ATTRIBUTED TO THOMAS BARKER OF BATH WATERCOLOR

Attributed to Thomas Barker of Bath (1769-1817) British, watercolor. Barker was heavily influenced by Gainsborough. He became highly popular in the first half of the19th Century and was extremely prol

After Thomas Barker of Bath. Watercolor depicting a bustling port. Unsigned. Minor surface grunge and toning, various light nicks/scrapes, some foxing. Image 26 x 20 1/4", under glass and framed, 35 3

Thomas Barker of Bath (United Kingdom, England, 1769 - 1847) Oil on canvas painting of figures on a pathway. Signed and dated lower left. Sight Size: 40 x 30 in. Overall Framed Size: 46 x 35.5 in.

ARTIST: Thomas Barker of Bath (United Kingdom, 1769 - 1847) TITLE: Resting Travelers MEDIUM: oil on canvas CONDITION: Relined. Minor scratches/paint losses. No visible inpaint under UV light. ART SIZE

Manner of Thomas Barker of Bath (WELSH, 1769–1847) oil on panel, Landscape/Pasture with animals and herdsman, in early 18/19th Century Frame, panel size 8-1/4 x 11-1/2 inches

oil painting on canvas, c1800, comes with a non guaranteed COA from Global Fine Art, 29" X 33" some rough spots on corner of frame, frame is very heavy

After Thomas Barker of Bath (English, 1769-1847) mezzotint of The Woodman and his dog. Engraved by Francesco Bartolozzi (Italian, 1727-1815) Sight: 11 3/4" H x 8 1/2" W. Frame: 17" H x 12 3/4" W.

ATTRIBUTED TO THOMAS JONES BARKEREngland, 1815-1882"Landscape with Two Donkeys and a Peasant Boy". Signed illegibly lower left. Titled on label verso, which also notes the artist as "T.

Cattle watering oil on paper 15 x 22cm33 x 40cm (framed)

Attributed to Thomas Rowlandson (British, 1756 - 1827), Noble Man, watercolor on paper, bears pencil signature, overall (sheet/unframed): 7.25"h x 5.25"w

Follower of Thomas Girtin, A view of Bath with the Abbey, watercolour and pencil, 5" x 8.75", (12.5x22cm)

Thomas Hart Benton, attributed, Ink & Watercolor Painting Gospel Singing. Bears signature: Benton. Framed. size: 10.5 x 14 matte, 20 x 24 outside frame. ASKart: Thomas Hart Benton (1889 - 1975) was ac

ATTR. THOMAS ROWLANDSON (BRITISH, 1756-1827) WATERCOLOR ON WOVE PAPER, H 13.75", W 18", UNTITLED An untitled watercolor on wove paper attributed to Thomas Rowlandson. Depicting a woodland path with a

(Pennsylvania, 1783-1872) Sunrise in Shipyard, unsigned, watercolor on paper, 7 in. dia. (sight); silver gilt frame,. Condition: light toning and fading, not removed from frame. Provenance: Gallery Ma

Attributed to Thomas Moran (American: 1837 - 1926) Venice canal scene watercolor painting on paper. Hand signed to lower right. Dated: 1879 to lower left. Sheet: 6-7/8" W x 11-1/4" H. Matte: 11-1/4" W

Thomas Bancroft (New Jersey, 1864-1934). A grouping of two watercolors, to include one of two paintings hanging on a wall, and a winter landscape. Both attributed en verso. Each paper: 4-1/2in x 6-1/2

Original watercolor illustration on envelope or postcard cover, attributed to Thomas Moran. Initialed TM lower right; addressed to "Mrs. M. Perkin / St. Bernards / Bexhill on Sea" with stamp and Engli

Thomas Rowlandson, attributed to. England. Round form satirical watercolor painting of men betting on dogs. Bull baiting a bull. On paper. Framed. Unsigned. Label on reverse. Overall framed diameter:

Lawrence, Sir Thomas [British, 1769-1830] fine watercolor portrait of Miss M. Bloxham (niece of Sir T. Lawrence) attributed to Sir Thomas Lawrence P.R.A. 9.5"h.x7.5"w.

Attributed to Henry Thomas Alken, Sr. (British, 1785-1851)Over the fence, 1823watercolor on papersigned lower right H. Alken and dated13 x 18in (33 x 46cm)

Abraham Louis Ducros, attributed to. Swiss/French. "Thermes de Caracalla." Large watercolor painting depicting bath ruins of Caracalla with figures. Titled lower center. Sight: 19.75 x 28.5in. Overall

Signed Benton, [Thomas Hart Benton], Ink & Watercolor Painting Gospel Singing. Selling as attributed, No Authenticity papers. bears signature. Nicely framed. size: 10.5 x 14 matte, 20 x 24 outside fra

Travelers On A Path At A Spring, Oil On Canvas, Unsigned, Paper Labels Verso With Attribution Including Joseph Sartor, Canvas 21 x 28, Frame 28 x 34.5 x 3.5 Inches, Canvas Relined, Varnish Layer Clean

Thomas Creswick (1811-1869) Fisher Boy and Dog at Crossing Third quarter of the 19th Century. The classic British School landscape depicting a pleasant summer day is nicely lit by the sun from left to