ALEXANDER SERGEEFF...CAFE DI PARIS VIA VENETO

Etching, Giorgio Morandi, "Il Giardino Di Via Fondazza", 37/55, signed in pencil, not dated, plate size is 4.25" by 6 1/8", sheet size is 10.5" by 13.5", minor smudges, unframed. Note, the 4 Giorgio M

Nellie Mae Rowe. African Mask. 1980. Signed and dated. Paint, craypas and graphite on paper. Excellent condition. Image is 15"w x 11"h. Frame is 20"w x 16"h. Provenance: Judith Alexander via Gin

Otto coppie di maniglie per porta della serie Garda disegnate per il condominio di via Marchiondi a Milano. Ottone satinato, metallo. Produzione Olivari 1951 ca. cm 4x17x10 EIGHT PAIRS OF HANDLES BY I

sul coperchio in una veduta di Via Tornabuoni a Firenze nell'altra decori floreali in smalto applicato gr. 140, cm 11x8x2 e cm 12x7,5x2

cassettone a ribalta con alzata in noce e radica di noce,Veneto,sec.XVIII cm. 108,5x54,5 h. 245

coppia di oli su tela, riportata su tavola, raff.vasi di fiori, Veneto sec.XVIII cm. 50x41

Pastel on Paper painting signed Degas, measures:14 1/4 by 11.5 inches. Provenance: Acquired from Alexander Henriquet, Paris and Descent by the family of the present owner. The painting comes framed. E

Alexander Warshawsky (American 1887-1945) Paris, The Seine, 1923, oil on artist's board, signed and dated lower right, framed. Together with a charcoal sketch of Louis Schroeder by another artist,

Italy, 1950s, 40x58x58 cm., seven small tables in wood and painted metal, production labelLiterature: Fabio Fioroni, Alessandra Tavella, 1 x - Gio Ponti in Paris. Arredi di design 1930 - 1970, 2012, p

Tre tavolini. Tondino metallico smaltato, legn di teak. Produzione ISA anni '50. Etichetta metallica del produttore. Expertise Gio Ponti Archives. cm 35x58 AA. VV., Gio Ponti in Paris. Arredi di Desig

Italy, 1950s, single module: 40x58x58 cm., seven coffee tables in wood and painted metal, production label. Literature: Fabio Fioroni, Alessandra Tavella, 1 x - Gio Ponti in Paris. Arredi di design 19

DOMENICO CANTATORERuvo di Puglia 1906 - Paris 1998Untitled 1960 ca.Oil on canvas 40 x 30 cmSignature lower rightSignature and dedication to the backProvenanceCollection Sperti, MilanAuthentic to the b

HERNANDO VIÑES SOTO (Paris, 1904 - 1993). "The artist in her studio". Oil on canvas. Signed in the lower right corner. Size: 73 x 92 cm; 93 x 112 cm (frame). In this work the author rescues a very

Lithograph, pencil signed LR, numbered 88/100 and titled "Point of No Return", includes Certificate of Authenticity. Also includes publication "Homage to Alexander Calader", edited by G. di San Lazza

R & Y Augousti Desk Shagreen surface desk having (3) pullout drawers and a glass top, attached metal label to the underside Provenance: Thanks to Kifu Paris, New York, NY for authentication via email

ALEXANDER MACKENZIE (1923-2002) Sans titre Huile sur panneau d'isorel, signée et datée 1961 au verso Oil on isorel panel, signed and dated 1961 on the back H 25,5 x L 21,5 cm - H 10 x W 8 1/

Grande centrotavola in argento in stile barocco finemente sbalzato, argentiere G.Keller Paris, vaschetta interna in metallo dorato cm.53x29x18, gr.2900

RICHARD GINORI Un grande vaso in ceramica con coperchio, , modello "5756", decoro "695T ("Veneto", circa 1930. Marcato "Richard-Ginori fabbricato in Italia" e con il simbolo grafico della manifattura.

Books from the library of Grand Duke Vladimir Alexandrovich (1847-1909), the third son of Emperor Alexander II and Empress Maria Alexandrovna, younger brother of Alexander III. Iz biblioteki Velikogo

Specchiera Luigi XV in legno intagliato e dorato, Veneto sec.XVIII cm. 120x165

Orologio Napoleone III in bronzo e porcellana con figure e uccellino, quadrante f.to G.P.Manier à Paris, Francia sec.XIX. La porcellana reca la marca della fabbrica tedesca di Damm (1860/1888), il

Ritratto di donna africana Olio su tela, cm 133X96

(Malmo, 1718 - Parigi, 1793) Ritratto di dama con manicotto e cappotto bordato di ermellino (la signora Martha Noble?) Olio su tela, cm 69X62 Alexander Roslin fu un importante ritrattista e svolse la

Alexander Calder (1898-1976) Boomerang, 1974 Lithograph in colors on Arches paper, signed in the plate, from the edition of 750, published by Transworld Art, New York, printed by Mourlot, Paris, the f