Rufino Tamayo, Gato, 1959

Monaco, Club international de Bibliophilie Jaspard, Polus et Cie, "Livres de Peintres contemporains", 1959. Loose as issued in paper wrappers and original slipcase. First edition limited numbered in 3

15 original lithographs by Rufino Tamayo, 4 of them double-page. Monaco, Club international de Bibliophilie Jaspard, Polus et Cie, "Livres de Peintres contemporains", 1959, 4°, leaves, filled cover,

RUFINO TAMAYO Cabeza. Color lithograph, 1959. 660x510 mm; 26x20 inches, full margins. Signed and numbered 42/100 in pencil, lower margin. A very good impression of this scarce, early lithograph.Tamayo

Rufino Tamayo (1899-1991) MUJER INDIA (PEREDA 55) Color lithograph, 1959, on Arches paper, signed and numbered 24/100 in pencil, with full margins, framed. Image 30 1/2 x 21 1/2 inches; 775 x 546 mm.

ESTA ES SOLO PARA MI, 1988, watercolor on paper, signed and dated lower right, site 17 ¾ x 23 ½”, framed. Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop.

Artist: Rufino Tamayo Title: Apocalypse 8 Year: 1959 Dimensions: 13in. by 10in. Edition: Numbered from the rare lmiited edition of 270 Publisher: Lub Interna

QUE MIRA, 1988, oil painting on un-stretched canvas, signed and dated center left, signed and titled on verso, image 31 ¼ x 23 ½”. Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts

Rufino Tamayo (Mexican, 1899-1991). Color lithograph on paper from Tamayo's 1959 illustrations of "Apocalypse de Saint Jean," by Issac-Louis Lemaistre De Sacy (French, 1612-1684). This origi

EL MAYOR DOMO, 1988, watercolor on paper, signed and dated lower left, site 10 ¾ x 14 ¾” framed. Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop.

UNTITLED, 1980, watercolor on paper, signed and dated lower right, sheet 22 x 15”, framed with glass. Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop.

LOS BURROS EN EL TEATRO, 1990; ESPIRITUS, 1985, two watercolors on paper, each signed and dated lower right, 11 x 15" & 10 1/4 x 14". Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts

Rufino Tamayo (Mexican, 1899–1991). Two quarto illustrated pages from 1959's The Apocalypse of Saint Jean. Each bold graphic is signed "R. Tamayo," in pencil, at bottom of sheet. Both retain int

LOS FISGO ES DEL PANTEON, 1987, watercolor on paper, signed and dated lower right, 22 ½ x 30 ¼”. Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop.

LA MUERTA DE LOS PESCADOS, 1987, watercolor on paper, signed and dated lower center, 22 ¼ x 18”. Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop.

ASUSTANDO AL SAN RUDO; SE LE BOLTEO AL NAHUAL, 1988, two watercolors on paper, each signed and dated, 15 x 11". Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop. (2)

PESA DILLAS DEL BECADOR, 1987, watercolor on paper, signed and dated lower right, titled on verso, 24 x 18". Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop.

Rufino Tamayo (Mexican, 1899-1991), oil on canvas, Abstract portrait, signed and dated '71 lower left, signed en verso, 18 3/4" x 22 1/2" sight, 27" x 31" overall, small punctures and craqeulure, Acco

Artist: Rufino Tamayo (Mexican, 1899 - 1991). Title: "Ojos Triangulares". Medium: Oil on board. Date: Composed 1962. Dimensions: Overall size: 16 1/4 x 18 1/2 in. (413 x 470 mm).Lot

RUFINO TAMAYO (1891-1991) Hombre con Sombrero 1931 watercolor on paper, signed and dated 'Tamayo 31' in upper right corner 8 5/8 x 7 1/2in (21.9 x 19cm) Footnotes: We would like to thank Juan Carlos P

Rufino Tamayo (1899-1991) Dos Personajes Atacados por Perros (Pereda 311), 1983 Mixografia® in colors on handmade paper, signed in white pencil and numbered 18/75 (there were also 12 artist's pro

mixograph in colors on handmade paper 1977; signed and numbered 48/100 in white crayon in lower margin; with Mixografia blindstamp Sheet: 19 1/2 x 47 1/2 in., Frame: 26 1/4 x 54 1/4 in. (66.7 x 137.8

Original Rufino Tamayo Oil on Canvas 20 x 15 1/2". Provenance Art Gallery Misrachi Mexico City, Phillip Clark, Through J.C space, in Seattle .Acquired from the above by the present owner. Rufino Tamay

Rufino Tamayo (1899-1991) Galaxia (Pereda 242), 1977 Mixografia in colors on Arches paper, signed in white crayon and numbered XIV/XXV (from the deluxe edition, aside from the edition of 100 plus 10 a

Rufino Tamayo (1899-1991) Galaxia (Pereda 242), 1977 Mixografia in colors on Arches paper, signed in white crayon and numbered XIV/XXV (from the deluxe edition, aside from the edition of 100 plus 10 a