A BLACK LACQUER SUZURIBAKO (WRITING BOX) Meiji (1868-1912) or Taisho (1912-1926) era, late 19th...

A MAGNIFICENT GOLD-LACQUER SET OF WRITING TABLE, DOCUMENT BOX, AND WRITING BOX Meiji (1868-1912) or Taisho (1912-1926) era, late 19th/ early 20th century Comprising a bundai of standard form with a ka

KOMA KYŪHAKU (ACTIVE 19TH CENTURY) An Inlaid-Lacquer Writing Box Meiji (1868-1912) or Taisho (1912-1926) era, early 20th century With kabusebuta (overhanging lid) and sumikiri (cut-off corners) w

A BLACK-LACQUER COMBINED WRITING BOX AND DOCUMENT BOX Meiji era (1868-1912), late 19th/early 20th century A rectangular ryōshibako or bunko with inset rounded corners and edges and inrōbuta

KOSEI A Bronze Okimono (Table Ornament) of Three Turtles Meiji (1868-1912) or Taisho (1912-1926) era, late 19th/early 20th century Naturalistically cast, showing two smaller turtles attempting to clim

THE KIBUNDŌ COMPANY An Iron Tetsubin (Tea Kettle) Meiji (1868-1912) or Taisho (1912-1926) era, late 19th/early 20th century The body of the kettle with surface texture like that of tangerine skin

A LACQUER POEM CARD BOX Meiji (1868-1912) or Taisho (1912-1926) era, circa 1910 The shallow rectangular box slightly concave, lacquered in gold takamaki-e and gold, silver, and red togidashi maki-e wi

A GOLD LACQUER BOX. Meiji era (1868-1912) or Taisho era (1912-1926). 3 1/2 x 2 3/4 inches.

SIX SILVER CIGARETTE CASES Meiji (1868-1912) or Taisho (1912-1926) era, late 19th/ early 20th century Each hinged, the interiors recessed to hold cigarettes, decorated on the exterior with chiseled an

A GOLD-LACQUER BOX Meiji era (1868-1912), late 19th century Rectangular, with rounded corners and an inrōbuta (flush-fitting) cover, and fitted with an interior tray, the exterior decorated with

MOMOTA: A LOBED PORCELAIN DISH WITH CARP AND WISTERIA By Momota, signed Momota zoJapan, late 19th to early 20th century, Meiji (1868-1912) to Taisho period (1912-1926)The lobed dish finely d

THREE SMALL MIXED-METAL BOXES. Meiji era (1868-1912), late 19th century. Largest example diameter: 1 3/4 inches.

THREE SMALL MIXED-METAL BOXES Meiji era (1868-1912), late 19th century Largest example diameter: 1 3/4 inches

SHINJŌ WORKSHOP (ACTIVE LATE 19TH CENTURY) A Silver and Gold Presentation Box Meiji era (1868-1912), late 19th century Formed as overlapping hexagonal and circular boxes decorated with a flying c

SHIBATA ZESHIN (1807-1891) A Black-Lacquer Tray Meiji era (1868-1912), late 19th century The rectangular tray with slightly rounded walls and a stepped rim lacquered with an seidō-nuri ground, th

SEKI FOR THE NOGAWA COMPANUY OF KYOTO An Inlaid Iron Rectangular Box and Cover Meiji era (1868-1912), late 19th/early 20th century Inlaid in typical Komai style of gold and silver inlay, the cover wit

A PAIR OF DIMINUTIVE JAPANESE POLYCHROME AND GOLDSTONE ON BLACK GROUND ENAMELED CLOISONNÉ BUD VASES, LATE MEIJI (1868 -1912) OR TAISHO (1912-1926) PERIODS, each of ovoid form with tapering lobed side

AN INLAID BRONZE CHARGER AND INLAID SENTOKU KOGO (INCENSE BOX) WITH COVER The charger by Kumagaya of Kyoto, the kogo by the Inoue Company of Kyoto, Meiji era (1868-1912), late 19th/early 20th century

KIRYŪ KŌSHŌ KAISHA (THE PIONEERING CRAFT AND COMMERCE COMPANY) A Patinated Bronze Vase with Design of Flowers and Insects Meiji era (1868-1912), late 19th century The pear-shaped vase o

ROKUZAN (ACTIVE LATE 19TH CENTURY) A Large Satsuma Jardinière Meiji era (1868-1912), late 19th century The jardinière and matching stand of earthenware molded on the surface with koi fish in

MYOCHIN LINEAGE An Inlaid Shakudo Jizai Okimono (Articulated Model) of a Swallowtail Butterfly Meiji era (1868-1912), late 19th/early 20th century The butterfly realistically rendered, the leg joints,

Two gold ojime One by Katsuhira and one by Kiyotoshi, Meiji era (1868-1912), late 19th/early 20th century The first Daikoku, standing, brandishing his mallet, signed Katsuhira, 1.7cm (11/16in) high; t

A gold ojime of a Karako (Chinese boy) By Masatoshi, Meiji era (1868-1912), late 19th/early 20th century The karako standing with a serene expression, holding a minogame (bushy-tailed turtle); signed

Two gold ojime One by Katsuo and one by Shuraku, Meiji era (1868-1912), late 19th/early 20th century The first Daikoku, standing, brandishing his mallet, signed Katsuo, 2.2cm (7/8in) high; the second

A SATSUMA BOWL By Kozan, Meiji era (1868-1912), late 19th/early 20th century The high sided bowl raised on a narrow slightly splayed foot, finely painted in enamels and gilt to the interior with a mul