Textile expert’s spectacular collection unfurled at Material Culture Oct. 23

Japanese 18th-century Noh Choken kimono, estimated at $2,000-$3,000 at Material Culture.

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PHILADELPHIA – On Monday, October 23, Material Culture will present a sale titled Sarajo | The Yosi Barzilai Collection. Its 552 lots are drawn from the holdings of Yosi Barzilai, the Israeli American cofounder of Sarajo, an antique textiles and collectibles gallery in the New York City borough of Brooklyn. The Sarajo website states that Barzilai is transferring the business to a mentee and former employee, which might be the occasion that led him to consign. Absentee and Internet live bidding will be available through LiveAuctioneers.

Carrying the highest estimate, at $5,000-$7,000, is a 19th-century Bukhara Suzani from Uzbekistan; ‘Bukhara’ is the name of an Uzbek city, and ‘Suzani’ describes the type of textile. The piece features a cotton ground comprised of seven panels enhanced by silk embroidery.

A standout originating in China is a late 19th-century silk-on-silk embroidered calf-length surcoat, which a Han Chinese woman would have worn to informal occasions. Fashioned from light lavender silk satin and graced with blue floral embroidery, it has an estimate of $4,000-$6,000.

From Japan comes an 18th-century Noh Choken kimono that would have been worn by a Noh theater actor. Meant to be sumptuous and elaborate, it sports green gauze with gold paper work laid over purple silk and is estimated at $2,000-$3,000.

Yet another exquisite ethnographic textile, estimated at $2,000-$3,000, hails from Turkmenistan: a 19th-century silk-embroidered chyrpi, a type of cape that would have been worn by a married woman who belonged to a nomadic tribe known as the Tekke. The abundance of yellow marks it as a married woman’s chyrpi. Widows wore white chyrpis, and young women favored dark blue or black.

But perhaps the most spectacular lot isn’t made from cloth. Also on offer is an early to mid-20th-century Syrian tall chest inlaid with images of deer, lions and flowering vines in mother-of-pearl, bone, wood and silver. Completed with porcelain pull handles, the chest is estimated at $4,000-$6,000.

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19th-century Bukhara Suzani from Uzbekistan, estimated at $5,000-$7,000 at Material Culture.
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Late 19th-century Chinese surcoat, estimated at $4,000-$6,000 at Material Culture.
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Japanese 18th-century Noh Choken kimono, estimated at $2,000-$3,000 at Material Culture.
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19th-century Central Asian chyrpi, estimated at $2,000-$3,000 at Material Culture.

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20th-century Syrian five-drawer chest, estimated at $4,000-$6,000 at Material Culture.
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Chinese Republic-period artwork found favor at Oakridge Auction Gallery

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ASHBURN, Va — Oakridge Auction Gallery, from September 15-18, enjoyed a number of “flyers” — not least the six-figure performance of an album of Republic period landscape paintings. According to the published provenance, it came from a consignor in Chicago whose grandfather had lived in in Shanghai. It had been confiscated during the Cultural Revolution but later returned to the family. Full results for all sessions are at LiveAuctioneers (Day 1, Day 2, Day 3, Day 4).

The 16-leaf album featured a series of calligraphies and landscape paintings by three late Qing dynasty and Republic era artists — Gu Xijin (1865-1930), Wu Changshuo (1844-1927) and Lu Hui (1851-1920). Other artisans have added their seals and inscriptions praising the paintings, while Gu Xijin compliments the keen eye of his friend Fei Nianci (1855-1905), who appears to have commissioned some of the work. A government official from Wujin in Jiangsu province, Nianci held several official posts but later returned to his hometown to focus on poetry, calligraphy, and book collecting. The sale’s big winner, it achieved $110,000 ($140,800 with buyer’s premium) against an estimate of $5,000-$8,000.

Hammering for $86,000 ($110,080 with buyer’s premium) against an estimate of $15,000-$25,000 was a pair of Republic period Chinese famille rose porcelain plaques depicting courtly ladies and signed by Wang Dafan (1888-1961). He was a member of the prominent group of Jingdezhen ceramic artists known as the Zhushan Bayou (Eight Friends of Zhushan), the Republic period decorators instrumental in revitalizing the Chinese porcelain industry after the fall of the Qing dynasty.

Huge multi-estimate prices have been paid in recent years for the best Republic period porcelain plaques by the Zhushan Friends. The auction house sald these 2ft 7in by 8in (80 by 20cm) panels were part of a group of items from a consignor in Bethesda, Maryland who had emigrated with her family from Hong Kong to the US in the 1950s.

