Rice Vases. European, ca. 1890. Spun brass.

Coffee Vase. French, ca. 1890. Brass vase transforms cotton or cloth into steaming hot coffee as if by magic. Spring loaded base and gimmicked finial that turns three internal catches to hold back inn

Snuff Vase. French, ca. 1900. Spun brass vase transforms one objects into another when the lid is clamped on and removed. 5 _ high. Minor tarnish, lid a tight fit.

Lota Vase. American, ca. 1940. A handsome spun brass vase filled with water is emptied by the magician. A moment later, it refills again. This magical re-filling is repeated several times. 7 " high.

Coffee or Candy Vase. European, ca. 1910s. Heavy, finely crafted brass vase which transforms candy or coffee into dry silk flags. With gilt-banded paper tube, probably added later. 15” tall. Fine.

Spirit Clock Dial. After Martinka & Co., ca. 1890. The dial is spun and stops on any number the magician desires. Brass hand, glass dial with gilded Roman numerals. Dial 12 ½” in diameter. Stand 44

Rice Vase. Circa 1900. Rice or bran vanish from inside the vase or change into a solid object. Spring plunger gimmick. Spun vase; highly polished chrome plated brass. Possibly lacks secondary gimmick

Card Trimmer. American, maker unknown, ca. 1890. Brass and wood card trimmer with blade trimmer and wood handle. Highly unusual and in very good condition.

Fly-To Cage. European, ca. 1890. A sturdy metal birdcage vanishes from inside a box, only to reappear in a metal stand previously shown empty and set some distance away from the magician. Finely finis

Millet Vase. European, ca. 1900. Handsome boxwood vase from which a quantity of millet vanishes, then reappears. Double-plunger gimmick. 6 " tall. Chipping to base, good working condition.

Coffee Vase. European, ca. 1930. Handsome chrome-plated canister that transforms cotton balls or cloth into hot coffee. 14 tall. Very good.

Austrian Procelain Cabinet Vase Ca. 1890, "Erblicht", H 3.5" Dia. 3.5" | Heavy fired gold and enamel on a blue ground. Design of flowers rising from leaves adorn the lower half. Upper half having a fi

Fly-To Cage. European, ca. 1890. A metal birdcage vanishes from inside a box, then reappears in a metal stand previously shown empty some distance away from the magician. Toleware props; finish worn a

European, ca. 1890, having bold gilt panel. Overall: 29" x 36" Rabbet: 17 1/2" x 24 1/2" Molding Width: 6"

Group of three cameo glass vases. European, ca. mid 19th - early 20th century. One Legras cameo glass vase. Clear glass, matte finish, with red painted floral decoration, signed. One Cristiro cameo gl

European, ca. 1890, oil on canvas depicting farmhouse and barn, nicely executed, signed illegibly l.r., housed in a fine custom giltwood frame, 14" x 16 5/8" canvas, 18 3/4" x 21 1/4" framed.

Breguet-type Alphabetical Transmitter, ca. 1890. Brass metal components on mahogany base. Condition: overall, very good, selector lever missing knob, portions of dial face features worn or obliterated

JB .Owens Utopian Ware Vase ,Ca 1890-1928)

Card Trimmer. American, ca. 1890. Unmarked. Brass with ivory handle. Minor crack where handle meets the blade, some very minor oxidation, otherwise excellent.

Rose medallion vase. China. Ca. 1890. Drilled and mounted as a lamp. 14in high for vase. Provenance: From an old Connecticut collection.

British-Made Mahogany Desk, ca. 1890, with brass edged faux tortoiseshell painted top, three shallow drawers in upper cabinet, supported by two cabinets holding three graduated drawers each, resting o

Card Trimmer. G.W.W. (George W. Williams [?]), ca. 1890. Beautiful brass trimmer with an illegible hallmark mark on base. Very good.

Card Trimmer. American, maker unknown, ca. 1890. Early brass blade trimmer with wood handle. Very good.

This great piece was made around the 1890s in Europe showcasing an amazing level of craftmanship. It features a purple-red gemstone in an ornate gilt metal frame. Very good antique condition with orig

This great piece was made around the 1890s in Europe and features an ornate gilt metal body. It features the Victorian symbols for love (heart), hope (anchor), and faith (cross) with an engraved flowe