DON SWANN ENGRAVING, #31/300, 'TWILIGHT' (

Etching of a sailboat at dock at twilight, by Baltimore artist Samuel Donovan [Don] Swann (1889-1954.) Signed, Titled, and numbered 95/300 in pencil, lower margin. Foxing and toning. Frame, approx. 21

Entitled in pencil lower margin: "West Range, U. of Va." numbered 167/300 and signed lower right by important American print maker Don Swann, (1889-1954.) The view shows some of the buildings of Thoma

Signed William Stage 8N 5/5/61.Together with a print of sailing ship titled "TWILIGHT" signed Don Swann and a mixed media of American Export Lines frieghter. Largest framed size 26 1/2" x 20 1/2"

Vintage DON SWANN JR Hand Signed Etching/Engraving Artist Proof of an Aruba Tree in 1969 for a Wallace Tracy 11.50"x 14.50" in Good Preowned Condition. FREE Domestic Shipping.

Julius J. Lankes (American 1884-1960)- ''Winter Twilight'' (AAA/Czestochowski 1939.039)- wood engraving, 1939, signed in pencil, edition of 250. 9 x 11''

CLARE LEIGHTON Bread Line, New York. Engraving, 1932. 298x200 mm; 11¾x7 inches, full margins. Signed, titled and numbered 10/100 in pencil, lower margin. Fletcher 198.

(DECLARATION OF INDEPENDENCE.) Frédéric Lepelle, engraver. Early French printing, based closely on the famous Stone engraving. Engraved broadside, 32 x 26 inches; folds as issued, minor foxi

JOSEPH MCGURL Twilight in the Mangroves. Oil on canvas, 1992. 730x1275 mm; 29x50 inches. Signed and dated in oil, lower right recto.

(GEORGE WASHINGTON.) Textile titled "The Resignation of Pres't Washington." Engraving on linen, 18¼ x 21 inches to sight; minor wear including 6 small areas of loss, light folds, minimal foxing;

HOWARD COOK The New Yorker. Wood engraving on Japan paper, 1930. 446x217 mm; 17½x8 inches, full margins. Signed, dated, inscribed "imp." and numbered 49/50 in pencil, lower margin. A brilliant, d

ROCKWELL KENT Over the Ultimate. Wood engraving, 1926. 139x202 mm; 5½x7 inches. Edition of 110. Signed in pencil, lower right. A very good impression. Burne-Jones 5.

Leighton, Clare (1898-1989) I: Cutting, from the Lumber Camp Series. 1931.Wood engraving on off-white Japanese paper, copy number sixteen from the English edition of thirty, signed lower right, number

(REVOLUTION.) Edwin, engraver; after Warrell and Barralet. . . . Peter Francisco's Gallant Action with Nine of Tarleton's Cavalry. Hand-colored engraving, 23½ x 32 inches; minor edge wear includi

(AMERICAN REVOLUTION--HISTORY.) The New Game of the American Revolution. Hand-colored engraving laid down on board, 14¼ x 18¼ inches, folding in half to convenient folio size, backed in shee

(GIDEON WELLES.) Frederick Halpin, engraver; after Carpenter. Engraved portrait of Lincoln, inscribed by the artist to Gideon Welles. Engraving, 19¼ x 14¼ inches, with facsimile signature "A

GIOVANNI B. PIRANESI The Pier with a Lamp. Etching, engraving and burnishing, 1749-50. 410x545 mm; 16¼x21½ inches, wide margins. Fourth state (of 7); Robison's second edition, second issue,

GIOVANNI B. PIRANESI Carceri d'Invenzione: titolo. Etching and engraving, 1749-50. 553x419 mm; 21¾x15½ inches, wide margins. Sixth state (of 9); Robison's second edition, second issue, print

FERNAND LÉGER (AFTER) Femme à la Cruche. Color aquatint, engraving and roulette, 1928. 475x313 mm; 18¾x12⅜ inches, full margins. Etched by Jacques Villon. Published by Chalcograph

ROCKWELL KENT Home Port. Wood engraving, 1931. 165x188 mm; 6½x7 inches, full margins. Edition of 150. Signed in pencil, lower right. A very good, evenly-printed and dark impression. Burne-Jones 6

ALBRECHT DÜRER (AFTER) Adam and Eve. Engraving, circa 1600. 257x196 mm; 10¼x8 inches. The letters CCB in a double-circle watermark. With thread margins or trimmed on the plate mark. A very g

REGINALD MARSH Box at the Metropolitan. Etching and engraving, 1934. 255x204 mm; 10x8 inches, full margins. Fifth state (of 5). Edition of approximately 30. Signed in pencil, lower right. A superb imp

PAUL LANDACRE Three Kids and a Horse. Wood engraving, 1941. 190x256 mm; 7½x10 inches, full margins. Signed, titled and numbered 66/100 in pencil, lower margin. A very good impression. Wien 246.

(DECLARATION OF INDEPENDENCE.) John Binns, engraver. Declaration of Independence. Engraving, 35½ x 26 inches; dampstaining on bottom 5 inches, early repairs to several closed tears, lacking 2 inc

(REVOLUTION--PRELUDE.) [Carl Guttenberg, artist.] The Tea-Tax-Tempest, or The Anglo-American Revolution. Engraving, 16¼ x 19 inches, with title in English, German, and French; minor foxing and mi