19th c AQUATINT ENGRAVING

19th c. Copperplate engraving Hand Colored Aquatint, Louis Antoine Henri de bourbon Condé Duc d'Enghien. Framed and matted 14"x20"x1". Weight 3 pds 3 oz. PROVENANCE: Gippy Plantation, Berkeley Coun

Antique Aquatint Engraving Vue d'un vieux Chateau en Flanders. Amsterdam. Haswater stain to bottom border, minor wear. In frame 25"x21"x1". Weight 6 pds. PROVENANCE: Gippy Plantation, Berkeley County.

Original antique early 19thC Aquatint engraving with original hand coloring. Plate CCI Canada Goose from Birds of America. Engraved by Robert Havell (1793-1878). Published: London, 1827-1838. Sheet si

**Originally Listed At $800** Karl Bodmer (Swiss-born, 1809-1893). "View on the Delaware, Near Bordentown" (Vignette II from the atlas to the journal of Prince Maximilian of Wied ("Travels in the Inte

John James Audubon (1785 - 1851), 19th C. aquatint Elephant folio engraving with original hand coloring, ‘Virginian Partridge’ Plate # 76 Page no. 16. Engraved, printed and colored by Robe

19th c. Hand Colored Aquatint Engraving "Veduta del Gran Sepolcro volgarmente detto di Nerone" by Luigi Rossini. Professionally Framed and double matted. In frame 23"x29"x3/4", weight 7 pds. PROVENANC

19th c. Hand Colored Aquatint Engraving "Arco Antico in Carsoli" by Luigi Rossini. Professionally Framed and double matted. In frame 22"x23"x1", weight 6 pds. PROVENANCE: Gippy Plantation, Berkeley Co

19th c. Hand Colored Aquatint Engraving "Interno Della Basilica de Giove" by Luigi Rossini. Professionally Framed and double matted. In frame 32"x27 1/2"x1 1/4", weight 12 pds. PROVENANCE: Gippy Plant

2 19th c. Hand Colored Aquatint Engravings by Luigi Rossini. 1 with water stain, the other with a large toned spot to border. In frames both 23"x18"x1/2". Weight 8 pds. PROVENANCE: Gippy Plantation, B

19th c. Antique English nautical aquatint engraving / print - R Dodd---Victory of Trafalgar, In The Rear-------Frame size: Height: 29" Width: 38 3/4" Depth: 7/8" Lot Weight: 14 Lb 13.1oz --------

Middle 19th Century. The stipple and line aquatint engraving after the original painting by George Caleb Bingham (1811-1879) is lettered Painted by G. C. Bingham lower left and Engraved by Gautier bel

Lot 3A after John James Audubon American Green Winged Teal, Plate CCXXVIII (19th Century) engraving with aquatint and hand-coloring plate: 12 1/4 x 19 1/4 inches sheet: 25 1/2 x 38 1/5 inches Provenan

(10) Maritime aquatint engravings, 18th/19th c., English, includes "Cronenburg Castle" (1801), "Giant's Causeway Ireland" (1807), "Fort Cornwallis" (1813), "Ice Islands" (1803), "Brest Harbour" (1799)

Hand colored aquatint engraving Early 19th century, c. 1812, plates from the "Pomona Britannica; or a Collection of the Most Esteemed Fruits" by George Brookshaw (English, 1751-1823); including Plate

Drawn from nature by J.J. Audubon J. T. Bowen Phil. Plate XXXVI Gallery double matted and shrink wrapped for protection. Uncropped. Octavo. 19th C.

Drawn from nature by J. J. Audubon J. T. Bowen Phil  On Stone by Wm E. Hitchcock  Plate XXI No 5 Uncropped. Octavo 19th C.Â

Framed Engraving "Artaxerxes Aged 12 Years," Painted by F.C. Turner and engraved by R.G. Reeve. Colored aquatint engraving measures in frame 27.50"x23"x1-1/2". Weight 9 pds. PROVENANCE: A Seabrook Isl

"Quicksilver Royal Mail", aquatint engraving, after James Pollard's painting, engraved by Charles Hunt, London, Publ. November 1, 1835 by Ackermann & Co., 96 Strand, in a molded wooden frame with doub

Reprint of E 19th C engravings of "The Lawn" University of Virginia, Charlottesville. Framed. Sight image measures approximaltey 11-1/2" in height and 15-1/2" in width. The frame measures approximalte

The lot includes two antique aquatint color engravings Breaking Cover and Full Cry, 1821, by Henry Thomas Alken (British, 1785 - 1851). London, Published 1st August 1821. Signed on the margins: T.Suth

Two Antique Aquatint Carle Vernet Engravings. Both c. 1830-1850, both hand colored. The larger published in Paris by Leloutre, [circa 1830]. Larger in frame 16 1/2x12"x1/2". Smaller 11"x114"x1/2". Wei

Apples, plate no. 90 Aquatint with stipple engraving Early 19th century, c. 1807, hand-colored plate XC from the "Pomona Britannica; or a Collection of the Most Esteemed Fruits" by George Brookshaw (E

Vue de Philadelphia. A 19th c. French edition of a view of Philadelphia, appears to be a hand-colored aquatint. 9 x 13". Old frame, with title taped to the back. / A small Wiliam Birch engraving of "L

Two (2) 19th c. IDEAS Colored engraving lithos. Both professionally frame by the prominent framing company in Cleveland Ohio BONFOEY as shown. Suburb frames and matting paying attention to the details