Early Norman Rockwell, Mary Cassatt counterproofs key lots in Hindman’s American Art sale Oct. 17

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CHICAGO — An early work by Norman Rockwell leads the lineup of Hindman’s 86-lot American Art auction on Tuesday, October 17. One More Week of School and Then… was painted in 1919, when the artist was just 25 years old, but it made the June 14th cover of Country Gentleman magazine.

The paintings Rockwell did for Country Gentleman from 1917 to 1922 were centered around the adventures and misadventures of Cousin Reginald Claude Fitzhugh, a brown-nosing, know-it-all city boy, and his country cousins, Chuck Peterskin and the spirited Doolittle brothers. The characters were first introduced in August 1917, with Cousin Reginald (seen here carrying a bouquet for Teacher) usually the butt of his cousins’ practical jokes. The 21in square oil on canvas laid to board, which features in the catalog of the artist’s work, was consigned from the estate of former media executive Joe Sample (1921-2022), who lived in Billings, Montana. It is estimated at $300,000-$500,000.

The property of a private Midwesterner, a cast of The Puritan by Augustus Saint-Gaudens (1848-1907) has an estimate of $50,000-$70,000.

Saint-Gaudens, the preeminent sculptor of the Beaux Art style, was commissioned to create a statue for Stearns Square in Springfield, Massachusetts in 1886. It was paid for by Chester W. Chapin to pay homage to his ancestor, Deacon Samuel Chapin, a founding member of the city.

The original sculpture, unveiled on Thanksgiving Day 1887, found many admirers and in 1894 Saint-Gaudens elected to make a series of 2ft 6in reductions for private sale. The present work, marked with the Roman numbers MDCCCXCIX (1899), is one around 40 documented examples, although for each sculpture, Saint-Gaudens made minor alterations to the figure, including varying the angles of the hat and the walking stick, as well as changes to the applied patina.

There are nine works on paper by Mary Cassatt (1844-1926) from the private collection of New York dealer Miroslav Klabal (MK Fine Arts). All are pastel counterproofs made by applying a damp sheet of paper to the surface of a work in pastel before running it through a press to create a near-mirror image. Degas, Cassatt’s close friend and another champion of pastel, produced them too.

A substantial number of Cassatt’s counterproofs are believed to be the only remaining trace of the original pastel. Among the nine counterproofs offered here, only two are known pastels. All formed part of the exhibition Art in a Mirror: The Counterproofs of Mary Cassatt held at New York’s Adelson Galleries in 2004-2005.

They range in price from Nude Baby Standing Beside Mother, dating to circa 1898-1899 and estimated at $6,000-$8,000, to Mother Jeanne Nursing Her child (Profile Left) (No. 3), from circa 1908 and estimated at $20,000-$30,000.
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Norman Rockwell, ‘One More Week of School and Then…,’ estimated at $300,000-$500,000 at Hindman.
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Augustus Saint-Gaudens, ‘The Puritan,’ estimated at $50,000-$70,000 at Hindman.
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Mary Cassatt, ‘Mother Jeanne Nursing Her Child (Profile Left) (No. 3),’ estimated at $20,000-$30,000 at Hindman.
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Mary Cassatt, ‘Nude Baby Standing Beside Mother,’ estimated at $6,000-$8,000 at Hindman.
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Ace Gallery liquidation sale posts notable results at 360Bid

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WESTLAKE VILLAGE, Calif. – The final liquidation to satisfy creditors of the historic Ace Gallery in Los Angeles returned good results for 360Bid, the auction arm of ThreeSixty Asset Advisors, on September 12. The complete sale results are available at LiveAuctioneers.

Founded by dealer Douglas Chrismas in the 1960s, Ace Galleries helped propel the careers of Postmodernists such as Carl Andre and Donald Judd, but closed in 2013 amid mounting scandals. Buried under mounting legal challenges, Chrismas was ordered by a California judge to repay $14.2 million to creditors.

The sale’s top seller was a work by James Hayward (b. 1943-), who is best known for his focus on the monochromatic in abstract painting. His oil and wax on canvas and board Spartan Thalo Green brought $9,600 ($12,480 with buyer’s premium).

