Bill Schenck Saddle in the Shadow

Bill Schenck (1947- ), 4 Mile Flats, oil on canvas, 30 x 30, signed lower left: SCHENCK 16 verso: titled, signed, dated Provenance: Private Collection, Bozeman, MT

Bill Schenck (1947- ), August '81 Branding at the JY, acrylic on canvas, 52 x 46, signed verso: 'Schenck 1981' Provenance: Trailside Galleries, Jackson WY Private Collection, Jackson, WY This scene de

Bill Schenck (American, b. 1947) After Pruett Carter's "The Escape", 1984 Oil on canvas 50.75 x 40.5 (in) Signed and dated Schenck Aug 84, verso Titled, verso.

Bill Schenck (American, b. 1947) Agua Dulce, 1987 Oil on canvas 65.5 x 55.5 (in) Signed and dated Schenck July 87, verso Titled, verso. Elaine Horwitch Galleries and Larsen Gallery tags, verso.

Bill Schenck (American, b. 1947) 'Way Down Quinterros Way' 1986 Oil on Canvas ; 50.5 x 59 (in) Signed and dated Schenck Mar 86, lower right and verso

Bill Schenck (American, b. 1947) Lavender Saturday oil on canvas signed Schenck, titled and dated May 79 (verso) 22 x 30 inches Estimate $ 1,500-2,500 Craquelure and a small, light surface abrasion in

Sunset on the Mimbres River, 1987; Oil on canvas; Signed, dated and titled; 39 7/8" x 39 7/8"; Provenance: Elaine Horwitch Galleries (label on verso); Private Collection, New York

Bill Schenck (American, b. 1947) Deep into the Desert (State II), 2013 Serigraph on paper P.P. apart from an ed. of 72 40 x 25 (in) Signed and dated in pencil Schenck Feb 13, lower right Titled in pen

Bill Schenck (American, b. 1947) Just Say No Bob!, 1992 Serigraph on paper P.P. apart from an ed. of 75 41 x 29 (in) Signed and dated in pencil Schenck Nov 92, lower right Titled in pencil, lower left

Line Rider Serigraph on paper, mounted Signed and dated "Feb. 73" lower right, ed. 1/82 h. 32 w. 29 in. Provenance: Private collectors, Bedford, NY n.b. Not all items are on display in our saleroom. I

Bill Schenck (American, b. 1947) No. 5, 1980 Serigraph on paper ed. 48 of 125 30.25 x 32 (in) Signed and dated in pencil Schenck March 80, lower right Titled in pencil, lower left.

Bill Schenck (American, b. 1947) 'Cowboy Coffee' 1991; Serigraph ed. 86 of 125; 35 x 29 (in); Signed and dated in pencil Schenck April 91, lower right. Illustrated on page 62 of Bill Schenck Serigraph

Bill Schenck (American, b. 1947) 'No. 5' 1980 Serigraph ed. 1 of 125; 28.5 x 30 (in) Signed and dated in pencil Schenck March 80, lower right

Bill Schenck (American, b. 1947) 'Sunset in Superior' 1978; Lithograph ed. 20 of 54; 24 x 32 (in); Signed and dated in pencil Schenck Jan 1978, lower right. Illustrated on page 19 of "Bill Schenck Ser

Bill Schenck (American, b. 1947) 'Red Rodeo Rider' 1981 Serigraph ed 7 of 75; 34 x 22.75 (in) Signed in pencil Schenck, lower right Titled and dated in pencil with printer's blindstamp, lower left

Pair of prints. Each signed and dated. From a Long Island, NY collection. Dimensions: 15" high x 8" wide to 25.5" high x 17" wide.

Offered is a color serigraph by Bill Schenck (American, b.1947), titled "Morning in Moran, State II". Pencil signed lower right, dated Jan. 82, and pencil titled lower left and numbered 13/39. Image s

Signed and numbered. 20" by 37".

(7) Vols. Photographers & Photography, 1 signed, Includes: 1) Peter H. Beard. The End of the Game. Viking, 1965; 2) Bill Brandt: Shadow & Light, Museum of Modern Art; 3) Object: Photo. Modern Photogra

November 2016; oil on canvas; signed and dated lower right; signed, titled, and dated verso; 14 x 18 inches; 20 1/2 x 24 1/2 inches frame

Untitled (Saddle) by Bill Nebeker (1942- ), bronze 21/50, 5 1/2 x 4 1/2 x 3 1/2

A pair of Bill Nebeker patinated bronze saddle bookends1977Bases inscribed 1977 Bill Nebeker © 25/25 BJNheight 6 3/ 4in; (17cm); width 7in (17.75cm); depth 6in (15.25cm) Provenance: Property from t

Bill Chappel Co. western leather saddle, featuring tooled floral motif, engraved conchos, marked, dated 1950 36"h x 18"w x 21"d Provenance: A Hamilton, Texas collection We happily provide seamless

Bill Mittag (Arizona, b. 1935), "Evening Shadows", 1985, oil on canvas, inscription on verso sight: 9.5 x 15.5 in., frame: 14.5 x 20.5 in. Provenance: An Alamo Heights, Texas collection We