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Adriaen de Gryeff (Grijef) First Image

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Adriaen de Gryeff (Grijef) First Image

Adriaen de Gryeff (Grijef)

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Painting, Attributed to Adriaen van de Velde (1 of 4)

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Follower of Adriaen Ferdinand de Braekeleer (Belgian, 1818-1904) (1 of 2)

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Adriaen Van de Velde, Holland (1636 - 1672), sheep, 1670, Etching, 2 5/8"H x 3 5/8"W (sight), 7 (1 of 11)

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Adriaen van de Venne & Jacob Cats – Emblem XXXIII: Facit Occasio Furem – Original Engraving (1 of 3)

Adriaen van de Venne & Jacob Cats – Emblem XXXIII: Facit Occasio Furem – Original Engraving This original 17th-century emblem engraving titled Facit occasio furem (“Opportunity makes the thief”) presents a sheep caught in thorny branches, its wool snagged and hanging in tufts—an al

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Adriaen van de Venne, after – 17th Century Kitchen Scene – Engraving (Circa 1620–1680) (1 of 2)

Adriaen van de Venne, after – 17th Century Kitchen Scene – Engraving (Circa 1620–1680)This genre scene engraving depicts a bustling 17th-century kitchen interior where daily domestic activities are taking place. The main figure is an older woman in traditional attire attending to a lar

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Jacob Cats & Adriaen van de Venne – Ivy Smothering a Tree (Ut Strangulet, Ambit. XLI) (1 of 3)

Jacob Cats & Adriaen van de Venne – Ivy Smothering a Tree (Ut Strangulet, Ambit. XLI)Allegorical copperplate engraving from Alle de Wercken van den heere Jacob Cats, plate 41, illustrating the proverb “Ut Strangulet, Ambit.” ("As it strangles, it desires power"). The image dep

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Adriaen van de Venne & Jacob Cats – Emblem XXXVII: Quod Grave, Delectat – Original Engraving (1 of 3)

Adriaen van de Venne & Jacob Cats – Emblem XXXVII: Quod Grave, Delectat – Original Engraving This emblematic engraving titled Quod grave, delectat (“That which is burdensome, pleases”) shows a divine hand lowering a key toward a heavy lock, symbolizing effort, virtue, and spiritual un

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Adriaen van de Venne & Jacob Cats – Bird Catching as Allegory of Deceit – Original Engraving – (1 of 3)

Adriaen van de Venne & Jacob Cats – Bird Catching as Allegory of Deceit – Original Engraving –This original 17th-century emblematic engraving illustrates a scene of bird catching, used as a moral allegory for deceit and manipulation. A man lures unsuspecting birds with bait, while nets and tra

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Adriaen van de Venne, after – The Sorcerer and the Traveler – Engraving (Circa 1620–1660) (1 of 2)

Adriaen van de Venne, after – The Sorcerer and the Traveler – Engraving (Circa 1620–1660)This small copperplate engraving depicts a dramatic and cautionary scene, illustrating a proverb or moral tale. The scene takes place in a dark cave or hut where an old, bearded figure, presumably a s

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Adriaen van de Venne – Dialogue between Death and an Old Man - Copperplate engraving (1 of 3)

Adriaen van de Venne – Dialogue between Death and an Old Man - Copperplate engraving This allegorical copperplate engraving, titled 't Samen-Spraeck tusschen de Dood en een Oud Man (“Dialogue between Death and an Old Man”), shows a contemplative man seated across from a person

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Adriaen van de Venne, after – Rustic Dance with a Pagan Idol (Witches' Sabbath) – Engraving (1 of 2)

Adriaen van de Venne, after – Rustic Dance with a Pagan Idol (Witches' Sabbath) – Engraving This copperplate engraving depicts a complex and energetic outdoor scene featuring a group of figures engaged in a vigorous dance in a wooded clearing. The focal point of the background is a prominent

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Adriaen van de Venne, after – Scene of Theft (Peasant and Thief) – Engraving (1 of 2)

Adriaen van de Venne, after – Scene of Theft (Peasant and Thief) – Engraving This small copperplate engraving, a genre scene, depicts a humorous or moralizing tableau. A peasant or farmer, standing next to a thick tree, confronts a second figure who is either stealing or attem

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Adriaen van de Venne – Winter Scene of Gathering Wood or Fruit – Engraving (Circa 1610–1640) (1 of 2)

Adriaen van de Venne – Winter Scene of Gathering Wood or Fruit – Engraving (Circa 1610–1640)This detailed copperplate engraving depicts a winter or early spring landscape scene characteristic of Dutch genre art. A man stands beside a bare tree, using a long pole to reach branches or knock do

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Adriaen van de Venne, after – Deathbed or Sickroom Scene – Engraving (Circa 1620–1660) (1 of 2)

Adriaen van de Venne, after – Deathbed or Sickroom Scene – Engraving (Circa 1620–1660)This small copperplate engraving depicts a crowded deathbed or sickroom scene set within a richly draped interior, characteristic of Dutch genre and moralizing art. A figure is shown reclining in a la

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Adriaen van de Venne, after – Domestic or Doctor's Visit Scene – Engraving (Circa 1620–1660) (1 of 2)

Adriaen van de Venne, after – Domestic or Doctor's Visit Scene – Engraving (Circa 1620–1660)This small copperplate engraving, a reproduction of a genre scene, depicts an intimate domestic interior. A man wearing a wide-brimmed hat and a cloak stands before a seated woman who is holding a chi

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Jacob Cats (1577–1660); Adriaen van de Venne (1589–1662) – Honorable Courtship (1 of 3)

Jacob Cats (1577–1660); Adriaen van de Venne (1589–1662) – Honorable Courtship This engraving, set within a circular frame, depicts a domestic scene with several cats and kittens. A man and a woman look on from a window, providing a sense of observation. The print is a visual pr

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