Alexis Smith (b. 1949) California

CONSTANCE, 1994, mixed media collage assemblage, a signature not found, 31 ¼ x 28 ¼ x 3”, framed, in good studio condition. Provenance: Margo Leavin Gallery, Los Angeles; Gerald Peters Gallery, Da

MINE WAS THE BETTER PUNCH, 1983, color screenprint with collage, signed and dated in pencil, numbered 149/180, sheet 22 x 14”, in good condition.

Alexis Smith (American, b. 1949) 'Words Cannot Cook Rice,' 1975 Lithograph. Published by Cirrus Editions, USA. Number 39 from the edition of 250. Signed and dated lower right; numbered lower left. Ove

Alexis Smith (American, b. 1949) Boy's Life, 1989 Lithograph with collage on paper ed. 17 of 50 30 x 44.75 (in) 32 x 46.5 x 1.25 (in) Framed Signed and dated in pencil Alexis Smith 1989, lower left

WILD SEA, 1989, oil painting on canvas, signed lower left, signed and dated and titled on verso, sight 27 ½ x 21 ½”, frame 35 ¾ x 30 x 2 ½”. Provenance: Acquired direct

FLOWERS, 2010-2011, three, each an ink & gouache on antique book pages, each signed and dated, sheets 9 ½ x 7”, 6 ½ x 8 ½” & 8 ¼ x 6”, Provenance: acquired directly from the artist by the pr

Alexis Smith (1949) Montage of Disasters, 1996 Lithograph in colors, gold leaf, embossing/ Rives BFK paper Co-published by Anderson Ranch Arts Center, Snowmass Village and Landfall Press Inc., Colorad

#24; #20; #28, three acrylic paintings on paper, each signed and dated and titled lower sheet edge, each signed and dated on the verso, all with collage, 30 ¼ x 22”. Purchased from William Turner G

oil on canvas; signed lower left 8 x 10 1/8 in. (20.3 x 25.7 cm.), Frame: 13 3/8 x 15 1/2 in. (34 x 39.4 cm.)

BLOND LADY WATERFALL, color giclee with Plexiglas signed and numbered 24/295 in gold ink lower right Plexiglas, 30 x 20”, with liner 33 x 23”.

UNTITLED, 1986 monotype on paper, initialed and dated lower right, 23 x 30 ½”, frame 32 ½ x 40 ½” with glass. Provenance: Tortue Gallery Santa Monica.

"Equestrian War Chief," 1988 Cold painted bronze on wood base Edition 45/50; signed and dated: Jim Regimbal [copyright symbol] / 1988; titled to sculpture, titled again to plaque 9" H x 8.5" W x 4"

LADY BLUE WATERFALL, color giclee on canvas, signed and numbered 1/25 AP (artist’s proof) lower left, 40 x 32”.

WOMAN IN CAFE, oil painting on panel, signed lower left, 16 x 10”, frame 23 ¾ x 17 ¾”.

BANANA DRIVE, color giclee on canvas, signed and numbered 1/15 AP (artist’s proof) lower left, 40 x 32”.

HANG GLIDER AND WIND SURFERS, color giclee with Plexiglas, signed and number in 2/250 silver marker lower left Plexiglas, 36 x 23 ½”, liner 38 ½ x 26 ½”.

Signed Linda Kyser Smith (American b. 1949) Oil Painting on Board Simple Harmony. Signed on lower left and titled on verso, measures H: 15 1/4" x W: 9 1/4", 4" frame

HE SHOULD WHINNIE LIKE A HORSE WHO SEES EVIL, 1975, watercolor and ink drawing on paper, signed and dated and titled lower right, image 8 x 9”, full margins, framed with glass.

LIVING TOGETHER, 1994, cast resin and mixed media multiple, signed and numbered 62/275 in pencil, produced by Sculpture Graphics, Northridge, California, in original Plexiglas box frame overall 28 &fr

Undated, signed lower left, depicting a portrait of a standing woman, formally dressed in a black gown having a full length curtain and painting in the background, a gold-tone wood frame Height: 71 3/

Robert Ellis KushnerNew York / California, (b. 1949)From: The Joy of Ornament, 1980, ed. 23/35twenty etchings printed by Stephen Thomas, Nancy Anello, and Sherry Morse, Published by Crown Point PressC

VUITTON CROSS, Louis Vuitton-style material over wooden cross with velvet backing, 11 ½ x 9 ½ x 1”.

John Coleman (Arizona / California, b. 1949), "Man's Prelude to Honor", ed. 9 of 25, bronze sculpture on black marble slab and rotating wooden base, ceramic column pedestal included height 49 in. x w

John Coleman (Arizona / California, b. 1949), "Someone to Ride the River With", 2005, bronze freestanding sculpture, ed. 29 of 35 height 20 in. x width 9 in. x depth 13 in. Provenance: Prope