Dated 1941, one plaque depicts two girls sitting under a willow tree playing chess and carries the inscription ‘Willow shades are good for summer heat, in the boudoir they play chess.’ Its mate, showing a girl playing the zither to her companion, is inscribed ‘In the moonlight, she leisurely plays music, under the leaves she has a bosom friend. Painted by Wang Dafan at Changjiang guesthouse.’
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Pair of Republic period Chinese famille rose porcelain plaques signed by Wang Dafan, which sold for $86,000 ($110,080 with buyer’s premium) at Oakridge Auction Gallery.
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Chinese sixteen-leaf album painting, which sold for $110,000 ($140,800 with buyer’s premium) at Oakridge Auction Gallery.
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Chinese sixteen-leaf album painting, which sold for $110,000 ($140,800 with buyer’s premium) at Oakridge Auction Gallery.
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Chinese sixteen-leaf album painting, which sold for $110,000 ($140,800 with buyer’s premium) at Oakridge Auction Gallery.
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Reed and Barton 14K gold horseracing trophy could win laurels at Auctions at Showplace, Oct. 22

Reed & Barton 14K gold lidded cup, awarded by the Jockey Club in 1973 to the horse Prove Out, estimated at $60,000-$80,000 at Auctions at Showplace.

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NEW YORK – The Important Fine Art & Design sale taking place Sunday, October 22 at Auctions at Showplace is headlined by a real winner: a 14K gold Neoclassical Revival lidded double-handled trophy by Reed & Barton, which was awarded by the Jockey Club to Prove Out, the victor in a 1973 horse race held at the Aqueduct Racetrack in the New York City borough of Queens.

The owner of the horse was Jack Dreyfus (1913-2009), founder of the Dreyfus Funds and a distant relative of Alfred Dreyfus. He had a colorful life, becoming a vocal advocate of Phenytoin, an anticonvulsant that he claimed had relieved his anxiety and depression, going so far as to author the book A Remarkable Medicine Has Been Overlooked and offering the drug to President Richard Nixon. A signed copy of Dreyfus’s other book, The Two Lives of Jack Dreyfus – The Lion of Wall Street, is part of the lot on offer, which is estimated at $60,000-$80,000.

Also appearing in the sale is a furniture set by Michael Coffey (b. 1928-), a sculptor and master woodworker who published his first book in August 2023 with Pointed Leaf Press. Designed in 1992, the wall-mounted console dressing table with a matching stool reflects his penchant for puckish product names: he dubbed it Menage a Trois. Fashioned from Mozambique wood and signed underneath the vanity and the stool, it carries an estimate of $10,000-$20,000.

A standout contemporary ceramics lot is by the Japanese artist Yoshiro Kimura (b. 1946-): a Hekiyo (aka blue-glazed) studio pottery bowl with a Renmon rippling wave effect, estimated at $4,000-$6,000. Kimura is enraptured by the deep, alluring blues seen in the oceans and the skies and strives to impart them to his works, which have entered the collections of the Musée national de céramique-Sèvres, the British Museum and the Victoria & Albert Museum.

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Reed & Barton 14K gold lidded cup, awarded by the Jockey Club in 1973 to the horse Prove Out, estimated at $60,000-$80,000 at Auctions at Showplace.
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Michael Coffey Menage a Trois vanity and stool, estimated at $10,000-$20,000 at Auctions at Showplace.
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[av_slide slide_type=’image’ id=’179445′ video=’https://’ mobile_image=” fallback_link=’https://’ title=” video_ratio=’16:9′ custom_title_size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” custom_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” font_color=” custom_title=” custom_content=” heading_tag=” heading_class=” link_apply=’image’ link=’manually, https://www.liveauctioneers.com/item/161360856_kimura-yoshiro-hekiyu-renmon-glazed-ceramic-bowl ‘ link_target=’_blank’ av_uid=’av-ln399027′ sc_version=’1.0′]
Hekiyo, aka blue-glazed, studio pottery bowl by Yoshiro Kimura, estimated at $4,000-$6,000 at Auctions at Showplace.
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Joseph Henri Baptiste Lebasque, ‘Femme au Collier,’ estimated at $30,000-$50,000 at Auctions at Showplace.
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1990s reissue of a demi-secretaire from Piero Fornasetti and Gio Ponti’s 1950s Architettura Series, estimated at $8,000-$12,000 at Auctions at Showplace.
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‘Matisse of the East’ cache of art emerges at Freeman’s Oct. 18

