ANONYMOUS Hundred Birds Edo period (1615-1868) or Meiji era (1868-1912), mid-/late 19th century

ANONYMOUS (19TH CENTURY) Shishi Lion-Dog and Peonies Edo period (1615-1868) or Meiji era (1868-1912), 19th century A large two-panel folding screen in ink and colors on paper depicting a shishi (Chine

ANONYMOUS (19TH CENTURY) A Parcel-gilt Bronze Model of Su Shi (So Tōba) on His Mule Edo period (1615-1868)-Meiji era (1868-1912), 19th century, A two-piece model in patinated and parcel-gilt bron

A PAIR OF CANDLESTICKS Edo period (1615-1868) or Meiji era (1868-1912), 19th century The silvered-bronze shokudai candlesticks with circular bases supporting cylindrical uprights and conical drip cups

KAWANABE KYŌSAI (1831-1889) Beauty and Enma-Ō Edo period (1615-1868) or Meiji era (1868-1912), 19th century A hanging scroll brushed in ink and colors on silk depicting a King of Hell holdin

A SMALL LACQUER TRAY DEPICTING EGRETS UNDER A WILLOW TREE Edo period (1615-1868) or Meiji era (1868-1912), 19th century Of rectangular form with shallow rim, of hiramaki-e, takamaki-e, and tsuishu lac

A PAIR OF JAPANESE CLOISONN VASES, MEIJI PERIOD (1868-1912), LATE 19TH CENTURY, of baluster form, each worked in copper wire and colored enamels with birds perched among the branches of cherry blossom

DESCRIPTION: Bronze goshawk perched on a branch. Meiji period (1868-1912). Signed on bottom of bird. Gyokko was active late 19th century. He is renowned for his exceptional craftsmanship and is recogn

A PAIR OF INLAID-IRON VASES Meiji era (1868-1912), late 19th century Each globular body decorated with shaped panels of birds and flowers, a cottage with a thatched roof, or a sailing vessel, all inla

AN INLAID-BRONZE VASE Meiji era (1868-1912), late 19th century Of elongated baluster form with a tall slightly flaring neck, set on bracket feet and applied with stylized bird-head handles, decorated

STYLE OF SHIBATA ZESHIN (1807-1891) A Lacquer Tonkotsu (Tobacco Container) in the Form of an Ink Cake Edo period (1615-1868) or Meiji era (1868-1912), 19th century Of rectangular section with internal

TSUKIOKA YOSHITOSHI (1839-1892) A Group of Six Woodblock Prints Edo period (1615-1868) and Meiji era (1868-1912), 1860s and 1878 Each an ōban tate-e, the first, of a beauty next to a bottle of sa

ROKUZAN (ACTIVE LATE 19TH CENTURY) A Large Satsuma Jardinière Meiji era (1868-1912), late 19th century The jardinière and matching stand of earthenware molded on the surface with koi fish in

THREE SMALL MIXED-METAL BOXES. Meiji era (1868-1912), late 19th century. Largest example diameter: 1 3/4 inches.

A HEXAGONAL JAPANESE SATSUMA BOWL By Gyokuzan Meiji era (1868-1912), late 19th century The deep bowl rising up to six vertical sides and decorated in polychrome enamels and gilt over a clear, crackled

THREE SMALL MIXED-METAL BOXES Meiji era (1868-1912), late 19th century Largest example diameter: 1 3/4 inches

Two Japanese Mixed Metal Ojime, Meiji Period (1868-1912), late 19th c., incl. figural, base signed, h. 3/4 in.; and bead form, inscription cartouche, dia. 1/2 in. Provenance: The Estate of Caroline P.

A VERY LARGE ‘LOTUS AND ELEPHANTS’ FOUNTAIN, BRONZE, JAPAN 19TH CENTURY (133 CM) Bronze Japan, Meiji Period (1868-1912) – late 19th century The fountain consists of three parts, mass

Satsuma Vase And Cover Japanese, Meiji Period (1868-1912) late 19th Century A sculpted Satsuma covered jar in the form of a Sake jar symbol of good health and abundance, decorated in colourful enamels

A Rare Japanese Paulownia Wood Lacquered Koto with Peacocks and PeoniesMeiji period (1868-1912), late 19th century, paulownia wooden case lavishly decorated in gold and iro-e takamaki-e and mother-of-

Takemura Bunmin (Japanese), Folding Screen with Autumn GrassesMeiji period (1868-1912), late 19th century, six-panel folding screen, ink and colors on paper, painted with an autumn landscape of birds

Two gold ojime One by Katsuhira and one by Kiyotoshi, Meiji era (1868-1912), late 19th/early 20th century The first Daikoku, standing, brandishing his mallet, signed Katsuhira, 1.7cm (11/16in) high; t

A gold ojime of a Karako (Chinese boy) By Masatoshi, Meiji era (1868-1912), late 19th/early 20th century The karako standing with a serene expression, holding a minogame (bushy-tailed turtle); signed

Two gold ojime One by Katsuo and one by Shuraku, Meiji era (1868-1912), late 19th/early 20th century The first Daikoku, standing, brandishing his mallet, signed Katsuo, 2.2cm (7/8in) high; the second

A SATSUMA BOWL By Kozan, Meiji era (1868-1912), late 19th/early 20th century The high sided bowl raised on a narrow slightly splayed foot, finely painted in enamels and gilt to the interior with a mul