Ambrotype Virginia Familyf

six ninth plate, two sixth plate, one fourth plate, in full leatherette cases (one case containing two ambrotypes) ÿ - Provenance: A Virginia Collector

[CIVIL WAR]. Sixth plate ambrotype of John Singleton Mosby. [Virginia], ca 1865. Sixth plate ambrotype half portrait featuring John Singleton Mosby seated in a chair. (Some loss of contrast and discol

Quarter plate ambrotype.From the Collection of Helder S. Costa.This is the work of William A. Pratt. In 1846, Pratt was assigned a patent for coloring daguerreotypes. In 1851, he exhibited at the Worl

Sixth plate hand-gilt ambrotype. Leatherette case. Anonymous artist. [Virginia?]. An impressive photograph showing a Confederate infantryman wearing a classic gray uniform. A musket rests at his side

c. 1862. Sixth plate hand-tinted & gilt ambrotype. Half leatherette case. Charles Rees. Richmond, Virginia. Impressive portrait of a Confederate infantryman who displays a large Bowie knife and musket

Two sixth plate ambrotypes of Confederate officers attributed to Charles Rees of Richmond, Virginia. Delicately hand-colored, both images are housed in a mint thermoplastic case. Charles Richard&

Early ambrotype of an African American woman and two children in split leather case with an unusual pillow. Provenance: Falls Church, Virginia collection.

Confederate Civil War ambrotype, 1/6th plate, depicting a Confederate officer attired in his uniform and wearing a Hardee hat bearing an infantry insignia "AV" for Virginia. The officer is holding his

ten total pieces, unknown subjects, each ambrotype ninth plate, one smaller print, in seven decorative thermoplastic casesÿ - Provenance: A Virginia Collector

Ambrotype of a little boy holding a white cat on a bench. Provenance: Falls Church, Virginia collection.

Pair of ambrotypes of outdoor house scenes in leather cases. Provenance: Falls Church, Virginia collection.

two sixth plates,ÿtwo ninth plates, including one of child in uniform, each in leatherette case - Provenance: A Virginia Collector

A beautiful sixth plate ambrotype of a young Confederate soldier, likely from North Carolina or Virginia. He wears a burly military jacket with a series of buttons running along its length. Importantl

ninth plate ambrotype, ninth plate tintype, sixteenth plate tintype, each in decorative Union thermoplastic case - Provenance: A Virginia Collector

Blue glaze design of Chinese characters. On bottom blue glaze Chinese mark. In presentation box. 3 3/4" x 3 1/4" Diam.

Seascape with boat. Oil on board, signed & dated 1934 lower right corner. Sight, 19 3/4" x 23 3/4"; frame, 24 1/2" x 28 1/2."

A Peter Danko bench, c.1970s. Oak. Undulating form creates the seat with straight seat stretcher frame with peg construction & curved, carved legs. 20" x 96" x 22." Minor wear from age & use.

Three Duffner & Kimberly Co. single-arm wall sconces with lead-glass geometric pattern, c.1910s. Impressed into base "4019A." Electrical wiring reworked. 11" x 4 3/4" shade Diam. Minor wear from age &

(1711-1799). Overall floral & fretwork motif with key fret design around base of foot with blue glazed body. On bottom of each, impressed mark "Made in Qing dynasty, Qian Long period". 12"H. One lid h

"Three English Jockeys Up." 1968. Charcoal and oil pastel. Signed l.r. Signed, dated, and titled on verso of frame. 18" x 24". Matted and framed under glass: 26 3/4" x 32". Condition: Small tack hole

Untitled. 1988. Elongated & twisted piece of polished steel. Signed & dated on bottom edge of steel. 11'3." This piece is smaller but nearly identical to "Ascent" at the Smithsonian National Air and S

"Samson and Delilah" c.1990. Bronze wall sculpture with patina, signature and number inscribed lower right corner. Edition 361/375. 19 1/4" H x 22 3/4" W. Wear from age and use.

Untitled. 1983. Polished steel on granite base. Signed & dated on bottom edge of steel. 53" (with base). Base: 12" x 12."

Image of Washington Monument from the White House. Signed lower left corner & dated lower right corner "December 25, 1931." Removed from frame for inspection. Signatures still bold against cream-color