Attributed to Enoch Seeman (British, 1694-1745)

Circle of Enoch Seeman (Danzig circa 1694-1745 London) Portrait of a Gentleman, Possibly Sir John Molesworth of Pencarrow Oil on canvas 76 x 63.5cm (29 15/16 x 25in). For further information on this l

Circle of Enoch Seeman (1694-1744) Circle of Enoch Seeman (1694-1744) Portrait of a young lady, half-length in a blue dress, her arms resting on a ledge oil on canvas 76 x 62.5cm, unframed

(British, 1745?1821) An Elegant Couple Racing Horses Through a Village, unsigned, oil on canvas, 46-3/4 x 54-1/2 in.; period style Newcomb-Macklin carved and gilt wood panel frame, 52-1/2 x 62-1/2 in.

Edwards, After George (British, 1694-1773), Pair of Duck Plates: The Dusky and Spotted Duck (99) and The Little Black and White Duck (100), both dated 1745, hand-colored engravings on laid paper, plat

Beechey, William, attributed (British, 1753-1839) Lord Wallis, Luit of the Buffs, oil on canvas, 29 by 24 inches, in a gold frame measuring 38 by 32 inches.

A Set of Eight Hand-Colored Engravings After George Edwards (British, 1694-1773) LATE 19TH CENTURY from A Natural History of Uncommon Birds. Plate 9 1/4 x 7 1/4 inches; framed 15 1/4 x 12 3/4 inc

John Vanderbank (British, 1694-1739) "Portraits of Mr. and Mrs. Charles Taylor", 1726 pair of oils on canvas each signed and dated mid left. One unframed, the other in a Georgian gesso and giltwood fr

Manner of Jonathan Richardson I (British, 1664-1745) Circa 1730 Portrait of a Man in a Red Coatoil on canvas 50 x 39 7/8 inches. This lot is located in Chicago. Property from the Collection of Zimmerm

Attributed William Hogarth (British, 1697-1764), Portrait of a Boyoil on canvas (lined), retaining a label for William & Philip Evans at 37 Beak Street in London (1884-1907), also retaining remnants o

Travelers On A Path At A Spring, Oil On Canvas, Unsigned, Paper Labels Verso With Attribution Including Joseph Sartor, Canvas 21 x 28, Frame 28 x 34.5 x 3.5 Inches, Canvas Relined, Varnish Layer Clean

DESCRIPTION: Attributed Howard Hodgkin (British, 1932-2017) Oil on board painting featuring Hodgkin's traditional abstract imagery executed in vibrant tones, signed: (Lower Right) "HH" mounted in blue

Attributed to George Romney (British, 1734-1802) Oil On Canvas, Melesina Chenevix Mrs. Trench, H 32" W 25" | Melesina Chenevix Trench (1768 - 1827) was an Irish writer whose diaries were published pos

Attributed to Francis Sartorius (British, 1775-1831) Full Cry oil on canvas 21 x 39 inches.

Attributed to John Opie (British, 1761-1807) "Portrait of Robert Brereton" oil on canvas unsigned. Framed. 30" x 25", framed 37" x 31-1/2"

"Attributed to Henry Alken (British, 1785-1851) Snob is Beat Bears signature 'H. Alken' bottom right, oil on canvas23 1/8 x 35 1/8 in. (58.7 x 89.2cm) Provenance Frost & Reed, Ltd., L

Attributed to Edwin Long (British, 1829-1891) A Spanish lady with her maid bears monogram twice and date (lower left) oil on canvas 64.5 x 76.8cm (25 3/8 x 30 1/4in).

(Attributed to) James Webb (British, 1825-1895) 'Courtyard' Oil on Canvas Undated, unsigned, depicting groups of people within a Middle Eastern town center, having a gold-tone composite frame; Cooling

attributed to JAMES NORTHCOTE (British 1746-1831) A PAINTING, "Full Length Portrait of a Child with Pearl Turban and Pet Bird," oil on canvas, stretcher marked "G. Morrill Liner," and in chalk "Blond.

Attributed to William Barraud (British, 1810–1850) Showing a Horse Signed 'Barraud' bottom left, oil on panel 18 7/8 x 26 7/8 in. (47.9 x 68.3cm) PROVENANCE: Private Collection, Maryland.

(Attributed to) James Webb (British, 1825-1895) 'Courtyard' Oil on Canvas Undated, unsigned, depicting groups of people within a Middle Eastern town center, having a gold-tone composite frame; Cooling

Attributed to John Wilson (British, 1774-1855) Rough Seas. Oil on canvas, unsigned 28" x 36" Frame: 34" x 42"

Large 19th century English oil on canvas portrait of young girl in blue dress adorned in lace, her sash holding her greyhound attending at her side, attributed to Joseph Highmore (British 1692-1780),

Attributed to Edward Pritchett(British, 1808-1864)Figures in a Churchoil on boardunsigned, frame marked "Pritchett"6 3/4 x 6 inches (sight)15 x 14 1/2 inches (frame)Provenance: Property from a

Attributed to Joshua Reynolds, British, 1723 - 1792, portrait of the Duke Marlborough, oil on relined canvas, possibly signed indistinctly lower right, 53 1/4 x 39 inches