ROKUZAN (ACTIVE LATE 19TH CENTURY) A Large Satsuma Jardinière Meiji era (1868-1912), late 1...

ROKUZAN (ACTIVE LATE 19TH CENTURY) A Large Satsuma Jardinière Meiji era (1868-1912), late 19th century The jardinière and matching stand of earthenware molded on the surface with koi fish in

ROKUZAN (ACTIVE LATE 19TH CENTURY) A Large Satsuma Jardinière Meiji era (1868-1912), late 19th century The jardinière and matching stand of earthenware molded on the surface with koi fish in

DOZAN OF KYOTO A Satsuma-Ware Baluster Vase Meiji era (1868-1912), late 19th/early 20th century Decorated in enamels and gilt, the body with two large lobed panels, one enclosing a probable Chinese le

KAIZAN (ACTIVE LATE 19TH CENTURY) A Satsuma Dish Meiji era (1868-1912), late 19th century Painted in polychrome enamels and gilt with sight-seers before a pagoda, the scene bordered by brocade swaths,

YŪI WORKSHOP (ACTIVE LATE 19TH CENTURY) A Large Inlaid-Bronze Vase Meiji era (1868-1912), late 19th century The tapering ovoid body worked in iro-e takazōgan and hirazōgan with a rooste

A HEXAGONAL JAPANESE SATSUMA BOWL By Gyokuzan Meiji era (1868-1912), late 19th century The deep bowl rising up to six vertical sides and decorated in polychrome enamels and gilt over a clear, crackled

TWO CLOISONNÉ-ENAMEL CIRCULAR LARGE PLATES Meiji era (1868-1912), late 19th/early 20th century Conceived in the manner of Namikawa Sosuke, worked in copper wire with a cockerel and hen on one pla

THREE SMALL MIXED-METAL BOXES. Meiji era (1868-1912), late 19th century. Largest example diameter: 1 3/4 inches.

THREE SMALL MIXED-METAL BOXES Meiji era (1868-1912), late 19th century Largest example diameter: 1 3/4 inches

Two gold ojime One by Katsuhira and one by Kiyotoshi, Meiji era (1868-1912), late 19th/early 20th century The first Daikoku, standing, brandishing his mallet, signed Katsuhira, 1.7cm (11/16in) high; t

A SATSUMA MODEL OF HOTEI Meiji era (1868-1912), late 19th century Painted in polychrome enamels and gilt, the deity shown dressed in a loose flowing robe decorated with the accouterments of the Seven

A PAIR OF SATSUMA BALUSTER VASES By Hododa, Meiji era (1868-1912), late 19th/early 20th century Decorated in enamels and predominantly gilt with a full repertoire of rakan and their attributes; some o

HONDA YOSABURO (ACTIVE CIRCA 1870s-1910) A Cloisonné-Enamel Oval Jar and Cover Meiji era (1868-1912), late 19th/early 20th century Worked in silver and polychrome enamels with a wide lappet band

YUKIYASU (ACTIVE LATE 19TH CENTURY) A Bronze Model of a Hawk Meiji era (1868-1912), late 19th century Separately cast and assembled as a hawk perched on a twisted tree stump, the feathers finely chise

ŌMORI MITSUMOTO (ACTIVE LATE 19TH CENTURY) A Bronze Model of a Tiger Meiji era (1868-1912), late 19th century The animal shown in mid-stride with its belly close to the ground in the midst of a f

SHINJŌ WORKSHOP (ACTIVE LATE 19TH CENTURY) A Silver and Gold Presentation Box Meiji era (1868-1912), late 19th century Formed as overlapping hexagonal and circular boxes decorated with a flying c

Antique Japanese porcelain creamer with traditional Phoenix design, late 19th century, Meiji Era (1868-1912). The maker's mark contains Dai Nippon [Great Japan] characters. It is generally accepted th

HIDEMASA (ACTIVE LATE 19TH CENTURY) A Gilt-Bronze Model of an Archer Meiji era (1868-1912), late 19th century Cast, chiseled, and finished in two shades of bronze as a warrior kneeling on his right kn

A gold ojime of a Karako (Chinese boy) By Masatoshi, Meiji era (1868-1912), late 19th/early 20th century The karako standing with a serene expression, holding a minogame (bushy-tailed turtle); signed

Two gold ojime One by Katsuo and one by Shuraku, Meiji era (1868-1912), late 19th/early 20th century The first Daikoku, standing, brandishing his mallet, signed Katsuo, 2.2cm (7/8in) high; the second

FOUR CLOISONNÉ-ENAMEL VASES Meiji era (1868-1912), late 19th/early 20th century Each worked in silver wire of varying gauge, comprising one octagonal pair decorated with a dragon coiled around th

A GROUP OF SEVEN JAPANESE IMARI WARES Meiji Era (1868-1912), Late 19th/Early 20th Century Comprising an ogee-form barber's bowl painted with a basket of flowers; a kendi with a lobed globular body sup

An embroidered silk panel. Probably produced by the Iida Shinshichi company, Meiji era (1868-1912), late 19th /early 20th century Worked in silk and cotton threads, inventively deploying long and shor

OKAMOTO RYŌZAN FOR THE YASUDA COMPANY A Large and Unusual Satsuma Vase Meiji era (1868-1912), late 19th century The square-sided vase tapering to the foot and flaring out to the mouth, decorated