4 SCOTTIE THEMED WORKS INC. MORGAN DENNIS SIGNED ETCHING 13 1/4" X 21 1/2" LARGEST

4 SCOTTIE THEMED WORKS INC. DENNIS MORGAN SGN.,ETCHING13.75X21.5 INC.. FRAME

GROUP OF 4 ANTIQUE ETCHINGS. LARGEST IS 13 1/4 X 10 1/2 INCHES.

BIBLE SERIES (S.248; S.255; S.278; S.299) (1939-1952), four etchings, each signed in the plate, from the edition of 275, sheets 17 ½ x 13 ¼”, frames 19 x 14 ¾”. (4)

Pierre Auguste Renoir (1841-1919) French, BERTHE MORISOT (S.4), 1892, etching, signed in the plate, image 4 ¼ x 3 ½”, sheet 13 x 10”, from a later edition with beveled plate on chain-laid paper;

UNTITLED, 1979, color etching, signed and dated and inscribed Pol A. in pencil, plate 4 x 4 ¾”, sheet 19 ½ x 13 ¾”, frame 21 x 15 ½” with glass. Provenanc

UNTITLED, two etchings, each signed and numbered 4/5 in pencil, plates 21 ¼ x 16 ½ & 15 ½ x 16 ½”, each with full margins, frames 30 ½ x 26” & 27 x 26&rd

(1912-1992 German) Abstract, aquatint colored etching signed lower right, approximate work size 5 3/8" x 4 1/4", frame 14" x 12 1/2".

UNTITLED, color etching, signed and numbered PA II/IV (artist’s proof 2/4) in pencil, plate 21 ¼ x 16 ¾”, sheet 39 ¼ x 27 ½”, frame 46 ¼ x 34 ½”.

Including- (1) oil painting on wood of ships (artist signed lower left) and (1) castle scene with camels. Sight- 8 1/4" x 10 1/4", 6 1/2" x 8 1/4" Overall- 12" x 14", 15" x 13"

Emil Fuchs THE SMILE SHOULD BE, 1926, etching, signed and dated and inscribed in pencil, plate 4 ¾ x 3 ¼”, full margins, frame 13 ½ x 11” with glass; Keith Shaw Williams PFAFFENTHAL, LUXEMBOURG

WALL No 4, 1984, color etching and aquatint, signed and numbered 62/100 in pencil, image 18 x 13 ½”, full margins, frame 24 ¼ x 19 ¼” with glass.

LUDWIG BEMELMANS WATERCOLOR SIGNED LOWER RIGHT TITLTED *THE CHEF* HAMMER GALLERIES STAMP ON REVERSE, DATE IN PENCIL DECEMBER 12-1959, IMAGE SIZE 8 IN X 10 1/2 IN, OVERALL DIMENSIONS 13 3/4 IN X 14 1/2

VARIOUS, 1981-84, nine etchings, four hand-colored by artist, all signed and titled and inscribed A/P (artist’s proof), largest 9 ½ x 13” to 8 ¾ x 6 ¼”. (9)

(4) Joseph Gray (English,1890-1962), etching, Street Scenes, each pencil signed, 12" x 11-1/2" plate, 14-1/4" x 13" sheet (largest) , Property from the Estate of Daniel Dietrich, II

CITY SCENE WITH LAMP 1947; DOLL, 1946, two bromoil gelatin silver prints, each signed and dated in ink, sights 13 ¼ x 10 ¼”, frames 21 ½ x 17 ¼” with glass. (2)

HOUSE WITH CAR, watercolor, signed lower left, sight 13 ½ x 21 ¼”, frame 22 x 29” with glass.

LE BANC DE JARDIN (The Garden Bench) (Wentworth 75), 1883, first state mezzotint etching, signed in the plate lower left, plate 16 ¼ x 22”, sheet 21 ½ x 28”, frame 23 &frac12

Etching Signed W.L. Wyllie After Slocombe, 12 1/4" x 21 1/4", Toning Noted/ As Found.

Etching Signed W.L. Wyllie, 9 1/2" x 13 1/4", Untitled- Estuary Scene.

SCENE WITH ANGEL, 1965, color aquatint etching, signed and dated in pencil, numbered 1/30, image 14 ¼ x 13 ½”, full margins, framed with glass.

Etching signed David Blackwood '06, 6 1/2 x 13 1/4", 64/75 "The Flora Nickerson Outward Bound".

Rolph Scarlett(American, 1889-1984)Five Untitled Worksmixed mediaeach signed "Scarlett"14 3/4 x 12 1/2 inches (frame of largest)Provenance: Private Collection, Southbury, Connecticut

COUPLE, etching signed in pencil, numbered 12/19, plate 10 x 7 ¾” sheet 15 ½ x 13”; COUPLES, etching, signed in pencil and inscribed trial proof, sheet 5 ½ x 4”, DREAM, color lithograph, sign

TITLED, 2007, two color woodblock prints with gold leaf, each signed and numbered 6/50 & 8/50 in pencil, full sheets floated 13 ¼ x 9 ½”, frames 21 ¾ x 18 ¾” wi