Amadis of Gaul Vasco Lobeyra

American, 1855-1919. Civil War soldiers in winter campsite. "Theodore Kelly" preparer's label on back of canvas. 25"h. 33"w., framed, 30.25"h. 38.25"w.

Gilbert Gaul (N.Y. / TN. / N.J. 1855-1919), "A Day At The Beach", oil on copper. 11 3/4" x 16 1/4".

(American, 1855-1919) On The Trail, signed lower right "Gilbert Gaul", New York colourman label stretcher verso, oil on canvas, 17 x 24 in.; fine reproduction gilt wood frame, 21-1/2 x 28-1/2 in. Prov

Gilbert Gaul (New York/Tennessee/New Jersey, 1855-1919) oil on board landscape painting titled in pencil en verso SOUTH NASH, depicting a country road with a female figure and a small dog standing at

Arrah Gaul (1883 - 1980) Arrah Lee Gaul was active/lived in Pennsylvania. Arrah Gaul is known for sea-landscape, portrait. Medium: OIl on canvas Size: 16" x 20" Frame Size: 23" x 27" Condition: Great,

The Dying Gaul bronze sculpture, Grand Tour after the antique, 19th century, the gladiator modeled seated on the ground, wounded and leaning on one arm, his torso with bleeding puncture, his sword and

Oil on canvas. Signed "Arrah Lee Gaul" in lower right. 25"h x30"w

TITLE:Gilbert Gaul Illustration Spanish American War Battle Aftermath TYPE:Art SUB TYPE:Painting REGION:United States SUB REGION:New York MEDIUM:Oil SGD/UNS:Signed DATE OF WORK:C 1898 CATALOG NOTES:A

Gilbert Gaul (Tennessee/New York/New Jersey, 1855-1919) oil on canvas painting, likely a Southern scene, depicting an African American woman carrying a child across a field; a farmhouse and trees with

Gilbert Gaul (American, 1855-1919), oil on canvas landscape depicting a country road with two wooden structures painted red, one possibly a barn with weathervane, obscured by leafy trees, under a most

Andre Paul Arthur Massoulle(1851-1901)The Victorious GaulPatinated bronzeSigned in the casting: A. Massoulle; foundry mark: Theibaut Freres Fondeurs / Paris22.5" H x 9.25" W x 7.5" D

Vasco Pereira da Conceicao, large bronze sculpture, Vasco Pereira da Conceicao, (Portuguese, 1914-1992), "Adormecida", 1961, bronze with black patina on marble base, stamp signed "V.P.C." and dated on

A large Italian marble figure of the Dying Gaul on pedestal after the Antique, raised on oval pedestal with two column support, 21"h x 39"l (figure); 31.75"h x 40.5"w.

GAUL. Ambiani. Ca. 59-50 BC. AV stater (5.74 gm). Gallic War issue. Blank convex surface / Disjointed horse right, crescents and pellets around. Depeyrot, NC VI 161. SCBC 11. Well struck. NGC Choic

French Grand Tour bronze figure of "The Dying Gaul", second quarter 19th century, after the original antique marble in the Capitoline Museum, Rome, the sculpture marked "Reduction Mechanique / Collas"

Monochromatic painting of a woman sitting on the floor tending fire at the hearth, bellows in hand. Gilbert Gaul is known for Frontier-war genre and landscape painting.Sight size: 16 1/2 x 20 1/2 in.O

Purchased new by an esteemed Boston retailer in the 1970's; stored securely since then. Never walked on, no fading, or wear of any kind. 100% wool rya; thick pile carpet

Purchased new by an esteemed Boston retailer in the 1970's; stored securely since then. Never walked on, no fading, or wear of any kind. 100% wool rya; thick pile carpet

Western Europe, France to Germany, ca. 2nd to 1st century BCE. A very rare Celtic "rainbow cup" gold stater. According to popular belief, rainbows left a piece of gold - the rainbow cups - behind wher

18th CENTURY "DYING GAUL" BRONZE SCULPTURE ON A MARBLE BASE. Height: 13 in. by Width: 29 in. by Depth: 13 in.

figurine, August Gaul for Meissen, Model A 1056, molding 30/1940s, lying pair of lions, white, on pedestal signed, A. Gaul, 11 x 25 x 11.5 cm

Purchased new by an esteemed Boston retailer in the 1970's; stored securely since then. Never walked on, no fading, or wear of any kind. 100% wool rya; thick pile carpet

1st century B.C. Obv: profile bust left. Rev: horse left with vestiges of charioteer above and D sideways symbol below. 1.62 grams. (). Property of a North London, UK, gentleman.

Gilbert Gaul (American, 1855-1919 ) oil on canvas battlefield painting depicting a group of soldiers on a scouting mission, some standing in conversation, one with binoculars and others crouching, wit