AMBIT OF FRANCESCO SOLIMENA (Canale di Serino, 1657 - Barra, 1747)

Workshop of Francesco Solimena (Canale di Serino, 1657 - Barra, Naples, 1747) "The Descent of Christ" Oil on canvas. Relined. 128 x 75 cm. Prince Eugene of Savoy commissioned various paintings by Soli

Artist: Francesco Solimena (1657-1747), circle of Title: Medium: Oil on canvas Size: 25" x 20" (63.5 x 55.8 cm) canvas size Date: 17th century

Italian school, ca. 1700. Circle of Francesco SOLIMENA (1657-1747) "Saint Nicholas of Tolentino. Oil on canvas. Measurements: 65 x 52 cm; 95 x 82 cm (frame). In this canvas we see Saint Nicholas of To

Neapolitan School, After Francesco Solimena (1657-1747) "Saint Paul with the Word of God and the Sword by Which He Died" Oil on canvas Unsigned. Verso inscribed "Saint Paul ascending into Heaven, 18th

Circle of Francesco Solimena (Italian, 1657-1747), Giambattista Pittoni (Italian, 1687-1767) or Francesco Trevisani (Italian, 1656-1746), Baroque/Rococo, 18th century. A stunning 18th century painting

Francesco Solimena (Italian, 1657-1747) "Madonna and Christ Child" pencil drawing on laid paper, stamped on reverse: "Alexandre Ujlamy Antiquaire Paris," 18th century. Image: 12: H x 8" W; mat board:

Attrib. to Francesco Solimena 1657-1747 Monks/Angels/Fresco gray pen and wash 15x12 Italian 17th cent drawing of a scene with angels and saints in the clouds attributed to Francesco Solimena. The draw

Attributed to Francesco Solemena (Italian, 1657-1747) Study ink and wash on paper visible: 7 1/4" x 11 1/4"

(Roma, 1747 - Milano, 1819) Paesaggio con figure Olio su tela, cm 41X56 Fidanza apprese i primi insegnamenti dal padre Filippo (1720 - Roma 1790), autore di una tela raffigurante Marina con figure con

(Napoli, 1623 - 1690) Sant'Anna Olio su tela, cm 130X100 Le opere di Francesco di Maria evocano lo stile di Santafede e di Azzolino, a loro volta aggiornate sugli esempi di Battistello e modulate sugl

Painting, surreal dancers, Francesco Di Cocco, 1943, watercolor showing dancers in large boulevard setting, surreal scene, 10.75" by 17"

Francesco di Marino, 1892-1954, People on the street in front of a puppet theater, oil / wood, signed lower right, approx. 24x34cm / 38x48cm

Manner of Francesco Solimena Saint John the Baptist Preaching Oil on canvas 28 1/4 x 34 inches (71.76 x 86.36 cm) C

attributed to Studio or Circle of Francesco di Giorgio (Italian 1439 - 1502), Angel Holding a Drape, tempera and oil glaze and gold on gessoed panel, 11.5 x 6 inches, Predella fragment from a Madonna

(lot of 2) Italian School "Biccherna" paintings on wood panel, including: (1) "Al Tempo de Tremuoti," Madonna protecting Siena from earthquakes, after Francesco di Giorgio Martini (Italian, 1439-1502)

One of the most successful Old Masters of the Neapolitan School of Painting during the early 18th century, Francesco Solimena was strongly influenced by the dramatic lighting and tenebrism of earlier

(Venezia, 1729 - 1804) Apparizione della Vergine e San Francesco di Sales e Sant'Antonio Penna e acquerello su carta, cm 41X26 Databile alla fine del XVIII secolo, il disegno esprime una cultura pitto

olio su tela, W. 73 - H. 87 Cm, Bibliografia di riferimento:, S. Bellesi, Vincenzo Dandini e la pittura a Firenze alla metà del Seicento, Pisa 2003, pp. 60 e 5gg., 141- 143, , "II ritratto, firmato

olio su tela, W. 66 - H. 86 Cm

Il bacino di San Marco da Santa Maria della Salute olio su tela, cm 24 x 34 Follwer of Francesco Guardi,19th century Venice, the bacino of San Marco from Santa Maria della Salute oil on canvas, cm 24

olio su tela, W. 61 - H. 75 Cm

ANTONIO SAVERIO GRUE, CASTELLI, FINE DEL XVII-INIZIO DEL XVIII SECOLO decorato con scena di caccia al cervo; poche usure e difetti Alt. cm 3, diam. cm 27,8 A CASTELLI MAIOLICA DISH, LATE 17-EARLY 18TH

Sanguine, pencil and white lead on laid paper, cm. 25,2x29,5 The drawing bears two collection stamps on the lower left and lower right to be identified.PROVENANCE:Private collection, Rome.

(Forno di Canale, 1709 - Treviso, 1781) Paesaggio Olio su tela, cm 54X73 Riconducibile alla maturit‡ del pittore, l'opera esibisce una elegante stesura pittorica, in modo particolare per l'arios