δ Cyril Edward Power (1872-1951) Monseigneur St

Cyril Edward Power (1872-1951) The Merry-Go-Round (Coppel CEP.16) Linocut printed in a mixture of Chinese orange and chrome orange and Chinese blue, circa 1930, on buff oriental laid tissue, a very go

George Hand Wright (American 1872-1951) St Lawrence watercolor 9 x 11" signed lower right margin

A six piece Irish Edward Power and Edward Twy silver tea and coffee service, marked 1818 and 1831, Dublin. Total weight: 164.56 troy oz. Comprised of: A hot water kettle on stand: 12.5" A coffee pot:

EDWARD ST. JOHN GOREY (American 1925-2000) A GROUP OF NINE PRINTS, "Elefantomas," PUBLISHED 1986, printed on Arches Cover paper, numbered in pencil R1-R9 L/L and signed in pencil L/R. With original ha

William Wiehe Collins (British, 1862-1951) St. Pauls, London signed and inscribed 'W.W.Collins/St PAULS' (lower left) watercolour over traces of pencil 58.4 x 45.1cm (23 x 17 3/4in). Foo

Good George IV Irish Four-Piece Sterling Silver Tea and Coffee Set, hallmarked Dublin, 1821, by Edward Power (free 1816, d. 1846), comprising a coffeepot, h. 9-1/4", l. 11-3/4", a teapot, h. 6", l. 11

Canvasback Richard "Fresh Air Dick" Janson (1872-1951) Sonoma Creek, CA, c. 1940 15 1/2 in. long This canvasback drake bears raised-wing detail, and Janson's signature skeg under the tail. Original pa

George Hand Wright (1872-1951) watercolor on board titled "The Tenderfoot", ca. 1910. Signed lower left G. Wright. Image is app. 16" X 24", frame is 23 1/2" X 31 3/4".

(1872 St. Louis/Missouri - 1955 New York City) /T/"Young mother" (Junge Mutter). Originaltitel// Bronze, dunkelbraun patiniert, 1896/1903. Bez. u. dat. "B. Potter Copyright 1903". Die 1896 modellierte

Pintail Pair "Fresh Air Dick" Janson (1872-1951) Sonoma Creek, CA, c. 1935 17 in. long A pair of classic West Coast decoys with raised wings and the maker's exceptional incised tail carving. Original

A GROUP OF IRISH GEORGIAN SILVER FLATWARE PIECES by various makers, Dublin, 18th-early 19th centuries Makers including Edward Power, James Brady, and James Le Bas; total silver weight approximately 64

Grand Cross Breast Star, 98.5 x 17 mm, in Silver, with curved, diamond-cut and pierced rays, the centre with a gilt silver white enameled, red-and-green-bordered cross with golden rays between the arm

Edward (John Edward) Borein (1872 - 1945) California artist, etching and drypoint. Signed lower right in pencil and signed in plaque. Titled verso: "High, Wide & Handsome" Overall size: 14 1/2 x 11 1/

Edward (John Edward) Borein (1872 - 1945) California artist, etching. Label verso: titled "Crow Horse Guard." Signed lower right.Overall size: 17 1/2 x 20 1/2 in.Sight size: 7 1/2 x 11 1/2 in.

Four works: Native Americans and desert scenes Each: Graphite on paper Each: Unsigned, the first: indistinctly inscribed upper right Sight: The first three: 5.75" H x 8.75" W; the fourth: 8.75" H x 5.

etching on paper; signed lower right in margin; 10 1/4 x 14 inches sight; 19 3/4 x 23 1/2 inches frame

Edward Borein (1872-1945) Arizona Cowpunchers; Out of the Gate; Combing a Draw; Steer driven wagon ink drawing (Galvin 40; 80; 99), circa 1915 A group of 3 etching and drypoints and 1 ink drawing on v

Edward Borein (1872-1945) Cowboy on Horseback signed and dated 'Borein 1927' (lower left) ink and pencil on paper sight 8 1/2 x 11 1/4 in. framed 20 1/2 x 22 3/4 in. Footnotes: Provenance E

English carved architectural element, Royal coat of arms of the United Kingdom, in a parcel gilt and polychrome painted finish, crest of statant guardant lion wearing the St Edward's Crown, over a qua

Edward Borein (1872-1945) Trail Boss (Galvin 85), no date Etching and drypoint on wove paper, the second (final) state, signed in pencil and with artist remarque in pencil, with margins, framed. 7 7/8

Edward Borein (1872-1945) - Wild Horses, 13.75" x 19.75" framed. Unsigned. Provenance: Acquired from Frances Hamilton White Collection (1933-2021). Frances Hamilton White was known for her exquisite t

Edward Borein (1872-1945) Mexican Charro (Galvin 267), c. 1920 Etching and drypoint on wove paper, signed in pencil, with margins, framed. plate 6 1/8 x 5 5/16 in. (15.6 x 13.5 cm.) framed 13 x 11 3/4

Edward Borein (1872-1945) The Last House, Walpi, (Galvin 217) Etching and drypoint, on wove paper, a posthumous impression, with margins, together with original copper etching plate, each framed. (2)

Edward Borein (1872-1945) Navajos (Galvin 183), n.d. Etching and drypoint on laid paper, signed in pencil, with margins, framed. plate 9 1/4 x 12 1/8in (23.5 x 30.8cm) sight 9 3/4 x 12 3/4in (24.8 x 3