att. Pietro Antonio Novelli (Italian, 1729 - 1804), Two

Novelli, Attributed to Pietro Antonio (Italian, 1729 - 1804), Man Speaking, pen and ink, 4.75 x 4 inches, beautifully rendered drawing framed measuring 11 x 10.25 inches, Provenance: Rifkin-Young Fine

(Venezia, 1729 - 1804) Apparizione della Vergine e San Francesco di Sales e Sant'Antonio Penna e acquerello su carta, cm 41X26 Databile alla fine del XVIII secolo, il disegno esprime una cultura pitto

SEASHELLS, plates T. 73 & T. 92, two hand-colored engravings after drawings by Giuseppe Menabuoni, images 13 ¾ x 9”, full margins, both with Gallery of Graphic Artists, NYC labels on back,

oil on canvas, signed at lower right, inscribed on the verso, presented in a period frame. DOA 37 x 29 in. Additional high-resolution photos are available at LelandLittle.com

After Pietro Santi Bartoli (Italian, 1635-1700). Two engravings in giltwood frames depicting Trajan's Column and a detail of a section of the column. Approx. 11" x 47.5" and 46.5" 10.25" (frame)

ORAFO PAMPALONI a base circolare, corpo bombato e bordo mistilineo, manici sagomati; difetti Alt. cm 20, larg. cm 33; peso gr 1804 AN ITALIAN SILVER TWO-HANDLED VASE, FLORENCE, 20TH CENTURY, MARKS PAM

A 19th century Italian oil on canvas painting after a detail of "Danae" by Antonio da Correggio, Italian, 1489-1534. Depicts two putti testing Cupid's arrows, unsigned. Craquelure, minor in-painting,

Firmata in basso a sinistra, Pastelli e matite su carta, W. 38 - H. 40,5 Cm, Christie's, Londra, From Milan to Rome - The collection of two Italian designers, 16 novembre 2011, lotto 114

After a model by Francesco Antonio Franzoni (Italian, 1734-1818) made for Pope Pius VI and in the collection of the Vatican Museum, Rome, Italy. With two supports with mythical winged rams and garland

After a model by Francesco Antonio Franzoni (Italian, 1734-1818) made for Pope Pius VI and in the collection of the Vatican Museum, Rome, Italy. With two supports with mythical winged rams and garland

1838-1928, Italian, Antonio Pandiani Has been called "Proud Father" as well as "Three Spaniards" This is a bronze of three figure, One Male and two Women. It is signed "A. Pandiani, Milano" on the bas

Giovanni Antonio Canal (Italian, 1697-1768). Original antique 18th Century topographical landscape etching depicting a tower and two ruined columns with a human figure in the foreground. The artist, c

Antonio Visentini(Italian, 1688-1782)Four Venetian views (Visentini & Brustoloni) after Canalettoetchings with engraving on laid and wove paperslot includes two Visentini etching/engravings from the 1

Gorgeous pair of armchairs attributed to designer Renzo Zavanella in the 1960s, of fine Italian craftsmanship.The two armchairs have a very beautiful and durable fine wood base with 3 spiked feet, of

After Pietro Bazzanti, late 19th C. Italian Grand Tour alabaster figurine of the Antique Uffizi Wrestlers. 'Two Wrestlers' or 'The Pancrastinae' are engaged in a type of martial art combat called Pank

Unique and elegant bar cabinet attributed to Pietro Chiesa for Fontana Arte, 1950. The cabinet is composed of two pieces. The first one is a table base in well carved walnut wood. The small table has

GASTON NOVELLI (Italian 1925-1968) A PAINTING, "Senza Titulo," gouache, pastel, graphite and mixed media on paper, signed L/R. Bearing the original paper gallery tag from Marlborough Galleria d'Arte,

olio su tela, W. 67 - H. 77 Cm

CHUNKY ITALIAN TWO TONE 14K GOLD MARINER LINK NECKLACE A Stunning Heavy Italian Two Tone 14K Gold 4.5 mm Modern Mariner Chain Link Necklace; marked '14K Italy' with a swivel lobster claw clasp, great

Six Italian two tone dining chairs C 1950. Ht: 36.75" Wd: 17.75" Dpth: 18.75" Seat: 19.5"

CHUNKY ITALIAN TWO TONE 14K GOLD MARINER LINK NECKLACE A Stunning Heavy Italian Two Tone 14K Gold 4.5 mm Modern Mariner Chain Link Necklace; marked '14K Italy' with a swivel lobster claw clasp, great

An Italian two part painted, gilt and chinoiserie decorated secretary desk circa 1900. The top having a shaped cornice over two mirrored doors opening to a fitted interior. The base having three drawe

circa 1780s, Italian, two part form, solid Carrara marble, the top with molded edge, the tapering column carved with a waisted band over an out-swept plinth base, one side of the base has a scalloped

Jasper Morrison (United Kingdom b. 1959), for Capellini (Italian), two piece modular oak stacking tables, early 21st century, apparently unmarked. Approximate Dimensions: stacked h. 22"; largest h. 11