Attributed to Pieter Faes (Flemish, 1750-1814)

Josef Cornelius Correns (Flemish, 1814-1907) "The Amateur Artist's Studio", 1869 oil on cradled wood panel signed and dated mid-left on bed frame, initialed lower left on portfolio. Framed. 25" x 31",

Bust-length portrait of a woman in pink, oil on panel, after Francois Mouchet (French, 1750-1814), signed "Mouchet" lower left. Image: 9" H X 7" W; frame: 15" X 13".

Attributed to Pieter van Bloemen, called Standard (Antwerp 1657-1720) Horses and figures outside a stable oil on canvas 49 x 61.5cm (19 5/16 x 24 3/16in).

ATTRIBUTED TO PIETER NOLPE, DUTCH, OIL ON CANVAS, 17TH C., H 14 1/8", W 20 3/8", LANDSCAPE SCENE WITH DOG, ROAD & FIGURES Framed. Provenance: Sotheby's New York.

German, c. 1750, attributed to Johann Georg Wahl, in three parts. Apx. 6'10"h x 46-1/2"w x 26-1/2"d. Provenance: Property sold for the benefit of the Newark Museum Acquisition Endowment.

17th century oil on canvas painting of a courtyard scene of a festive gathering around a table with figures enjoying music and seafood, attributed to Pieter de Hooch (Dutch, 1629-1684). Provenance: Ga

"Tronie of a Bearded Man" attributed to Flemish artist Jan van de Venne (1592-1651). Oil on Panel. c. 1640-1650. Purchased Dec. 2015 from Dorotheum auctions. A tronie is a type of work common in Dutch

Artist: Pieter Snayers (Flemish, 1592 - 1667). Title: "Fanged Beast". Medium: Charcoal and color chalk drawing. Date: Composed c1650. Dimensions: Overall size: 5 1/4 x 6 7/8 in. (133 x 175 mm

A 19th Century copy in the style of Pieter Casteels' (Flemish, 1684-1749), A Peacock, Doves, Ducks, and Other Birds in a Elegant Country Landscape with Manor House with Strolling Couple in the Mid Gro

Cornelis Pieter Hoen (1814-1880, Dutch), "Dutch Winter Scene," late 19th c., oil on panel, signed lower right, presented in a wide gilt frame, H.- 3 3/4 in., W.- 7 in.

Pieter Perret (Flemish, 1555-1639). "Fountain with Silenus in the Garden of the Cesi Palace near Rome" engraving on laid paper, 1581. From the volume titled "Speculum Romanae Magnificante" (The Mirror

(lot of 7) Collection of British Leeds creamware plates, including a Josiah Wedgwood and Sons attributed platter, 1750-1775, having a pierced rim, surrounding a basket weave pattern ground, 12"l; toge

"Village Beside a Stream," attributed to Pieter van Loo (1735-1784, Haarlem) in the manner of Jan van Goyen. Black Chalk and Brown Ink on Paper. Collected in Europe in 1923 by Paul Watkins in Minnesot

oil on canvas titled lower left Condition: with restorations. Two small patches verso. Some wavy areas to canvas on left side image: 94 1/2 x 58 1/2 inches; 103 x 63 1/2 inches frame

oil on canvas Provenance: The Estate of Bea Hyp, Santa Barbara 50 x 39 inches

GASPER PEETER VERBRUGGEN I (FLEMISH, 1635-1687) ATTRIBUTED PAIR OF STILL-LIFE PAINTINGS, oil on canvas, each depicting flowers in a basket flanked by table articles containing fruit, and with a parrot

MANNER OF PIETER CASTEELS III (FLEMISH 1684-1749)Still life with parrot tulips, honeysuckles and other flowers, 18th centuryoil on canvaseach measuring: 97 x 78 cm (38 1/4 x 30 3/4 in.)framed dimensio

Each with maker's marks to underside, two graduated sets of thin-walled cylindrical white porcelain bowls, each with a light gray lip, 10 pieces, each of the largest: 5.125'' H x 5.25'' W x 5'' D; eac

AN EXTREMELY RARE ‘CELESTIAL EYE’ REVERSE INTAGLIO AGATE SNUFF BOTTLE, 1750-1850 Attributed to the Cameo Ink-play Master, possibly Imperial, Official School China, 1750-1850 This bottle is the onl

George Loring Brown (American, 1814-1889) attributed oil on canvas depicting a panorama of Venice with large sail boats and a view of the Doge's Palace from the Grand Canal, set in elaborate gilt carv

Franco-Flemish, circa 1725-1750. A fine verdure tapestry panel woven with wool and silk depicting a lush and wooded forest with flora, fauna and birds receding to a distant village. Approximately 5'9"

George Loring Brown (American, 1814-1889) attributed antique oil on canvas depicting Venetian canal scene with a view of the Doge's Palace and San Marco from the Grand Canal, set in gilt carved gesso

Attributed to Peter (Pieter) Lely ( United Kingdom, England, Netherlands, Germany, 1618-1680), portrait of a girl, small label verso, oil on canvas. Work 14" x 12 1/2". Property of a Long Island Colle

Henry Kirke Brown (1814-1866 (attributed): Classical Figure Study, oil on paper, dated 1851 (recto) and attributed to the artist on the frame, verso. Additional inscription on the painting lower left