AFTER GEORGE BROOKSHAW (BRITISH, 1751-1823) WHITE CLAUDIA MELON, 1812

George Brookshaw (British 1751-1823)- White Grapes- hand-colored stipple aquatint and engraving, from 'Pomona Britannica', published by the author. 16 3/4 x 12 3/4''

After George Brookshaw (British, 1751-1823) Melon, Plate LXXII, from Pomona Brittanica, c. 1807 Aquatint and stipple engraving with hand-coloring, on wove paper, with margins, framed. plate 17 3/4 x 1

George Brookshaw (British 1751-1823)- ''Silver Rockk Melon''- hand-colored stipple aquatint and engraving, from 'Pomona Britannica', published by the author. 16 3/4 x 12 3/4''

Group of three prints, after George Brookshaw (British, 1751-1823); depicting still life of melon on the vine with flora and fauna, with titles respective to their species, including: Polinac,

George Brookshaw (British, 1751-1823), "Peaches" aquatint and stipple engraving printed in color and finished in watercolor, from the book "Pomona Britannica of a Collection of the Most Esteemed Fruit

George Brookshaw (British, 1751-1823) "(Apricot) Black Apricot, Breda Apricot, Brussels Moore Park Apricot" aquatint and stipple engraving printed in color and finished in watercolor, from the book "P

George Brookshaw (British, 1751-1823) "(Apricot) Black Apricot, Breda Apricot, Brussels Moore Park Apricot" aquatint and stipple engraving printed in color and finished in watercolor, from the book "P

Lot 28A George Brookshaw British (1751-1823) Pineapple aquatint and stipple engraving, finished with hand coloring 30 x 20 inches Reply Pine Plate 41. From Pomona Britannica. London: T. Bensley, for

George Brookshaw (British, 1751-1823). Four plates of peaches from "Pomona Britannica" -1817, botanical engravings with hand finishing. Unframed. Approx. 13" x 10.25" (sheet)

George Brookshaw (British, 1751-1823). Four plates from "Pomona Britannica" of different varieties of pears, engravings with hand finishing. Unframed. Approx. 13" x 10.25" (sheet)

George Brookshaw (British, 1751-1823). Four plates from "Pomona Britannica" of peaches and nectarines, engravings with hand finishing. Unframed. Approx. 13" x 10.25" (sheet)

George Brookshaw (British 1751-1823) Two aquatints, Plums, plate XVII and another, matted and framed. 19.5 x 14.5 in. image size, 30 x 24.5 in. as framed. Condition: Appear very good, not examined o

Hand colored aquatint engraving Early 19th century, c. 1812, plates from the "Pomona Britannica; or a Collection of the Most Esteemed Fruits" by George Brookshaw (English, 1751-1823); including Plate

Manner of George Brookshaw (English 1751 - 1823), 19th century. Fine George III Adam style decorated satinwood, parcel gilt and polychrome painted console or pier table having a demilune top with conf

[BOTANICAL]. Brookshaw, George (1751-1823) Three Pears (Plate LXXX) -- Six Apples (Plate LXXXVIII) from Pomona Britannica, London, 1804-1822 (but each plate watermarked IIS&S 1822) 2 engravings with h

GEORGE II BRITISH ARMORIAL STERLING SILVER HOT WATER / TEA KETTLE WITH STAND AND BURNER, late Baroque / early Rococo style, tea kettle with ribbed melon-form well having a spout and a hinged

George Morland (British, 1763-1804), Original painting later engraved by John Raphael Smith(1752-1812), "A Christmas Gambol", oil on canvas, signed "G Morland", Notated on back "A Christmas Scene Engr

Antique Georgian or early Victorian 19th century English traditional style horse portrait painting on canvas by George Van Arden (American or British, born 1806). A striking study of a white stallion

British, 1817-1904Study for the Head of Noah for "Noah Building the Ark" from Dalziel's Bible Gallery Black and white chalk on brown paper14 1/2 x 11 5/8 inches (36.8 x 29.5 cm)Frame 24 3/4 x 21 5/8 i

Blue and White Melon Jar Height:15.8cm, Diam.17.5cm, Welcome to our highly recommended section, the rare and old collection from Mr. Wu, the descendants of Wu Hongming's family, with a long history of

WILLIAM CALLOW (BRITISH, 1812 - 1908) A 19TH CENTURY WATERCOLOUR LANDSCAPE 'CASTEL GANDOLFO' (the pope's summer residence) signed and dated and inscribed labels on reverse - mounted in a glazed swept

This jar is 9.25 inches tall and 7.25 inches wide. Four windows on the body, each window has a painting. The provenance of this item is from a Long Island collector.

WILLIAM JAMES MULLER, (BRITISH, 1812-45), OIL ON CANVAS, H 32", W 53", "AFTERNOON IN LYCIA" Signed and dated 1843 lower left. identification tag with title is on the gilt frame (frame size: 37" x 59")

William James Müller (British, 1812-1845) Carpet bazaar, Cairo signed and dated 'W. Muller 1843' (lower left) oil on board 60.5 x 43cm (23 3/4 x 17in). Footnotes: A very similar composi