Aquatint by Max Klinger, First Intermezzo, c1880

Bear and Elf (Bär und Elfe) (plate I) from Intermezzos, Opus IV (Intermezzi, Opus IV) (first published 1881), print executed 1880. Viewable area measures 11 1/4" H x 8 3/4" W. Frame measures 17 1/2"

(German, 1857-1920) ca. 1879-1880, original aquatint etching on Japan paper, subsequently issued as no. 3 in the series "Eva und die Zukunft (Eve and the Future)", third state of nine with image as co

The Awakening. (Varnedoe & Streucger 53) etching and aquatint, 1887, .number VIII of the series A Love (Eine Liebe) Provenance: Private collection- New Orleans, LA

Max Klinger (Ger. 1857-1920) Bär und Elfe (Bear and Elf) Etching with aquatint, framed under glass Signed in plate l.l., editioned "I" in plate l.r. 16 3/8" x 9 5/8" sight, 29

A LOVE: HAPPINESS, Opus X, 5, aquatint etching, signed in the plate lower left, image 16 x 11, full margins, frame 31 ½ x 25”. Provenance: Pasquale Iannetti Art Galleries Inc, San Francis

Max Klinger (German 1857-1920), etching and aquatint "OP VII-1883". Sight 20 1/2" x 14 1/2".

MAX KLINGER LANDSLIDE, INTERMEZZI OPUS IV 1881 ETCHING AND AQUATINT 16.5" X 11.5"

MAX KLINGER CENTAUR PURSUED (VERFOLGTER), INTERMEZZI OPUS IV 1881 ETCHING AND AQUATINT 8" X 16"

(1857 Leipzig - 1920 Großjena/Naumburg) Büste des Philosophen Friedrich Nietzsche Bronze, dunkel patiniert, 1904. Sign. "M. Klinger". Gießerinschrift "AKT. GES. vorm.

MAX KLINGER(German 1857-1920)Bather Bronze with black over brown patinaInitialed MKHeight 24.3 inches (62 cm) SHIPPING NOTICE:Jackson's is your sole and only source for one st

MAX KLINGER 1857 Leipzig - 1920 Großjena VOM TODE Portfolio with 10 etchings and one title page. Portfolio: 61 x 45,5 cm, different sheet and print sizes. Each signed in the plate 'Max Klinger Ra

Klinger, Max Eva und die Zukunft. Rad. Werk III. Sechste Ausgabe. Mit sechs Original-Radierungen von Max Klinger. Berlin, Selbstverlag, 1898. Imp.-Folio. Blattmaße 60 x 44 cm. Titelbl. u. Tafeln

Klinger, Max Eine Liebe. Opus X. Mappe mit Titelblatt und 10 Radierungen auf Kupferdruckkarton unter Passepartout. Berlin, Felsing für Amsler & Ruthardt, 1920. 58,5 x 40 cm. In OHLwd.-Mappe mit D

Artist: Dorothea Tanning Title: Aquatint from Bonjour Max Ernst Year: 1974 Dimensions: 12.5in. by 19in. Edition: Numbered from the Rare Limited Edition of 99 Publis

Austria. 1995-1954. Signed Lower Right Mopp. Dated 1948 Entitled String Quartet. 9 1/2" H. x 13"w.

Paroles Peintes, signed Ernst, Lam, Matta, Tanning, Alain Bosquet. Paroles Peintes. Les editions "Galerie Diderot", 1959, #41/56 with 10 aquatint etchings signed by Max Ernst, Jacques Herold, Wilfredo

A 1905 arcade viewer, also coined the Auto Stereoscope by Mills Novelty Co. featuring Max Davidson in "Cohens First and Last Game of Chance." The composition of this machine is tiger stripe oak with a

Francisco de Goya (Spanish, 1746-1820). “Ysele Quema la Casa” from Los Caprichos (plate 18), etching and aquatint on laid paper, first edition. Provenance: Private Collection, Cashiers, NC.; Sothe

Fossils.- Mantell (Gideon) The Fossils of the South Downs: or Illustrations of the Geology of Sussex, first edition, 42 aquatint and engraved plates including hand-coloured map, 2 folding, 4 hand-colo

South Seas.- Byron (Capt. George Anson, Lord) Voyage of H.M.S. Blonde to the Sandwich Islands in the Years 1824-1825, first edition, folding aquatint frontispiece of the Great Volcano of Peli, folding

**First Time At Auction** Peter Max (American, b. Germany 1937). "Liberty Head 2010 Ver. 1 #24" mixed media with acrylic on paper, 2010. Signed at upper right. An impressive homage to the Statue of Li

Gustav Klimt by Max Eisler,Vienna: Ostererr. Staatsdruckerei, 1920.First edition. In original binding designed by Josef Hoffman.Title, 54 pp. text, and 31 plates, including several in color.Only 500 n

Original etching (eau-forte & aquatint) on Velin de Rives paper. First edition. Referenced in Cramer Books #99. Edition of 205. Dimensions: + Size of the sheet: 47,5 x 35,5 cm / 18,7 x 13,9 in. + Size

Lot 19 Caio Fonseca American (b. 1959) Intermezzo (2004) color spitbite, sugarlift aquatint, and softground etching on paper signed lower right and numbered 3/50 plate: 22 1/2 x 29 1/2 inches sheet: 3