Botany, Copperplate etchings mid 1700's London, England

G.S. de Flumet (attr.) Rural scene on a river. Etching, circa mid 1700s. Framed and matted in later frame. Sight measures 8.5" x 5.5", as framed 15" x 11.5".

England, (London) mid-19th Century. London hallmarks for Paul Storr, 1832-1833. Classically dressed woman with flowers on a marble base. Possibly gilt surface. 13"h. overall. Ex Paul Carpenter, sold a

W.W. Greener 12 Gauge Double-barrel Percussion Shotgun, London, England, mid-19th century. Serial number 6885, 29 1/2 in. barrels with central rib engraved 'W.W. GREENER, NO 48 DUKE ST. ST. JAMES'S &

A SET OF ELEVEN ROYAL DOULTON PORCELAIN PLATES FOR TIFFANY & CO. London, England, mid-20th century, circa 1928-1959 Each plate with green underglaze maker's mark and pink overglaze Tiffany & Company /

Parker 12 Gauge Double-barrel Percussion Shotgun, London, England, mid-19th century. 33 in., barrels with plain rib marked 'PARKER LONDON FINE LAMINATED STEEL'; plain lock plates marked 'PARKER'; waln

Six Pieces of Elizabeth II Queen Anne Silver Flatware, Mark of James RobinsonMade in London, England, mid-late 20th century, includes (3) salad forks (6 3/8 in.) and (3) teaspoons (5 3/4 in.), all wit

Pewter Pitcher, Lawrence Yates (1738-74), London, England. Mid-size pitcher with double-scroll handle and impressed on bottom with touchmark of a crowned bird flanked by the initials L.Y., 17cm wide,

Antique Vintage 19th Century German Paul Paeschke London Bridge England scene, etching, SLR in pencil, titled "Paul Paeschke, London-Bridge", 7 1/2 x 9" image, 15 1/8 x 20" matted.Paul Paeschke (1875-

Two Alfred Dunhill wooden humidors with burl wood veneer. Produced by Alfred Dunhill of London, England. British, ca. mid 20th century. Wood construction with cedar-lined interior. Larger humidor has

(lot of 4) After Francis Calcraft Turner (British, 1795-1846), "Vale of Aylesbury Steeple Chase - Plates 1, 2, 3, and 4," hand colored etchings, published by John Moore (London, England), largest over

(lot of 2) Isaac Cruikshank (Scottish, 1756-1811), "A Sailor at a Quakers Funeral," 1800-1810, hand-colored etching, published by Thomas Tegg (London, England), and "The Imperial Comet Shedding its Ba

GROUPING OF THREE C. 1700 PLATES, WAVY EDGE, WHITE, SOUTHWICK, LONDON, ENGLAND 9"

Circa mid 1700s made by Wm. Williams & Sons London. Brass beam and pans in VG condition. Beam double marked Williams London. wood case with hook & eye closure missing eye. Butt hinges intact. Inside o

England, mid 17th century. An etching by Wenceslaus Hollar (1607-1677) of Jacob van Es. Graphite marks throughout margins.

David Hockney (British, b. 1937) Gregory, 1974 etching with soft-ground etching printed and published by Petersburg Press, London, England numbered lower left, signed and dated in graphite lower right

George Percy Jacomb-Hood (English, 1857-1929). The Last Evening in England. Hand pulled copper plate etching on laid paper. 1881. Signed in the plate lower left. Excellent. Image Size 7 1/2 x 11 inche

London England

William Curtis(19thC. London, England) Three(3) fine hand colored botanical prints. Well framed and matted. Info on reverse; 8.5in. X 5.5in.(image), 17in. X 13.25in.(framed)

ENGLAND, 19TH CENTURY A wonderful example of mid to late 1800's Walnut encased pendulum wall clock made by Farrow Green of London, England. The case is heavily carved with an acanthus decoration. The

Both in Good condition: 1. AMBLER, LOUIS. The Old Halls and Manor-Houses of Yorkshire, with Some Examples of Other Houses Built Before the Year 1700. London: B. T. Batsford; New York: Charles Scribner

Mid 1700s to early 1800s pocket watch with enamel face. Housed in sterling silver casing with glass front. Additional sterling silver outer protective housing. Untested. Main spring chain intact. Bala

Handcolored etching. London: H. Humphrey , 1803. Matted and framed. 24" high, 31" wide. Includes a typed and framed essay on Gillray's caricatures.

Albert Edward Sterner 1932 Etching Titled And Artist Signed. George Washington Preventing A Military Dictatorship Near Mint Condition In True Mid 1700'S Restored Frame. New Archive Mounting And Framed

A GROUP OF TWO ETCHING AND LINE ENGRAVINGS FROM WILLIAM HOGARTH (English 1697-1764) "THE INDUSTRIOUS PRENTICE," LONDON, ENGLAND, 1747, LATER 19TH CENTURY PRINTING, comprising Plate 1 "The Fellow Prent