Charles Becker (20th/ 21st) Californian (two)

STILL LIVES WITH FRUIT, two color transfer prints, one on board and one on canvas, each signed and numbered, editions 57/90 & 61/98, board 16 x 20”, canvas 11 ½ x 27 ¼”, both framed and in good

SURFS UP; BEACH HOUSE, two color giclees with some acrylic painting, signed and numbered 26/295 & 3/295, both with wavy wooden frame, overall 12 x 14 x 2 ¾” & 14 x 12 x 2 ¾”. (2)

CROWS, two charcoal drawings on paper, one on a map of North America, both signed lower left, sheets 14 x 11” & 14 ½ x 10 ¼”, the map with a small pre-existing tape stain upper right corner, bot

MAGGIE II, 1998, oil painting with sand on canvas, signed and dated and titled on verso, 36 x 24”; ROSE, 1994-2000, oil painting on panel, signed and dated on verso, 48 x 11 ”, both in good studio

FOLLOW THE MONEY, 2009, aerosol paint and screenprint on canvas, initialed and dated and titled on stretcher bars, 16 x 16”, a few smudges and scuffs; ELVIS, THE UNTOLD STORY, color screenprint, ini

American school, late 20th or early 21st century, "Two Violin players" serigraph on paper, pencil signed lower right, inscribed "To Charles and Viretta" lower left. Figural Approx. h. 41.75", w. 34.75

comprising two Helios examples. 20th/21st century. One 9'.Provenance: From the private collection of Charles Marshall Davison, Hague, VA.

20th/21st century, North Carolina. The group includes two works by Kim Ellington simply marked with the heart and square with E. Along with four vessels by Charles Lisk including a face jugs, jug coff

LINDBERGH CHARLES: (1902-1974) American Aviator who made the first solo non-stop flight across the Atlantic Ocean, 20th - 21st May 1927. D.S., Lindbergh, in bold pencil, two pages, oblong folio, Glend

American, late 20th/21st century, gray vase with white flower heads, signed "Charles Lotton 1983" and "Multi Flora", 8-3/4 in.; opalescent vase with white flower heads, iridescent leaves, signed "Char

comprising Orvis Battenkill BBS II, and Battenkill Black Large Arbor V. 20th/21st century. Various sizes.Provenance: From the private collection of Charles Marshall Davison, Hague, VA.

20th and 21st century, North Carolina. The group includes two works by Charles Lisk, two works by Sid Luck, one work by Joe Reindhart and one by AV Smith. Largest: W10 1/2" Sold from the collection of

Isabelle Pammachius (20th-21st c.)Two vases and dish Glazed stonewareEdited by atelier de BoisbelleModel created circa 2000La BorneDish signed beneath the baseVase: H 33 x L 22 x W 5 cmDish: D 33 x H

CAMPBELL SOUP FLAG, ceramic sculpture from broken vintage McCoy Company soup bowls, 27 ½ x 37 ½” including frame. A similar flag with an estimate of $400/600 from Tommy Hilfiger’s collection sol

Jo Ramirez MILAGRO (Downtown L. A.), 1998, acrylic painting on wood, signed and dated lower right, 40 x 21 ”, in good studio condition; Together with Alice Childrey MERRITT LAKE, OAKLAND, acrylic pa

STANFORD HILLS #81-1994, charcoal drawing on paper, initialed and dated in pencil lower left, 20 x 30”, framed. Provenance: Tatistcheff Gallery Inc. Los Angeles

STILL LIFE, color giclee with extensive acrylic painting, signed and numbered 41/295 lower left, with wavy wooden frame, overall 32 ½ x 26 ½ x 4 ½”.

CROW, charcoal drawing on paper, signed lower right, sheet 36 x 22”, framed, in apparently good studio condition.

C. MILLER20th/21st CenturyTwo sailboat paintings. Both signed lower right.Oils on panel, 4" x 6". Framed 8" x 10".

Charles Becker, (American, 20th century) 'Still Life of Apples and a Blue and White Vase', 09 signed and dated, 09 Charles Becker oil on canvas 15 1/2 in.by 19 1/2 in.

David Whalen SURREALIST STUDIO, 2000, oil painting on board, initialed lower right, signed and dated on verso, 18 x 12”, framed, in good studio condition; Together with David Hildago THE ATTENDANT,

GRAFFITI, 2007, spray painting on canvas, signed on verso, 30 x 48”. Provenance: Scion Installations, Culver City.

Sidney Lee (American, 20th/21st Century) Two Landscapes oil on canvas each signed 'Sidney Lee' in lower corner Each 10 x 12 inches.

each: 2015; oil on canvas; signed and dated lower left; the first: "Quilt Dissolving #1"; the second: "Quilt Dissolving #2" Each frame; 24 1/8 x 24 1/4 in. (61.3 x 61.6 cm.)