Stevenson & Kefauver 1956 "Joe Smith" Celluloid

2-1/4" celluloid button supporting Adlai Stevenson & Estes Kefauver reading, "Joe Smith Votes Adlai-Estes and George Brown for Congress". Joe Smith was a fictitious suggested replacement for Richard N

John George BrownNew York/California, (1831-1913)Cheer Up, 1905oil on canvassigned and dated lower left, gilt-framed.Brown was born and raised in poverty in Durham, England, where he worked as an appr

ARTIST: John George Brown (New York, California, 1831 - 1913) NAME: Girl Amongst Queen Anne's Lace MEDIUM: watercolor on paper. Paper applied to cardboard. YEAR: 1890 CONDITION: Excellent. Some age to

1262. GEORGE BROWN PADDLE BOAT NEW YORK | Sweetheart example of the smallest manufactured clockwork American tin paddle boat made, key wind hole at side, when wound toy rolls and rocker at top goes up

Probably George Whitefield Clark, Concord, New Hampshire, ca. 1815 41"h x 39-1/2"w x 19"d Provenance: The Stanley Weiss Collection Literature: "Fine American Antiques in the Stanley Weiss Collection"

For the Schooner Amity, Benjamin C. Shapley master. No. 12. Signed by the President George Washington and Timothy Pickering Secretary of State. State of New Hampshire, Portsmouth. 19 1/2 x 14 inches (

"Landscape at North Conway", oil on board, signed verso, with old label giving location, depicting a man fly fishing in a New Hampshire river, in a lemon gold etched cove frame, OS: 18 3/4" x 24", SS:

A George III Giltwood Mirror Circa 1800 Height 70 x width 50 inches. Provenance: Sydney Brown, New York The Estate of David Easton Doyle, New York, 28 March 2007, Lot 383

First quarter 19thC. No cracks, no chips. Purchased from George S. McKerin NYC on April 22, 1931, and this flask is pictured as lot #231 in the catalog.

B flat. "Nevers' 2nd Regiment Band, 3rd New Hampshire Volunteers". Purchased at auction in 1967 from the descendents of D. Arthur Brown (band leader). unsigned. Trumpet appears in photograph taken at

Roy Brown, (American, 1879-1956), Quai, Paris (The Water Front), oil on canvas, signed lower left, 32" x 39.5", Provenance: Painters & Sculptors Gallery Association, New York, New York (label on verso

George Vuillard (French, b. 1956) "Greeting the Morning" oil on wood panel signed lower left. Framed. 39" x 28", framed 46" x 36"

George Nakashima (American, 1905-1990) Early "Plank" Coffee Table, New Hope, Pennsylvania, 1956 English walnut, American black walnutStudio notation: "2 1/8" [illegible] (H: 13, L: 83, D: 28 1/2 in.)Q

GEORGE NAKASHIMA (1905 - 1990) NAKASHIMA STUDIO Sliding door cabinet, New Hope, PA, 1956 Walnut Signed with client name 32" x 83" x 22" Provenance: Copy of original order card

GEORGE NAKASHIMA (1905 - 1990) NAKASHIMA STUDIO Set of four Grass-Seated chairs, New Hope, PA, 1956 Walnut, grass cord One signed 27" x 23 1/2" x 18 1/2" ea. Provenance: Copy of original order card

GEORGE NAKASHIMA (1905 - 1990) NAKASHIMA STUDIO Trestle dining table, New Hope, PA, 1956 Walnut, rosewood Unmarked 28 3/4" x 60" x 35 1/2", two leaves: 14" ea. Provenance: Copy of original order card

George Nakashima (1905-1990) for Nakashima Studio Grass Seat stools, pair New Hope, Pennsylvania, 1956 cherry, woven seagrass pencil marked 75 to each example sold with copy of original receipt 16"w x

George Nakashima (American, 1905-1990) Pair of New Chairs, 1956 American black walnut 36 x 25-3/4 x 16-1/2 inches (91.4 x 65.4 x 41.9 cm) &

Pair of Knoll International Barcelona Chairs model 250, after a 1929 design by Ludwig Mies van der Rohe, with chromed steel frames and button-tufted chocolate brown leather backs and seats, the backs

JOHN GEORGE BROWN, N.A. (AM.1831-1913) OIL ON CANVAS, 1877/78, H 29", W 20", LOBSTERMAN BRINGING HOME HIS SAILS, GRAND MANAN Depicting Lobsterman carrying mast, boom, and sails from a beached and anch

John George Brown, Am., 1831-1913, "Pals" (Boy with his dog), Oil on canvas, signed "J.G. Brown NA" lower left Note: Similar paintings of this popular subject by Brown are documented in the Archives o

The Young Beggar Boy, oil on canvas, signed lower left and marked copyright, circa 1890, he is depicted in tattered clothing, seated on a crate against the limestone base of a large urban building, ho

Chromogenic print, printed later, flush mounted to board, signed, titled, dated and editioned 4/25 in black ink verso, 68 x 97cm (26 3/4 x 38 1/8in) My work was all about homage, because I thought the

Nice piece of Connecticut toy history! Hand-Painted & stenciled tin with clockwork mechanism, 14.5” long, circa 1870s. Our key wasn’t long enough for a wind, but mechanism, is loose and well lubri