Robert Rauschenberg (1925-2008) is considered something of a father to the 1960s Pop Art movement. His acrylic on lithograph Snowflake Crime XIX shows the artist’s talent in combining disparate elements to create a unified piece. It sold for $5,600 ($7,280 with buyer’s premium).

Actor Dennis Hopper’s art career took many forms across the years. The sale’s sole example of his work, Venice (Collage, “AAZ”), is dated 1995 and hammered for $3,350 ($4,335 with buyer’s premium).

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James Hayward, ‘Spartan Thalo Green,’ which sold for $9,600 ($12,480 with buyer’s premium) at 360Bid.
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Robert Rauschenberg, ‘Snowflake Crime XIX,’ which sold for $5,200 ($6,760 with buyer’s premium) at 360Bid.
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Dennis Hopper, ‘Venice (Collage, “AAZ”),’ which sold for $3,350 ($4,355 with buyer’s premium) at 360Bid.
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Tim Hawkinson, ‘Homage to Albers,’ which sold for $5,600 ($7,280 with buyer’s premium) at 360Bid.
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Richard Serra, ‘Ace LA (poster),’ which sold for $3,750 ($4,875 with buyer’s premium) at 360Bid.
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Two different, distinctive self-portraits grace Ahlers & Ogletree’s Oct. 13-14 sale

[av_heading heading=’Two different, distinctive self-portraits grace Ahlers & Ogletree’s Oct. 13-14 sale’ tag=’h1′ style=” subheading_active=” show_icon=” icon=’ue800′ font=’entypo-fontello’ size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-desktop-font-size-1=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=” custom_font=” subheading_color=” seperator_color=” icon_color=” margin=’,,35px,’ av-desktop-margin=” av-desktop-margin_sync=’true’ av-medium-margin=” av-medium-margin_sync=’true’ av-small-margin=’,,20px,’ av-mini-margin=” av-mini-margin_sync=’true’ headline_padding=” headline_padding_sync=’true’ av-desktop-headline_padding=” av-desktop-headline_padding_sync=’true’ av-medium-headline_padding=” av-medium-headline_padding_sync=’true’ av-small-headline_padding=” av-small-headline_padding_sync=’true’ av-mini-headline_padding=” av-mini-headline_padding_sync=’true’ padding=’10’ av-desktop-padding=” av-medium-padding=” av-small-padding=” av-mini-padding=” icon_padding=’10’ av-desktop-icon_padding=” av-medium-icon_padding=” av-small-icon_padding=” av-mini-icon_padding=” link=” link_target=” title_attr=” id=” custom_class=” template_class=” av_uid=’av-lmxfl9rl’ sc_version=’1.0′ admin_preview_bg=”][/av_heading]

[av_post_metadata post_selected=” seperator=’ | ‘ before_meta_content=’Roland Arkell |’ after_meta_content=” margin=” margin_sync=’true’ padding=’,,35px,’ av-desktop-margin=” av-desktop-margin_sync=’true’ av-desktop-padding=” av-desktop-padding_sync=’true’ av-medium-margin=” av-medium-margin_sync=’true’ av-medium-padding=” av-medium-padding_sync=’true’ av-small-margin=” av-small-margin_sync=’true’ av-small-padding=” av-small-padding_sync=’true’ av-mini-margin=” av-mini-margin_sync=’true’ av-mini-padding=” av-mini-padding_sync=’true’ align=’left’ custom_title=” size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” alb_description=” id=” custom_class=” template_class=” av_uid=’av-lmxfliun’ sc_version=’1.0′ admin_preview_bg=”]
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ATLANTA – Two self-portraits – one by the Hudson River School artist Daniel Huntington (1816-1906), the other attributed to the French neoclassical painter Baron Antoine-Jean Gros (1771-1835) – will be offered at Ahlers & Ogletree Auction Gallery on Friday, October 13 and Saturday, October 14. They carry estimates of $8,000-$12,000 and $15,000-$25,000, respectively. Day 1 and Day 2 catalogs are now available for bidding at LiveAuctioneers.