[av_heading heading=’‘Matisse of the East’ cache of art emerges at Freeman’s Oct. 18′ tag=’h1′ style=” subheading_active=” show_icon=” icon=’ue800′ font=’entypo-fontello’ size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-desktop-font-size-1=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=” custom_font=” subheading_color=” seperator_color=” icon_color=” margin=’,,35px,’ av-desktop-margin=” av-desktop-margin_sync=’true’ av-medium-margin=” av-medium-margin_sync=’true’ av-small-margin=’,,20px,’ av-mini-margin=” av-mini-margin_sync=’true’ headline_padding=” headline_padding_sync=’true’ av-desktop-headline_padding=” av-desktop-headline_padding_sync=’true’ av-medium-headline_padding=” av-medium-headline_padding_sync=’true’ av-small-headline_padding=” av-small-headline_padding_sync=’true’ av-mini-headline_padding=” av-mini-headline_padding_sync=’true’ padding=’10’ av-desktop-padding=” av-medium-padding=” av-small-padding=” av-mini-padding=” icon_padding=’10’ av-desktop-icon_padding=” av-medium-icon_padding=” av-small-icon_padding=” av-mini-icon_padding=” link=” link_target=” title_attr=” id=” custom_class=” template_class=” av_uid=’av-lnemo28m’ sc_version=’1.0′ admin_preview_bg=”][/av_heading]

[av_post_metadata post_selected=” seperator=’ | ‘ before_meta_content=’Roland Arkell |’ after_meta_content=” margin=” margin_sync=’true’ padding=’,,35px,’ av-desktop-margin=” av-desktop-margin_sync=’true’ av-desktop-padding=” av-desktop-padding_sync=’true’ av-medium-margin=” av-medium-margin_sync=’true’ av-medium-padding=” av-medium-padding_sync=’true’ av-small-margin=” av-small-margin_sync=’true’ av-small-padding=” av-small-padding_sync=’true’ av-mini-margin=” av-mini-margin_sync=’true’ av-mini-padding=” av-mini-padding_sync=’true’ align=’left’ custom_title=” size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” alb_description=” id=” custom_class=” template_class=” av_uid=’av-lnemo9s6′ sc_version=’1.0′ admin_preview_bg=”]
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PHILADELPHIA — Nine works by Ding Yanyong (1902-1978), painted in the last years of his life for an American student, will be presented at Freeman’s auction of Asian Arts on Wednesday, October 18. The cache of ink and color on paper scrolls were given by the artist to the owner while she studied in Hong Kong in 1976. Estimates range from $1,500-$2,000 to $30,000-$50,000, with bidding available via LiveAuctioneers.

Ding Yanyong, the Chinese painter dubbed ‘the Matisse of the East’ for his blending of Eastern and Western styles, moved to Hong Kong in 1949 and remained there until his death in 1978. The consignor of these nine paintings was introduced to Ding by a friend and became one of his first western pupils. Ding gave her the Chinese sobriquet Meilan Nvdi (Beautiful Orchid), and this name appears as part of the dedication on several of the works up for sale.

The subject of the Eight Immortals is one the artist revisited in various compositions in the 1970s. The largest scroll in the group, at 4ft 6in by 2ft 3in, depicts them gathered together alongside the sealed inscription Meilan Nvdi and a bingchen year, equivalent to 1976. It has an estimate of $30,000-$50,000.

Also dated to 1976 is a 2ft 1in by 19in black ink sketch of an eagle together with a personal inscription and an estimate of $3,000-$5,000, while carrying an estimate of $5,000-$7,000 is a 2ft 3in by 18in colored scene depicting the main protagonists from the famous tale ‘Journey to the West’ – doubtless chosen by the artist as a suitable subject for his American student.

Earning the sale’s highest estimate, at $30,000-$50,000, is a pair of Qing dynasty continuous yoke-back armchairs made in the reverse hardwood huanghuali. One of the three main types of Chinese armchairs produced during the classic period, these are also colloquially known as a ‘Southern official’s hat’ chair or nanguanmaoyi. This pair were bought to the U.S. in 1937, on the eve of the second Japanese invasion of China, by a family who had settled in Shanghai five years earlier. While in China, they had acquired many pieces of traditional Chinese furniture.
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Ding Yanyong, ‘The Eight Immortals Gathering,’ estimated at $30,000-$50,000 at Freeman’s.
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Ding Yanyong, ‘Journey to the West,’ estimated at $5,000-$7,000 at Freeman’s.
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Ding Yanyong, ‘Eagle,’ estimated at $3,000-$5,000 at Freeman’s.
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Pair of Chinese Qing dynasty huanghuali continuous yoke-back armchairs (nanguanmaoyi), estimated at $30,000-$50,000 at Freeman’s.
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Chinese Kangxi period ‘Langyao’ copper red-glazed baluster vase, estimated at $8,000-$12,000 at Freeman’s.
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Japanese export silver four-piece dragon tea and coffee service with tray, estimated at $10,000-$15,000 at Freeman’s.
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