Attributed to John Singleton Copley

John Singleton Copley (American, 1738-1815) Portrait of Sea Captain Richard Fanning (1774-1800), Oil on Canvas laid down to masonite, 24" x 20", in the period gilded and gesso cast exhibition frame, w

(England/American, 1737-1815) Portrait of Gentleman with a Book, circa 1780, unsigned, small label at tacking edge top "B. West", presumed a reference to Benjamin West who used some of the same device

Follower of John Singleton Copley (American/British, 1738-1815), "Theodore Atkinson," 1769, pastel laid down on canvas, unsigned, name plate affixed lower center of frame, overall (with frame): 30"h x

In the manner of John Singleton Copley (American, 1737-1815) Gentleman and Lady with Children in a Courtyard, Oil on canvas, Unsigned. H: 17 W: 21 1/2 in. The Collection of Oliver and Joyce Murphy.

Probably late 18th century. A period copy of the original by John Singleton Copley which was "well known and frequently copied on canvas" according to the Schiller Institute. The wide pine stretchers

An18th century oil portrait of a gentleman in silk finery. The work is signed to the right "J.S. Copley pinx. 1757," though the work is likely by someone in the circle of or inspired by John S

John Singleton Copley was a leading portrait painter in colonial America and the early United States. Here are some key points about him:1. **Early Life:** Copley was born in Boston, Massachusetts, an

A Fine American Portrait Painting Of A Gentleman Circle Of John Singleton Copley American,1737-1815. Frame Measure 33" x 28", Sight 30 1/4" x 25" (Original Stretcher), Later Framed. Please carefully r

Three Works Each on Painters John Singleton Copley and Charles Wilson Pealeto include: Flexner, James Thomas. John Singleton Copley (Cambridge, 1948), 4to (very good condition, the jacket fair only);

Graphite on paper 6?x4.5?

John Singleton Copley. (Anglo-American, 1738 - 1815). The Death of the Earl of Chatham. Antique steel engraving on wove paper after the original oil on canvas by Master Engraver William Henry Worthing

John Singleton Copley: In America 1738-1774. Prown. Two(2) Volume Set. 1966

Signed Williams, "The Death of Major Peirson", decorative painting inspired by the 1781 original by John Singleton Copley, oil on canvas sight: 36 x 48 in., frame: 45 x 57 in. Provenance: Pr

Colonel William Fitch and his sisters signed Ray Lageb created originally by John Singleton Copley overall is 52 5/8" W x 42 1/2" T Image is 30" x 40"

Oil on canvas portrait of of Lydia Lynde Walter (1741 - 1798), wife of Reverend William Walter (1737 - 1800), copy of a painting originally by John Singleton Copley. Label to back of frame: "Lydia Lyn

Hand Colored Engraving, John Singleton Copley, "Death of Maj. Peirson 1796". Framed hand colored engraved print mounted under glass of John Singleton Copley's painting "The Death of Major Peirson". At

Colonel William Fitch and his sisters signed Ray Lageb created originally by John Singleton Copley overall is 52 5/8" W x 42 1/2" T Image is 30" x 40"

Abraham's Sacrifice Engraver: Charles Rolls (2 June 1799 – 9 November 1885) Artist: after John Singleton Copley (Boston, Massachusetts, 1738-London 1815). Image size: 15,6x11,5 cms. Production d

1791 engraving “A Key for Mr. Copley’s Plate of the Death of the Late Earl of Chatham”, published by John Singleton Copley at London. Very Good, center fold. Measures 31 x 10”. Reserve

Group of Assorted American Artwork Books. Including Thomas Eakins, John Singleton Copley, The Cos Cob Art Colony Hudson River School and Earl Cunningham's America

Lacquered Art Print on Board In the Manner of John Singleton Copley 30.5"x24.5"

Lot 3 Art Books. Titles include, 18C French Drawings in New York Collections-CR 1999, John Singleton Copley in America - CR 1995, & Along the River Bank -CR 1999. No major wear to pieces. Dust covers

Attributed to John James Audubon, American (1785-1851). Watercolor on paper. 'The Stanley Hawk'. M. Knoedler & Co, New York label on verso. Paper is laid on board. Paper measures 20 7/8" H x 14 1/4" W

Attributed John Singer Sargent (American, 1856–1925): Porta della Carta, Venice, c.1913. Oil on stretched linen canvas, unsigned, framed. 14.5 x 21.5 inches sight, 19.75 x 26.5 inches framed. T