Huntington’s 2ft 6in by 2ft 1in half-length portrait depicting the artist holding a palette and confronting the viewer with his gaze is signed at the lower right and dated 1883. The addition of the word Seville suggests it was painted during one of the artist’s several trips to Europe. He rendered a number of self portraits at different stages of his career. Another dated 1891 is in the collection of National Academy of Design, where Huntington first exhibited in 1836.

Antoine-Jean Gros, who studied under Jacques-Louis David, would have been a young man working in Genoa when this much smaller 18 by 14in work was painted. It shows a young male artist in late 18th-century dress holding a palette and brushes as he sketches at an easel. It has a partial label on the verso for the Shepherd Gallery, New York and for an exhibition held in 1975 titled Ingres & Delacroix through Degas & Puvis de Chavannes: The Figure in French Art 1800-1870. Another label identifies the subject as Baron Antoine-Jean Gros.

The Ahlers & Ogletree sale numbers 901 lots across two themed days. The Friday, October 13 session is titled Modernism, Art Glass, Folk Art & Jewish Art and contains 428 lots. The Saturday, October 14 session is titled European, American & Asian Art & Antiques and has 473 lots. Bidding is available via LiveAuctioneers.

More than 30 pieces have been deaccessioned by the Morris Museum in Augusta, Georgia and will be sold to benefit the museum’s acquisitions fund. They include, estimated at $30,000-$50,000, a life-size bronze of dancing male and female nudes by David Wynne (1926-2014). The Dancers was conceived by the English sculptor in 1971 and cast in 1972 – this one numbered 3 from an edition of 6. Wynne was responsible for numerous public sculptures in both the U.K. and the U.S. and also played a role in Sixties pop culture. Having modeled the Maharishi Mahash Yogi in 1962 and the Beatles in 1964, he was instrumental in arranging their famous meeting in 1968.

An early printed work by David Hockney (b. 1937-), Three Kings and a Queen from 1961, is estimated at $10,000-12,000. Inspired by illustrations from a book on the history of card games, the 9in by 2ft 1in etching and aquatint was one of a series of works Hockney began in the autumn of 1960. The story goes that Alistair Grant, head of printmaking at the Royal College of Art, found an early impression in the drying racks of the print room and entered it, without informing Hockney, into The Graven Image, an exhibition promoting the revival of the etching held by Robert Erskine at St George’s Gallery, London. Hockney had been delighted to win a prize of £100, which funded his first trip to New York in the summer of 1961. He moved to California three years later and the rest is history.

It is thought that Three Kings and a Queen was later printed by Ron Fuller and Peter Matthews at the Royal College of Art in an edition of around 50. This copy, signed and dated to the lower right and titled and numbered to the left, is consigned from an Atlanta collection.

Among the most extraordinary objects in the sale is a monumental Murano glass chandelier produced by the Barovier & Toso workshop circa 1960. Made in two giant tiers with 16 lights each, it measures a mighty 10ft tall by 3ft across. At great expense, it was purpose-made for a theater in Italy. Estimated in the $5,000-$10,000 range, all you need is the space to hang it.
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1883 ‘Self Portrait’ by Daniel Huntington, estimated at $8,000-$12,000 at Ahlers & Ogletree.
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Self portrait attributed to Baron Antoine-Jean Gros, estimated at $15,000-$25,000 at Ahlers & Ogletree.
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‘Three Kings & A Queen,’ a 1961 etching and aquatint on paper by David Hockney, estimated at $10,000-$12,000 at Ahlers & Ogletree.
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‘The Dancers,’ a 1972 bronze sculpture by David Wynne, estimated at $30,000-$50,000 at Ahlers & Ogletree.
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Monumental Barovier & Toso Murano glass chandelier, estimated at $5,000-$10,000 at Ahlers & Ogletree.
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‘Ada in Hat,’ a 1990 screen print by Alex Katz numbered 74/150, estimated at $10,000-$15,000 at Ahlers & Ogletree.
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Duck decoys by the Ward Bros. and Elmer Crowell should swim to success at Copley Oct.12

