Elliot Erwitt (b. 1928) Americans, 1962

NEW YORK CITY, 2000, gelatin silver print, signed and dated and inscribed in pencil on the verso, sheet 16 x 20”, frame 21 ½ x 25 ½”. Provenance: Peter Fetterman Gallery, Santa M

New York City, 1974; Gelatin silver print (framed); Signed and titled; 11 5/8" x 17 3/8" (image); 15 7/8" x 19 7/8" (sheet); Provenance: Private Collection, New York

Elliott Erwitt (American, b. 1928) Wilmington, North Carolina, 1950 gelatin silver print signed in ink on sheet (recto) 12 1/4 x 17 1/8 inches. Property from the Ginny L. Williams Collection, Denver,

Elliott Erwitt (American, b. 1928) Western U.S.A., 1954 (printed later) gelatin silver print signed in ink (sheet recto) 12 1/8 x 18 inches. Property from the Ginny L. Williams Collection, Denver, Col

Elliott Erwitt, photograph, Elliott Erwitt (American, b. 1928), "Jacqueline Kennedy, Arlington, VA, 1963 (JFK Funeral)", silver gelatin print from original negative, signed in ink "Elliott Erwitt", bo

ELLIOTT ERWITT (American b. 1928) "Dog in Booth" Silver gelatin print. Sight: 12 5/8 x 18 3/8 inches; Frame: 21 x 26 3/4 inches. Signed l/r. **Was not examined out of the frame.

Elliott Erwitt (American, b. 1928), Untitled (Eyes), gelatin silver print, signed lower right, inscribed "Best one, 76-1-62/3A" verso, image: 5.25"h x 7.75"w, sheet: 8"h x 10"w, overall (with mat): 14

Melvin Klapholz (American b. 1928), 1962,"Portrait of a Woman" executed in oil on canvas, depicting a bust length portrait of a woman with long hair and bare shoulders looking to the left, signed and

Erwitt, Elliott (American, b.1928), Scratchers, Kyoto, Japan, from the portfolio Recent Developments, negative made 1977, gelatin silver photographic print made in 1979, signed in pencil on the verso,

Elliott Erwitt (French/ American, b.1928): Ireland, 1963. Offset lithograph printed in 1994. Professionally framed. Unsigned. Elliott Erwitt is a French-born American advertising and documentary photo

Title: Two Trees with a Path BetweenSubject: ForestType: Painting Materials: Oil on canvas Markings & Inscriptions: Signed & dated '62 bottom right Date: 1962 Maker: Carolyn Blish (American, B. 1928)

(American, b. 1928) Original lithograph, Elliot Measures: 24 x 20 inches Hand signed lower right, numbered lower left 111/150

Elliott Erwitt, Marilyn Monroe - 1975, Gelatin Silver Print. Image Size Approx.: 11.6 X 8.5 inches. Framed size approx.: 20 x 17 Inches. Elliott Erwitt (American, b. July 26, 1928) is a respected phot

George Barris (American, b.1928), Marilyn Monroe, 1962, gelatin silver print, signed lower right, image/sheet: 10"h x 8"w, overall (with mat): 19.5"h x 17"w. Note: COA accompanies this lot

ELLIOTT ERWITT (B. 1928) Title - Santa Monica, California Type of Print - Print in Colors Approximate Image Size - 7" x 9" Elliott Erwitt is an American documentary photographer considered one of the

Edward Albee (b. 1928) American playwright known for works such as The Zoo Story (1958), The Sandbox (1959), and Who's Afraid of Virginia Woolf? (1962). Signed vintage 8x 10 photo, dated NYC Feb. 16,

Pastel on Paper. Inscribed Michael and dated 1962. Sight-15 1/2 x 12 in. Carved Frame behind glass. Overall Measures-26 1/2 x 23in. Good Condition. Minor losses to frame.

Kerr Eby (American 1889-1962)- ''Polo Plate B'' (Giardian 113); ''Top of The World'' (G. 126); ''Fisher Folk'' (G. 127)- 3 etchings, 1927, 1928, all signed and annotated in pencil, editions of 90, ver

Note: Description Updated 11/23. A Woman and Her Dogs. B&W, 1974. Fiber-based silver gelatin. Older print. Framed. Signed and inscribed in ink to Neil Leifer by photographer, "For Neil, from one pictu

Note: Description Updated 11/23. A Man and His Dogs. B&W, 2000. Vintage fiber-based silver gelatin print. Framed. A man and his two bulldogs, one in his lap. Signed and inscribed in ink to Neil Leifer

LOVE from the ‘Book of Love’, 1996, color screenprint, signed and numbered 114/200 in pencil, published by American Image Edition, image 18 x 18”, full margins, frame 26 x 22”

James Martin (b. 1928) oil on board. It is signed and dated in the lower right and titled "Candelabra." Martin was influenced early in his career by Morris Graves, Kenneth Callahan, Mark Tobey, Mark C

Overall Size: 12 x 16 in

CHEMIN NOCTURNE, 1974, color lithograph, signed and titled and inscribed E.A. (artist’s proof) in pencil, image 27 ½ x 19 ½”, sheet 30 x 22”, frame 30 ½ x 22 ½&#8