mullican 1948. Was selected for the 11th annual Society for Contemporary American Art Exhibition at The Art Institute of Chicago, April, 10 - May,

Lee Mullican Untitled 1966ink, pastel, acrylic, colored pencil on paper 28.875 h x 23 w in (73 x 58 cm) Signed and dated to lower right 'Lee Mullican 1966'. This work will

TRIBAL HEAD, 1989, oil painting with acrylic and pencil on canvas, signed and dated and inscribed Taos on verso, 40 x 30”, frame 41 ½ x 31 ½”. Provenance: Herbert Palmer Gallery;

Drawing I Series O, 1949 Pen and ink on Strathmore paper under Plexiglas Signed lower right: Mullican; titled and dated along the lower sheet edge, at right, under the matting; the Strathmore blinds

Heading: Author: Dali, Salvador Title: Fleurs surréalistes - Gala’s Bouquet [with] Vanishing Face Place Published: New York Publisher:Levine and Levine for DALART Date Published: 1980