[av_heading heading=’Duck decoys by the Ward Bros. and Elmer Crowell should swim to success at Copley Oct.12′ tag=’h1′ style=” subheading_active=” show_icon=” icon=’ue800′ font=’entypo-fontello’ size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-desktop-font-size-1=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=” custom_font=” subheading_color=” seperator_color=” icon_color=” margin=’,,35px,’ av-desktop-margin=” av-desktop-margin_sync=’true’ av-medium-margin=” av-medium-margin_sync=’true’ av-small-margin=’,,20px,’ av-mini-margin=” av-mini-margin_sync=’true’ headline_padding=” headline_padding_sync=’true’ av-desktop-headline_padding=” av-desktop-headline_padding_sync=’true’ av-medium-headline_padding=” av-medium-headline_padding_sync=’true’ av-small-headline_padding=” av-small-headline_padding_sync=’true’ av-mini-headline_padding=” av-mini-headline_padding_sync=’true’ padding=’10’ av-desktop-padding=” av-medium-padding=” av-small-padding=” av-mini-padding=” icon_padding=’10’ av-desktop-icon_padding=” av-medium-icon_padding=” av-small-icon_padding=” av-mini-icon_padding=” link=” link_target=” title_attr=” id=” custom_class=” template_class=” av_uid=’av-ln1m2dma’ sc_version=’1.0′ admin_preview_bg=”][/av_heading]

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HINGHAM, Mass. — Duck decoys, carved masterpieces designed to lure actual ducks to their ultimate fate, are the stars at Copley Fine Art Auctions in an exclusive Timed+ event beginning Sunday, October 1 at 8 am Eastern time and starts drawing to a close Thursday, October 12 at noon Eastern time at LiveAuctioneers.

Duck decoys date to prehistory, but are best known as an American hunting tool that has been elevated to an art form. Typically hand-carved from wood native to the eastern region of the United States, decoys are now collected and treasured by hunters and fans of Americana alike.

Known as the “Wildfowl Counterfeiters in Wood” — a term they used themselves — the Ward Brothers of Crisfield, Maryland, are considered among the most accomplished decoy makers in modern history. Lemuel (1897-1984) and Steven (1895-1976) divided up the duties, with Steven handling the carving and Lem the painting and detailing. While earning only pocket change in the beginning, today their decoys can bring hundreds of thousands of dollars at auction.

Copley has a long tradition of earning top dollar for Ward Brothers decoys and this sale is on track to do the same, with 12 of their decoys included in the lineup and one as the highest-estimated lot. With its realistic proportions and excellent decoration, this 1934-model Canada goose decoy is estimated at $4,500-$6,500.

A broadbill drake decoy by Ira D. Hudson (1873-1949) looks as-new and Copley suggests it has never been used during a hunt. Measuring 13in long and from the circa-1935 period, it is estimated at $2,500-$3,500.

A. Elmer Crowell (1862-1952) was an artisan working out of East Harwich, Massachusetts, and his decoys are highly desired today. A circa-1940 mallard drake in three-quarters size is beautifully decorated and bears the Crowell rectangular stamp. It has an estimate of $1,000-$1,500.

Despite the popularity of mass-produced decoys for today’s hunters, a legion of contemporary carvers are carrying on the tradition. A multiple-time winner at the U. S. National Decoy Show, Robert “Bob” White (b. 1939-) has nine items in the sale, topped by a wigeon hen decoy from early in his career. It is estimated at $2,000-$3,000.
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1934 Model Canada Goose decoy by the Ward Brothers, estimated at $4,500-$6,500 at Copley Fine Art Auctions.
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Broadbill drake decoy by Ira D. Hudson, estimated at $2,500-$3,500 at Copley Fine Art Auctions.
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Mallard drake 3/4-size decoy by A. Elmer Crowell, estimated at $1,000-$1,500 at Copley Fine Art Auctions.
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Early wigeon hen decoy by Robert ‘Bob’ White, estimated at $2,000-$3,000 at Copley Fine Art Auctions.
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Barnacle goose decoy by William Gibian, estimated at $3,000-$5,000 at Copley Fine Art Auctions.
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