FRANCESCO CALDEI, CALLED IL MANTOVANO (Active in Venice

Giovanni Francesco Barbieri, called il Guercino (Cento 1591-1666 Bologna) A small child seated on a stone step with his head inclined and resting his elbow on a ledge red chalk on laid paper, watermar

Giovanni Francesco Barbieri, called Il Guercino (1591-1666)-follower, The Samian Sybil, oil on canvas, framed. Notes: Painting Dimensions: 112x91cm

After Giovanni Francesco Barbieri (called Il Guercino) (18th/19th Century) The Samian Sibyl oil on canvas 46 x 38 inches. Estimate $1,000-1,500

(Austrian, 1664-1736) Older Woman Spinning, unsigned, 18th century, oil on canvas, 30-3/8 x 25-7/8 in.; carved and gilt wood frame, 36-3/4 x 32 x 2-1/4 in. Provenance: Purchased in Italy, 2011; The Es

Follower of Giacomo Francesco Cipper (called il Todeschini) (Feldkirch 1667-1738 Milan) "Peasant Smoking a Pipe," oil on canvas, unsigned, Christie's inventory label en verso, presented in a brushed g

Circle of GIOVANNI FRANCESCO BARBIERI called IL GUERCINO (Italian 1591-1666) A DRAWING, "Portrait of a Man," pencil and chalk on paper. 7" x 6 1/2"

SCHOOL OF GIOVANNI FRANCESCO BARBIERI (CALLED 'IL GUERCINO') 1591 Cento - 1666 Bologna VIRGIN WITH CHILD Oil on canvas (old relined). 50 x 66 cm (F. 67 x 83 cm). Verso: On the stretcher with old Londo

Follower of Francesco Giambattista da Ponte, called Francesco Bassano (Bassano 1549-1592 Venice) Summer; Autumn; and Winter three of a set, oil on panel 45.6 x 57.6cm (17 15/16 x 22 11/16in)., 46.2 x

ZANOTTO, Francesco. Il Palazzo Ducale di Venezia. Venezia, G. Antonelli, 1853 – 18614 Volumi in-folio. 330x235 mm. Legatura coeva mezza pelle e cartonato marmorizzato, titoli in oro su tasselli

Francesco Bartolozzi, Italian, active England, 1727 to 1815, etching on paper, Flora, with a Boy, after the original by Giovanni Francesco Barbieri, called Guercino, Italian, 1591 to 1666. the engravi

PETRARCA, Francesco (1304-1374), Canzonieri. Il Petrarcha colla spositione di Misser Giovanni Andrea Gesualdo.  Venice: Giovanni Antonio and Nicolini da Sabio,  1541.   Small 4to (209 x

PETRARCA, FRANCESCO. 1304-1374. Il Petrarcha con la spositione di m. Giovanni Andrea Gesualdo. Venice: Domenico Giglio, 1553. FIRST ILLUSTRATED EDITION 2 parts in one volume. 4to: 6 by 8.5" (208 x 149

[FOSCOLO, Ugo (1778-1827)] - Francesco PETRARCA (1304-1374) - Il Petrarca novissimamente revisto e corretto da messer Lodovico Dolce. Venice: Gabriel Giolito de Ferrari et fratelli, 1554.Foscolo's own

IL CANADA, LE COLONIE INGLESI CON LA LUIGIANA E FLORIDA, Engraver: Antonio Zatta (active 1757 - 1797) in Venice, 1778.

SANSOVINO, Francesco (1521-1583) - Del governo et amministratione di diversi regni, et republiche. Venice: Altobello Salicato alla Libreria della Fortezza, 1583. SANSOVINO, Francesco - Origine e fatti

[VENEZIA] - SANSOVINO, Francesco (1521-1583) - Venetia città nobilissima, et singolare, descritta in XIIII Libri. Venice: Steffano Curti, 1663. A good copy of this 17th-century edition of this renown

SIGONIO, Carlo (1520-1584) - Historiarum de regno Italiae. Venice: Francesco Franceschi, 1591. Good edition of this famous historical work on Italy in the medieval times. Folio (288 x 196mm). Text on

Il bacino di San Marco da Santa Maria della Salute olio su tela, cm 24 x 34 Follwer of Francesco Guardi,19th century Venice, the bacino of San Marco from Santa Maria della Salute oil on canvas, cm 24

Studio of Giovanni Battista Salvi, called il Sassoferrato (Sassoferrato 1609-1685 Rome) The Madonna in prayer oil on canvas, unlined 48 x 37.5cm (18 7/8 x 14 3/4in). This lot is subject to the followi

Attributed to Pier Francesco (Il Ticinese) Mola (Italian, 1612-1666) Maddalena penitente oil on canvas 59 x 44 1/4 inches.

CIRCLE OF JACQUES COURTOIS CALLED IL BORGOGNONE (ITALY/FRANCE 1621-1676), OIL ON CANVAS, BATTLE SCENE. 31 1/2 X 38 3/4" (RELINED); FRAMED 36 X 42"

Attributed to Gennaro Greco, called Il Mascacotta (Naples 1663-1714 Nola) An architectural capriccio with figures before a harbour oil on canvas 48.5 x 63.7cm (19 1/8 x 25 1/16in). Footnotes:

DUILIO CAMBELLOTTI I Fioretti di San Francesco. Il Cantico del Sole. Le considerazioni sulle Stimmate Limited edition of 1000 numbered copies (ours belonging to the first numbers with wooden binding).

Apollonio Domenichini, alternatively identified as Master of the Langmatt Foundation Views (active Venice circa 1740-1760) Venice, a view of the Grand Canal looking south from the Palazzo Foscari and