Charles E. Pont: The Block Printer, Etching, 1932

Print: The Block Printer Artist: Charles E. Pont Date: ca. 1932 Medium: Etching Size: 9 3/4 x 6 7/8 inches Sheet Size: 12 5/8 x 9 1/4 inches Archival Mat: 20 x 16 inches A rich impression printed on t

Etching titled "Heave Yo" 1938. Artist signed Charles E. Pont.

Charles E Pont w/c of boats - 19"x25 1/2" sight size

Pont, Charles E. (1898-1971). Acrylic on board, 14.5 x 15.25 in. including margins, signed lower right, Charles E. Pont. Partially printed paper tag affixed upper left identifying the artwork as the c

Charles E Pont "Heave up!" Signed Wood Engraving Print. This wood engraving print by artist Charles E. Pont (American, 1898-1971) depicting sailors at the capstan bars done in 1936 is pencil signed an

Title: Foundation. Whitestone Bridge under construction. Charles E. Pont (1898-1971) Medium: Watercolor, c.1938. Signed in pencil lower right. Image size 19 5/8 x 27 3/4" (49.5 x 65.5 cm). Condit

Charles Ernest Pont (Connecticut 1898 - 1971) signed woodcut. Signed 'Charles E. Pont' in pencil lower right. Artist's name 'C.E. Pont' in plate lower right. Title and number 'Sir Thomas Lipton 27/50'

Charles Emile Heil (Massachusetts 1870 - 1950) etching. Signed 'Charles E. Heil' in pencil lower right. In VG/EX condition, appears to have been professionally cleaned. Minor toning along margin edges

CHARLES EMILE HEILMassachusetts, 1870-1950Two birds on a branch. Signed in pencil lower right "Charles E. Heil".Etching on paper, 5" x 6" sight. Framed 11" x 12". Etching

Two Charles E Ritchie (Australian fl.1895 - 1940) signed etchings. 1) Pencil signed "by C E Ritchie" lower right. It measures 12.75" x 10-1/8" sheet size. 2) Pencil signed "by C E Ritchie" lower right

Etching sketch, signed Charles Bragg, Greed, 86/150 Depicts an older person surrounded by coins and scales filled with gold. Framed in a black metal frame. Approx 8.25 x 10 inches window measures 7.5

1932 Etching by Sydney E Wilson. Published by Vicars Brothers, London and United States of America. Pencil signed by artist in lower right. Blind stamp, lower left (XBSX in oval). Measures 15-in. x 12

Etching, L'Arche du Pont Notre-Dame, Charles Meryon,Paris 1853 sheet size is 12.75" by 18", actual scene is 5" by 6.75".

Charles Meryon (French, 1821-1868). "Pont-Neuf", etching and drypoint on laid paper, later state of 10, unsigned. Print depicting a view on le Pont-Neuf, the oldest standing bridge across the Seine Ri

Antique Charles Pinet (France, 1867-1932) Etching of Le Cour D' Albanel. In Lucite frame 10"x8.25". Weight 12 oz.

Signed in lower right corner F.LEGER E.A in graphite Subject depicts a woman with hands framing her face,Framed in wooden frame with gold inner edges and dark toned mat board.Approximately 12 x 9.75 i

Chickadee Charles Emile Heil was active/lived in Massachusetts. Charles Heil is known for town-landscape, animal, etching. Art Association for Charles Heil American Federation of Arts Salons of Americ

Signed in lower right corner in graphite, Bernard Buffet, E.A. Backside is marked with previous gallery stamp. Subject depicts a colored vase with roses on a table Framed in black wooden frame with of

France, United States,18th-Early 20th Century Includes a "The Bloody Massacre" engraved by Paul Revere 1908 re engraving published by Charles E. Goodspeed Boston, Mass. and re-engraved by Sidney L. Sm

Lithograph. 27/60. Signed, dated and numbered 'C. Hinman 69 27/60' (lower right). 22 1/4" x 29".

Lucas, Charles E.L'Exposition du Theatre et de la MusiqueLithograph ca. 189649.2 x 34.6 in. (125 x 88 cm)Printer: Chaix, ParisCondition Details: (B) was folded, mounted on linen (old), tears and small

Western Americana and Native American history (thirty volumes)Lot includes thirty volumes: 1. The Phantom Bull. Charles E. Perkins. illus. Edward Borein. Boston: Houghton Mifflin, 1932. first edition.

6 European etchings 1 & 2). David Y. Cameron (British 1865-19450)- "The Wingless Chimera" (Rind 416)- etching, 1911; "Gloucester" (R. 460)- etching, 1932, both signed in pencil; 3). after W. E. Lockha

Japanese Woodblock Print, 1932, early edition of the rarely seen azuri (printed only in shades of blue) variant of this print published by Doi Hangaten with carver/printer "E-seal"; carver: Harada, pr