BEN SHAHN (N.Y.1898-1969) LION OF JUDAH 1950

Where There is a Book There Is No Sword. Limited edition screenprint signed and numbered by the WPA artist, Ben Shahn (lower left). Head of a Lion with Aramaic Inscription: WHERE THERE IS A BOOK THERE

Artist: BEN SHAHN Print Title: Purely propaganda for Communism, FSA picture Medium: Sheet-Fed Gravure Printing Date: 1950's Printed in USA Image Size: 5.75 x 8 inches Ben Shahn (1898-1969) was a Lithu

Artist: BEN SHAHN Print Title: Untitled FSA picture Medium: Sheet-Fed Gravure Printing Date: 1950's Printed in USA Image Size: 6 x 8.5 inches Ben Shahn (1898-1969) was a Lithuanian-born American artis

New York: Quadrangle, 1973. Hardcover art book with its original dust cover that features the Blind Botanist by the title artist. A 250-page collection of Ben Shahn works. Shahn (American, 1898-1969)

Ben Shahn, Lithuanian (1898 - 1969) Ink on Paper "Silhouette of a Face" Signed Lower Right. Frame measures 22-3/4" x 17-7/8". Condition: Toning to the paper otherwise good condition. Estimate: $600.00

Ben Shahn, Lithuanian (1898 - 1969) Watercolor, Ink, and Pastel on Paper "Abstract Architectural Composition" Signed Lower Right. Frame measures 22-3/4" x 17-7/8". Condition: Toning to the paper other

Nights of Travel that Flew with the Stars'', signed in the plate at the lower right. Dimensions: Sight is 20" x 16 1/2", the frame 29" x 25". Provenance: From a PA collection.

lithograph 498/950 20 1/2 x 16 1/2 inches; 25 1/4 x 21 inches framed

"Morning by the Sea", signed in the plate at the lower right corner. Dimensions: Sight is 20" x 16 1/2", the frame 29" x 25". Provenance: From a PA collection.

"Men", signed in the plate at the lower right and pencil numbered 525/950. Dimensions: Sight is 20" x 16 1/2", the frame 29" x 25". Provenance: From a PA collection.

"To Days of Childhood", signed in the plate at the lower right. Dimensions: Sight is 20" x 16 1/2", the frame 29" x 25". Provenance: From a PA collection.

"To Childhood Illnesses" , signed in the plate at the lower right corner, pencil numbered 449/950 Dimensions: Sight is 20" x 16 1/2", the frame 29" x 25". Provenance: From a PA collection.

Depicting a Synagogue, signed in the plate at the lower right. Dimensions: Sight is 20" x 16 1/2", the frame 29" x 25". Provenance: From a PA collection.

"Partings Long Seen Coming", signed in the plate at the lower right corner. Dimensions: Sight is 20" x 16 1/2", the frame 29" x 25". Provenance: From a PA collection.

Dove with McCarthy, peace. Title: Peace. Medium: Print. Size (in.): 36 X 24. Signature: SUR. Artist: Ben Shahn. Framed.

Ben Shahn (1898-1969), Triple Dip 1952, numbered lower left 24-58 in ink, signed Ben Shahn lower right in ink, Provenance: From Downtown Gallery, no. 4 Nelson Rockefeller 1954, #25-646, Estate of Nels

Ben Shahn (1898-1969) - Levana, Mixed Media on Paper. Signed. 63x45cm. Ben Shahn was a Lithuanian-born American artist. He is best known for his works of social reali

BEN SHAHN (1898-1969) Consider the Lily. Published in Shahn's book The Shape of Content (Cambridge: Harvard University Press, 1957), page 57. Pen and ink on cream wove paper. Image measures 153x85 mm;

ATTRIBUTED TO BEN SHAHN (1898-1969) Untitled Ink on paper 10" x 13 1/4"

BEN SHAHN (1898-1969)Untitled, (Portrait of Barry Oppenheim). Oil on tin, 1933. 508x330 mm; 20x13 inches. During the Great Depression, Shahn was commissioned by the WPA to create murals and worked wit

Item Overview Description: Ben Shahn (1898 - 1969) Ben Shahn was active/lived in New York. Ben Shahn is known for social-realist painting, illustration, lithography, photography. Dimensions: Painting

Ben Shahn (1898-1969) "Futility'' (Prescott 41)- wood engraving, 1960, engraved and printed by Stefan Martin, signed in red brush by Shahn, signed, titled and numbered 42/300 in pencil by Martin, publ

Ben Shahn (1898-1969) Untitled (Women at Sewing Machine) Medium: ink and watercolor on paper Dimensions: 7 7/8 x 9 3/4 Framed/base dimensions: 16 3/4 x 18 1/4 x 7/8 Signature: signed lower right: Ben

Ben Shahn (1898-1969) Paris Review (Prescott 199), 1968 Lithograph in colors on Arches paper, signed in black crayon and numbered in pencil 18/200, published by Poster Originals, printed by Atelier Mo