Art Nouveau Gilt Frame 12 1/2" x 21"

Framed landscape of Springtime, by Hudson River School artist Arthur Parton (American, 1842-1914), in a gilt frame. [Art: 12" H x 18" W; Frame: 21" H x 27 1/4" W]. In good condition.

Largest to smallest rabbet size: Pair of Arts and Crafts 25 x 30 inches, Art Nouveau 15 x 19 inches, Arts and Crafts 14 x 18 inches, Double cove 12 x 15 inches and (2) Stanford White style examples 11

Gilt carved wood Art Nouveau frame, with original plate on front for Louis Comfort Tiffany. [Outside: 15 7/8" H x 19 3/8" W; Rabbet: 8 3/8" H x 12 1/8" W]. In good condition.

Two gilt carved frames, by Michael Alton Fine Arts. [Outside: 18 3/4" H x 21 1/4" W; Rabbet: 14 7/8" H x 12 3/4" W; Outside: 18 1/4" H x 22 1/4" W; Rabbet: 9 5/8" H x 13 5/8" W]. One with chip to edge

Gilt framed oil on carton scene of an afternoon in a canoe, signed illegibly (possibly "G.L."). [Art: 12" H x 14" W; Frame: 19" H x 21" W].

BRILLIANT ORANGE, color pastel on sketchbook paper, signed lower right, sheet 9 x 12”, frame 19 ½ x 21 ¼” with glass. Provenance: Stremmel Gallery, Reno, NV.

WILD SEA, 1989, oil painting on canvas, signed lower left, signed and dated and titled on verso, sight 27 ½ x 21 ½”, frame 35 ¾ x 30 x 2 ½”. Provenance: Acquired direct

LANDSCAPE AT SUNSET, 1920, oil painting on canvas, signed and dated lower left, 12 x 16”, frame 17 ½ x 21 ½”.

STATUE OF LIBERTY, 2017, version 1, #283, acrylic painting on canvas, signed upper right, artist’s stamp and studio number 393593 on verso, 12 x 9”, frame 24 ½ x 21 ½ x 3&rd

UNTITLED from the Stockholm Portfolio, color lithograph, signed and numbered 176/300 in pencil, sheet 9 x 12”, frame 21 ½ x 23 ½” with Plexiglas.

FLOWER GARDEN, 1981, color screenprint, signed and numbered 92/200 in pencil, published by Martin Lawrence LTD, sheet 10 x 14”, frame 17 ½ x 21 ½” with Plexiglas.

SPACE PLACE, 1981, color screenprint, signed and numbered 92/200 in pencil, published by Martin Lawrence LTD, sheet 10 x 14”, frame 17 ½ x 21 ½” with Plexiglas.

Jean-Baptiste-Simeon Chardin (French, 1699-1769), oil on canvas of a plate with plums and daisies, in a gilt frame. [Art: 12 5/8" H x 15 3/4" W; Frame: 23 1/2" H x 19 3/4" W]. Craquelure; canvas re-li

GREY VILLAGE (Mourlot 423 A; Hatje 423A full page illustration), 1964, color lithograph, signed and numbered 9/50 in pencil, sight 28 ½ x 21 ¼”, frame 40 ½ x 33 ½&rdq

NEW YORK CITY, 2000, gelatin silver print, signed and dated and inscribed in pencil on the verso, sheet 16 x 20”, frame 21 ½ x 25 ½”. Provenance: Peter Fetterman Gallery, Santa M

IT CAN BE SAID OF THEM (69-81), 1969, color screenprint, signed in pen, sight 11 ½ x 21 ¾”, frame 17 ½ x 28” with Plexiglas.

STILL LIFE WITH BLUE PITCHER, oil painting on board, signed lower right, 14 x 11”, frame 21 ½ x 18 ½”.

Shipping in USA $ 100. Claude Venard, born March 21, 1913 in Paris and died December 30, 1999 in Sanary-sur-Mer, was a French painter belonging to the post-cubist movement.Having decided, at the age o

JADED GARDEN, 1962, etching, signed and dated and titled and inscribed proof in pencil, plate 12 ¼ x 15”, sheet 14 ¼ x 16 ¼”, frame 18 ½ x 21” with glass.

MORNING BOUQUET, 1974, oil painting on canvas over board, signed lower right and dated lower left, 10 x 8”, frame 22 ½ x 21”. Provenance: Galerie Adrienne, San Francisco, CA.

LANDSCAPE, oil painting on board, signed lower right, 11 x 14 ½” with partial label on verso, frame 17 ½ x 21”.

THREE WOMAN, oil painting on canvas, signed lower right, 14 x 9 ¾”, frame 21 ½ x 17 ½ x 1 ½”. Provenance: Findlay Galleries, Chicago, inventory number 21382.

COMPOSITION #1, 1944, mixed media, signed and dated lower right, artist’s label on verso of frame, probably artist’s frame overall 21 ½ x 17 ½” with glass.

UNTITLED, circa 1995, color screenprint, signed in ink and numbered 62/200 in pencil, sight 27 ½ x 21 ½”, frame 37 ½ x 31 ½” with glass.