Louis Haghe (1806-1885) British after Thomas Leeson

Louis Haghe (British, 1806-1885) after David Roberts Karnac, Medinet Abou, Thebes, Kom Emb

After Louis Haghe (British, 1806-1885), After David Roberts R.A. (English / Scottish, 1796 - 1864). Egyptian Ruins - 20th century, color offset lithographs, signed in plate to lower right. A pair of c

4 William Day (British, 1797-1845) and Louis Haghe (Belgian-born British, 1806-1885) Botanical color lithographs, verso retail label affixed, Good & Hutchinson William Day & Louis Haghe Dimensions: 7

After David Roberts, RA (British, 1796-1864) Louis Haghe (Belgian, 1806-1885), lithographer comprising Libyan Chain of Mountains, from the Temple of Luxor; Cairo from the Gate of Citizenib looking tow

DESCRIPTION: A Framed color lithograph print, "Interior of the Mosque of the Metwalys", after David Roberts R.A. (British, 1796-1864), after Louis Haghe (Belgium, 1806-1885). CIRCA: 20th Century ORIGI

Louis Haghe (1806-1885) Belgian. "Emeute at Louvain in the Olden Time", Mixed Media, Inscribed on the mount, 10.5" x 14".

(3) Large Hand Colored Lithos of Cairo, Louis Haghe, 1806-1885, lithographer, published in London in 1849 by F.C. Moon, in matching gold molded frames, matted and glazed, including: "Bazaar of the Sil

Original lithograph showing the Lower End of the Valley and the Acropolis of Petra by David Roberts (1796-1864) and the lithographer Louis Haghe, (1806-1885). Published in London, 1842.David Roberts,

3 David Roberts (1796-1864), artist, and Louis Haghe (1806-1885), engraver, lithographs of Egyptian monuments: "Temple of Karnak", "Tombs of the Mimlooks", and "Statue of Rameses II". Largest image ap

LOUIS HAGHE 1806 Tournai - 1885 Stockwell DIE PREDIGT Aquarell und Gouache über Bleistift auf bräunlichem Papier. SM 35,5 x 26 cm (R. 51 x 42 cm). Unten links monogrammiert 'LH'. Insg. gebräunt, pa

Original lithograph by David Roberts (Scottish, 1796-1864) and Louis Haghe (Belgian, 1806-1885), titled “Portico of the Temple of Kalabshi (Kalabsha),” published in London, 1847. Signed in plate l

Louis Haghe (Belgian 1806-1885) Interior Scene with a woman reading and a child & dog playing, W/C 1869, signed and dated lower left, "L.Haghe 1869" [LENR8401] (AC) Dimensions: Sheet Size: 10.75 x 14.

Framed hand colored color lithograph, "Encedi", "Convent of Saba, April 4th, 1839", print signed lower left David Roberts, R.A. (Scottish, 1796-1864), after Louis Haghe (Belgium, 1806-1885) "London, P

Framed hand colored lithograph, 'Ruins of Baalbec, May 5th, 1839", signed lower right David Roberts R.A. (Scottish, 1796-1864), after Louis Haghe (Belgium, 1806-1885), "London, Published by F.G. Moon,

Framed hand colored lithograph, "Baalbec", unsigned, after David Roberts R.A. (Scottish, 1796-1864), after Louis Haghe (Belgium, 1806-1885), "London, Published by F.G. Moon, 20 Threadmeedle St, May 1,

DAVID ROBERTS, R.A. (Scottish, 1796 – 1864). In the Slave Market at Cairo, circa 1849, Coloured lithograph by Louis Haghe (1806 – 1885), a Belgian lithographer and watercolourist. Stone

Edmund Thornton Crawford (British, 1806-1885), "Equestrian Portrait", 1845, oil on canvas, signed and dated lower right, partial "Bell Punch Co., LTD" inventory label with artist, title and date on st

Manner of Thomas Beach (British, 1738-1806) Late 18th/Early 19th Century Peter Ryves Hawker, Colonel of H.M.'s First Troop of Horse Guards oil on canvas signed Beach pinxit/ 1788 (lower left) 28 1/2 x

George III style stained oak sofa in the manner of Thomas Sheraton (British, 1751 -1806), with arched crestrail and downswept volute arms above column supports with satinwood inlay, the whole upholste

George III style stained oak sofa in the manner of Thomas Sheraton (British, 1751 -1806), with arched crestrail and downswept volute arms above column supports with satinwood inlay, the whole upholste

Thomas William Earl (British, 1815-1885), Hunting Dogs, oil on panel, signed lower right, panel: 11"h x 15"w, overall (with frame): 15"h x 19"w

Thomas Charles Leeson Rowbotham (British, 1823-1875) "An Italian Lake", 1859 watercolor heightened with white on paper signed and dated lower left, inscribed with artist name on mat lower right, title

Thomas W. LascellesBritish, fl. 1885-1914Sunlight in the WoodOil on canvas, signed lower right, titled to the canvas versoTwo figures walk a path through a heavily wooded landscape, within a fine gilt

Thomas F. Collier (BRITISH, 1825-1885) Watercolor- Still life flowers, bird nest with eggs, signed lower left, 7-1/4" x 10-3/4"