Attributed to Rembrandt Peale (American, 1778)

Attributed to Rembrandt Peale (American, 1778-1860) "David Codwise (d. 1864)" oil on cradled wood panel unsigned, handwritten inscriptions and label identifying artist and sitter and his home address

after REMBRANDT PEALE (American 1778-1860) A PAINTING, "Portrait of a Gentleman," oil on canvas, circa 1830. 21" x 18 1/4"

Rembrandt Peale (American 1778-1860) oil on canvas portrait of Sarah Blake (1798-1869). Site 29.5" x 24.5".

Rembrandt Peale Quacker Woman Oil Painting on canvas in frame. Not signed but attributed to Rembrandt Peale, listed Pennsylvania artist born 1778-1860. Measurements in inches: 31 x 36, image: 24 x 29

Offset lithograph, after an 1846 painting by Rembrandt Peale, 1778 to 1860, an American artist and museum keeper. The artwork depicts a portrait of the first US President George Washington. Inscriptio

Attributed Rembrandt Peale - Washington Portrait. Oil painting on canvas portrait of George Washington. Measures 32 x 37 inches. Plaque on front of frame and inscribed on back. Measures 32 x 37 inches

Artist: Rembrandt Peale (1778 - 1860) Title: Rubens Peale with a Geranium Medium: Poster on board Size: 32 x 23.75 in. (81.28 x 60.33 cm)

Attributed to Sarah Peale (American, 1800-1885), portrait of Helena Holmes Pennington, oil on canvas. size 24 x 17 1/2 (with frame 28 3/4 x 22 3/4) inches. Possibly painted together with Anna with ins

19th century O/C portrait of George Washington, attributed to either Rembrandt Peale or Jane Stuart, daughter of Gilbert Stuart, sight 25"W x 30"T, original oval gilded frame, 33"W x 38"T, New York Su

Framed autographed letter by Oliver Wolcott Jr. (United States, 1760-1833), framed together with a likeness of Wolcott after Rembrandt Peale (United States, 1778-1860), and a later plaque with biograp

Attributed to Mary Jane Peale (American, 1827-1902), oil on canvas depicting a still life of a basket overflowing with pears and grapes, artist signed 'Mary J. Peale' in brown at lower left, 11.75"h x

CHARLES PEALE POLK (AMERICAN, 1767-1822), ATTRIBUTED, SHENANDOAH VALLEY OF VIRGINIA, BRISCOE FAMILY PAIR OF PORTRAITS, (updated 6/17/22) oil on canvas laid to board, each a three-quarter length depict

Att. to Harriet Cany Peale (American, 1800-1869) Schooners in Rough Seas, after Schmidt. Oil on canvas. Unsigned, bears inscription on verso that reads "Mrs. Rembrandt Peale, after a painting by Schmi

!9th Century American Philadelphia School Portrait, the piece is captivating especially the eyes, it reminds me of the way Rembrandt Peale painted his eyes, signature not visible, 39 x 30", 46 x 37" F

(American, 1863-1939) both signed in pencil l.r., one after a Rembrandt Peale painting, copyright 1932. Overall: 30-3/4"h x 24"w and 28"h x 23"w Sight: 21-1/4"h x 15"w and 19-1/2"h x 15-1/4"w

(American, 1852-1925) All published by Charles Barmore, New York, one of Roger B. Taney, one of James Kent after Rembrandt Peale, and one of Elihu Root from copper plate. From: 12-3/4"h x 10-1/4"w to

Pencil and ink on paper, profile portrait of a distinguished gentleman. Reverse reads, from the collection of CJ and ML Larson, from a Philadelphia family. Attributed to Raphaelle Peale. Paper 3.25&#8

Oil on canvas, framed. Attributed to Horace Pippin (1888 - 1946). The artwork encapsulates a vivid domestic scene, rendered in Pippin’s characteristic self-taught style that melds raw emotion and si

Most likely American, 1st half 19th century. Three profiles of women, two hollow cut and one cut out. One cut out is embossed "Museum" for Peale's Museum and the cut out is attributed to William King.

Fine antique oil on canvas painting attributed to well listed American artist Winslow Holmer ( 1836-1910). Signed and dated 1863 right bottom corner. Beautiful gilded period frame.Winslow Homer is rec

portrait of Mrs. Achsah Riggs Browne (1746-1817), c.1816, oil on canvas, unsigned, Letter of Acknowledgement (The Peale Family Papers, The National Portrait Gallery, Smithsonian Institution, Washingto

Portrait of Colonel Thomas Harris, watercolor, signed I.P. dated 1802, in gold oval frame, the gentleman in white cravat and brown jacket, the obverse with a lock of hair and a seed pearl, with a gilt

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Rembrandt Peale, Framed Autographed Signed inscribed document, Resignation Letter to the Philadelphia Museum Board of Trustees, with additional autograph on reverse. Also with engraving of the Philade