No visible signature, after F. Zurbaran, Saint Francis,

This modern rendition of the Painting done by Francisco de Zurbaran depicts Saint Francis of Assisi in his Tomb.The piece looks beautiful, the piece has writen the words DUH! across his eyes, a very i

After Francisco de Zurbaran (Spanish, 1598-1664) Saint Francis oil on board unsigned 7 1/4 x 4 1/2 inches. Inscribed Bonington after Zurbaran to the reverse based on a previous attribution to Boningto

"Saint Jerome". No visible signature. Oil on Canvas. Measuring 46 1/2" by 38 1/2". Framed. (Cond: darkening of varnish, reline, surface grime) (1000/1500)

Antique Hudson Valley Landscape Oil Painting in period good gilt wood farme. No visible signature. Artist Board purchased at F. W. Devoe & Co. corner of Dulton and West William, NYC. In frame 16.25"x2

Francis Criss (attrib.), oil on canvas, c. 1940, Attributed to Francis Criss (American, 1901-1973), Cold Room, no visible signature, inscribed with artist's name and title on labels to stretcher verso

MANNER OF ALONSO CANO (Spanish, 1601-1667), St. Francis, oil on wood panel, no visible signature, panel measures 10 1/4" x 13 1/8", in an antique gesso and gilded wood carved frame with nameplate. Ove

Oil on canvas. Featuring surrealist image of two mermaids swimming in a pond filled with lilies. Signed "Souza" to the top left with "57" inscribed beside the signature. "F. N. Souza" inscribed beneat

CONTEMPORARY SAINT LOUIS POINSETTIA LAMPWORK PAPERWEIGHT, having a black ground, faceted, with visible signature cane and retaining original sales sticker. 1970. 3 1/4" DOA.Provenance: From the collec

Spanish Colonial School (Early 19th Century), Saint Francis of Paolaoil on canvas laid on panel, unsigned, the saint depicted yielding a staff with the word "Charitas" visible in the sky above, presen

American School, Saint Sebastian painting, American School (20th c.), Saint Sebastian bound and shot with arrows, oil on Masonite panel, no visible signature, 15.25"h x 3.25"w x 2.5"d, unframed

Framed Metallic Fishing Color lithograph. No visible signature or title to piece, by Frank Hoffman. Matting to piece within a gold frame behind glass. Lithograph is printed with metallic finish. Windo

Framed Metallic Fishing Color lithograph. No visible signature or title to piece, by Frank Hoffman. Matting to piece within a gold frame behind glass. Lithograph is printed with metallic finish. Windo

Framed Metallic Fishing Color Lithograph. No visible signature or title to piece, by Frank Hoffman. Matting to piece within a gold frame behind glass. Lithograph is printed with metallic finish. Windo

Framed Metallic Fishing Color lithograph. No visible signature or title to piece, by Frank Hoffman. Matting to piece within a gold frame behind glass. Lithograph is printed with metallic finish. Windo

Framed oil on canvas painting, Saint Francis of Assisi Adoring the Crucifix, signed lower right GVERARA f. (fecit), depicting the saint with stigmata, kneeling before a crucifix, books, a skull, and s

OIL ON CANVAS MOUNTED TO MASONITE, 19TH C, H 25.5", W 33", SAINT PHILOMENA Depicting Saint Philomena holding peace lilies and a Diocletian arrow, adjacent to her father's crown. No visible signature.

SOUTH AMERIKAN/SPANISH SCHOOL Master active about 1800 SAINT FRANCIS IN THE TRANSFIGURATION Oil on wooden panel. 32,5 x 23,5 cm (F. 45 x 37 cm). Plate with min. vertical short crack. Frame. Provenance

Francis Wheatley (attrib.), watercolor, Francis Wheatley (attrib.) (British, 1747-1801), "The Road to the Village", watercolor on paper, no signature visible, 7"h x 8.5"w (sight), 22"h x 23"w (framed)

Believed to be a litho print. Framed and matted. 19"x17". No visible artist's signature or serial number. Possibly concealed by the matting. Location Box I

After Rene Saint-Marceaux (1845-1915), standing bronze figure of an harlequin. Signed “St. Marceaux, 1879”, has “A. Collas Brevete, Reduction Mecanique” mark and foundry signature for “F. Ba

with interior signature cane visible from the underside; 2 1/4 inches diameter; 2 inches high

Horse sculpture signature to base, F.W Eustis, numbered 31/75 composition, walnut. 11W x 4 3/4D 11 1/4H.

Horse sculpture of sheriff riding a horse. Signature to base F.W. Eustis and numbered 27/40. Composition, leather, walnut. 11 1/2W x 4 1/2D x 11 3/4H.

with interior signature cane visible from the underside 2 inches high