AFTER FRANCISCO DE ZURBARAN (SPANISH, 1598-1664)

After Francisco de Zurbaran (Spanish, 1598-1664) Saint Francis oil on board unsigned 7 1/4 x 4 1/2 inches. Inscribed Bonington after Zurbaran to the reverse based on a previous attribution to Boningto

Circle of Francisco de Zurbaran (Spanish, 1598-1664), portrait of St Bartolome, oil on canvas, titled upper left, numbered 736 lower right, signed "F Zurbaran JP 95" on back. Appx 35" x 26", frame 43"

After Francisco de Zurbaran (Spanish, 1598-1664). Oil on copper painting depicting the biblical scene of the Immaculate Conception. Possibly painted for the Italian Noble Family Sanseverino, ca. 1630.

FRANCISCO DE ZURBARÁN 1598 Fuente de Cantos - 1664 Madrid (Umkreis) SIBILLA CUMANA Öl auf Leinwand (doubl.). 66 cm x 51 cm. Verso: Holztafel mit altem Wachssiegel, alter Aufkleber mit Zuschreibung a

IN THE MANNER OF FRANCISCO DE ZURBARÃN 1598 Fuente de Cantos - 1664 Madrid SANTA DOROTHEA Oil on wooden panel. 21,5 x 12,5 cm (f. 31,5 x 20 cm). Inscribed lower left: S. Dorothea. Min. old rest. Fram

Title: "Desparrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The rabble hamstring the bull with lances, sickles, banderillas and other arms)" plate 12 from "Tauromaquia", the

Oil on board Mid 19th century rendering of the work St. Francis in Ecstasy. Very nicely rendered example likely from the Grand Tour era. Housed in a 20th century gilt frame. Good overall condition. H2

Exemplary of the work Francisco de Zurbarán. His time, life and his works. With the favorable report of the Royal Academy of Fine Arts of San Fernando. Contains 80 photogravures of the artist's b

This modern rendition of the Painting done by Francisco de Zurbaran depicts Saint Francis of Assisi in his Tomb.The piece looks beautiful, the piece has writen the words DUH! across his eyes, a very i

Goya, Francisco de (Spanish 1746 - 1828). Plate 27 from La Tauromaquia: The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike. c.1876, 4th state printed by Loizelet. Etchi

Goya, Francisco de (Spanish 1746 - 1828). Plate 11 from La Tauromaquia: The Cid campeador spearing another bull. c.1855. 3rd edition. Etching and aquatint in sepia on laid paper. Plate: 13 5/8" x 9 5/

After Goya, Francisco de (Spanish 1746 - 1828). Lo Que Puede un Sastre! - Plate 52 from Los Caprichos. Third state. Etching and aquatint on wove paper. Sheet: 7" x 9 1/2". Framed. 12" x 15". Condition

Etching and aquatint 241 mm x 350 mm, framed cm 37 x cm 52 Additional series '' Los Proverbios '' first printed in Paris in 1877.

Etching and aquatint 215 mm x 150 mm, framed cm 37 x cm 27 Series '' Los Caprichos '' (1799), No. 36, antique edition.

Francisco de Goya (Spanish, 1746-1828) Etching from "Gazette de Beaux-Arts", "The Little Prisoner". Unsigned. Toning from age. Impression measures 4-1/4" x 3-1/4", frame measures 14-3/4" x 12-7/8". Sh

Francisco de Goya (Spanish, 1746-1828) 'Yo Lo Vi' Etching and Print Assortment (7) items including 1863, Francisco de Goya y Lucientes (Spanish, 1746-1828) 'Yo Lo Vi' etching and burnished aquatint on

Three prints Etching Including two from La Tauromaquia: no. 35 "No se puede saber por que" and no. 40 "Algun partido saca" (sight 7 x 8-5/8 in.); plus a bullfighting scene marked "2" upper right and b

after FRANCISCO DE GOYA (Spanish 1746-1828) AND EUGÈNE DELACROIX (French 1798–1863) A GROUP OF TWO PRINTS, Francisco De Goya, "Episodio del dos de Mayo 1808," etching on paper, 9 1/2" x 11 3

Francisco de Goya (Spanish, 1746-1820). 5 plates from “Desastres de la Guerra” - circa 1810/1866, comprising “Muertos Recogidos” (63), “Que Valor!” (7), “Extrana Devocion!” (66), “Cl

Francisco de Goya (Spanish, 1746-1820). “Ysele Quema la Casa” from Los Caprichos (plate 18), etching and aquatint on laid paper, first edition. Provenance: Private Collection, Cashiers, NC.; Sothe

"Portrait d'Alberto Foraster" by Francisco de Goya (Spanish, 1746-1828); Etching in black ink on fine watermarked laid paper. Hand pulled from the copper plate executed in Paris. Extremely rare. First

Francisco de Goya, etching and aquatint, 1815, Francisco de Goya (Spanish, 1746-1828), "La que mal mardia nunca la flata que dija" (Disparate Matrimonial), plate 7 from Los Proverbios, signed in the p

Francisco de Goya (Spanish/French, 1746-1828), "Disparate Pobre, Plate 11 from Los Proverbios," etching and aquatint, image: 9.5"h x 13.75"w, overall (with frame): 17.25"h x 20.75"w

Francisco de Goya (Spanish, 1746-1828), "Ni Asi La Distingue," Plate 7, etching, plate mark: 7.75"h x 5.75"w, overall (with frame): 16.75"h x 15.75"w