Attributed to Henry Thomas Alken (British, 1785-1851) A set of four cock fighting paintings: eac...

AFTER HENRY THOMAS ALKEN (British, 1785 – 1851). set of four "The First Steeple-chase on Record", colored lithograph depicting the first steeple-chase race on record. Plate I is titled "Ipswich

After Henry Thomas Alken, English, 1785-1851. Pair of Early 19th Century two panel prints on brown paper depicting Cock Fighting; one series is entitled "Set Too" and "Fight" and the other "Throat" an

Pair of Henry Thomas Alken (English 1785-1851) Cock Fighting Prints, matted and framed, each piece contains two etchings "Drawn by HY Alken and Engraved by C.R. Stock", "Set Two, Fight, Throat, and De

Attributed to Henry Thomas Alken, Sr. (British, 1785-1851)Over the fence, 1823watercolor on papersigned lower right H. Alken and dated13 x 18in (33 x 46cm)

Four (4) Original 19th c. The First Steeple Chase On Record Hand Colored Aqua Tint Etchings. After Henry Alken (British, 1785-1851), Engraved by John Harris (British, c. 1791-1873). Published by Ben B

"Attributed to Henry Alken (British, 1785-1851) Snob is Beat Bears signature 'H. Alken' bottom right, oil on canvas23 1/8 x 35 1/8 in. (58.7 x 89.2cm) Provenance Frost & Reed, Ltd., L

Attributed to John James Audubon, American (1785-1851). Watercolor on paper. 'The Stanley Hawk'. M. Knoedler & Co, New York label on verso. Paper is laid on board. Paper measures 20 7/8" H x 14 1/4" W

(4) ATTRIBUTED AND SIGNED GAO JIANFU (1879-1951). A SET OF FOUR INK AND COLOR ON PAPER HANGING SCROLL PAINTINGS. 1 PAINTING BOX. H126. China. Depicting playful birds and flowers scenery, with eight re

Beechey, William, attributed (British, 1753-1839) Lord Wallis, Luit of the Buffs, oil on canvas, 29 by 24 inches, in a gold frame measuring 38 by 32 inches.

Manner of Zhang Daqian (1899 - 1983) - Set of four landscape paintings, each hanging scroll, ink and color on paper, inscribed, dated, signed and with two seals of the artist, 37.5"h. x 13.5"w.

Image only size 136 cm by 33 cm.

ATTRIBUTED TO THOMAS GAINSBOROUGH (BRITISH 1727-1788), OIL ON CANVAS, UNSIGNED, H 29", W 24", PORTRAIT OF ELIZABETH GOODIN-HAUGHTON TAYLOR :A Thomas Gainsborough (British 1727-1788), a portrait of Eli

Attributed to Thomas Sidney Cooper (British, 1803-1902) , "Cows Watering at Stream", oil on canvas, unsigned, handwritten label en verso, 48 1/4 in. x 78 1/4 in., unframed . Provenance: Property deacc

Width: 20cm. Height: 81cm.

JMW Turner (attrib.), oil on canvas, Attributed to Joseph Mallord William Turner (British,1775-1851), Looking towards a Castle View, signed JMW Turner lower left, artist placard on antique gilt frame,

Oil on board, framed. Featuring still-life of a blue vase with a bouquet of flowers. Signed "Faulkner" in the bottom left corner. Coloful painting on verso. Attributed to Henry Faulkner (1924-1981, Am

Massive contemporary Indian Mughal style oil on canvas painting of a woman in elaborate dress. Possibly after Horace van Ruith (Italian/British, 1839-1923) attributed painting titled "Native Lady

Set of Four Pcs Antique Chinese Framed Porcelain Painting Wall Plaque, each depicted various high rank officers life scene inside traditional mansion on top panel, alternatively showing the figurines

Sir Henry Raeburn (British, Scotland, 1756-1823) Portrait of Henry David Inglis, oil on canvas, framed. Sold Sotheby's London, British Paintings 1500-1850, March 31,1999, Lot 94. Henry David Ingli

After Sir Joshua Reynolds, P.R.A. (British, 1723-1792) "The Age of Innocence" oil on canvas 19th century, unsigned, artist and title stenciled on frame, after the ca. 1785 painting now conserved (but

A 19th century antique oil on canvas painting by Henry Stull (Canadian, 1851-1913) circa 1880 titled "Glenelg" depicting a man holding a racehorse in an open green field. It is signed and dated to the

(British, 1738–1806) Portrait of a Smiling Boy in a Landscape with a Greyhound, unsigned, oil on canvas, 53-3/4 x 41 in.; original English 18th century Maratta carved and gilt wood frame, 61-3/

Set of four Soong MeiLing, aka Song MeiLing (宋美龄, 1897-2003) Painted in the early spring of MingGuo year 35th, circa 1946. Chinese ink and color scroll paintings on paper, laid to

Set of four Sevres (French 1740), gilded soft paste porcelain plates, 1785, having a gilded Bleu Celeste lip with reserves containing various floral sprays encircling a maroon roundel framed by a band