Attributed to Edward Theodore Compton (British,

Attributed to Edward Theodore Compton (British, 1849-1921) A Waterfall. Watercolor, unsigned Sight: 11.5" x 9" Frame: 21" x 17.5"

Attributed to Edward Pritchett(British, 1808-1864)Figures in a Churchoil on boardunsigned, frame marked "Pritchett"6 3/4 x 6 inches (sight)15 x 14 1/2 inches (frame)Provenance: Property from a

Attributed to Edward Povey (British, American, born 1951) oil painting on board depicting a still life with irises flowers. Signed lower right. Framed. Edward Povey was born in 1951 in London, England

Edward Lear (attrib.), drawing, ex. Ford Found., Attributed to Edward Lear (British, 1812-1888), "Please my Lord I want to be made a Bishop", pen and brown ink caricature drawing on paper, no visible

Attributed to Edward Slocombe, British, 1850 to 1915, antique architectural engraving on paper, Amiens Cathedral. Circa: 1900s to 1920s. Signed, titled and dated in the plate lower right. Framed. The

(Attributed to) Edward Charles Williams (British, 1807-1881) Oil on Canvas Undated, initial signed 'Wma' lower right; depicting a cottage having thatched roof with a pond in the foreground and hills,

Edward Charles Williams (attrib.), oil painting, Attributed to Edward Charles Williams (British, 1807-1881), Pastoral Scene, 1872, oil on canvas, signed "E. Williams" and dated at lower left, 16"h x 2

Attributed to SIR EDWARD JOHN POYNTER (British 1836 - 1919) Study of Hand and Foot Charcoal on paper Sight: 7 1/4 x 11 1/8 inches / 18.41 x 28.25 cm

(British, 1807-1881) Travelers Resting, not apparently signed, oil on canvas, 12 x 16 in.; original gilt wood and composition frame, possibly Newcomb-Macklin, crackle, lined, scattered retouch, stretc

Sir Edward Coley Burne-Jones (British, 1833-1898) Attributed : pencil on paper, signed bottom right with the artist's monogram, unframed. Sir Edward Coley Burne-Jones was a British Pre-Raphaelite arti

Attributed to Michael Francis Edward Forster (Canada/Britain) B: 1907 D: 2002 Attachment on verso Michael Forster attributed to Villa Amelia Italy. Outside frame dimension 25 inches wide X 29 inches t

Drawing on paper 11 x 7 1/2 in. Attributed or manner of Sir Edward Coley Burne-Jones, 1st Baronet, ARA (28 August 1833 – 17 June 1898) was a British artist and designer associated with the phase of

Drawing on paper 11 x 8 1/2 in. Attributed or manner of Sir Edward Coley Burne-Jones, 1st Baronet, ARA (/bÉœːnˈdÊ’əÊŠnz/;[1] 28 August 1833 – 17 June 1898) was a British artist a

Attributed to Johan Zoffany (German-British, 1733-1810) Portrait of Edward Gibbon. Oil on canvas 14" x 12" Frame: 19.25" x 17"

Beechey, William, attributed (British, 1753-1839) Lord Wallis, Luit of the Buffs, oil on canvas, 29 by 24 inches, in a gold frame measuring 38 by 32 inches.

Attributed Edward Hopper (1882 - 1967) American. Measure 14 1/2"in H x 19"in W and 21 1/2"in H x 26"in W with frame. Hopper was initially trained as an illustrator, but, between 1901 and 1906, he stud

[ATLAS] Bryan Edward: British West Indies, Atlas Edwards, Bryan. HISTORY OF THE BRITISH WEST INDIES, [Atlas volume]. with a continuation of the present time. London: Printed for the Proprietors, 1818.

SEAGO, Edward (British, 1910-1974). Untitled. Cows in Landscape. [20th century]. Oil on Masonite. Signed on lower left corner. Image: 12 x 18 ½ “. Frame: 16 ½ x 22 ½ “. Exce

BAWDEN, Edward (British, 1903-1989). “Sherlock Holmes and Doctor Watson - print taken from the original block”. 1987. Linocut on paper. Signed at lower right corner, and captioned at lower

PRIESTLEY, Edward (British, 1820-1880). Runaway Horse. [19th century]. Oil on canvas. Signed on the lower right corner and titled and signed verso. Image: 20 x 30”. Frame: 22 x 32”. Surfac

Attributed EDWARD MORAN 19th C. SEASCAPE PASTEL; fine quality pastel estate fresh, untouched in original gold frame with wood backing, unsigned at sight, Size: 24 x 28"

Attributed to Edward Burn O/B painting of two Jockeys c. early 20th c. Painting depicts haunting images of a pair of Jockeys with folded arms. Good condition, with aging, chipping, scuffing, paint los

Johnson, Charles Edward (British, 1832-1913), The Horse Dealer, 1875, (exhibited at the Academy) oil on canvas, 46.5 x 71.5 inches, signed and dated lower right, framed in a gilded exhibition frame me

Attributed Théodore Géricault (French, 1791-1824), Calvary Battle (A Sketch)pencil, wash, ink and whitening on paper laid down on card, unsigned, a note on the verso is inscribed with the artist's n