Circular Etching and Aquatint Sea of Green

Late 20th/early 21st century circular aquatint and etching on paper, Sea of Green, depicting a ship upon a stylized sea, signed, titled, and initialed ELB in pencil at bottom, image 7 x 7 inches, in a

Aquatint etching print on paper. Print has an impressed pebbled texture with tonal gray and black outlines and a gradated dark sea green ground. Artist signature in pencil on lower right and edition n

Catherine Kernan (American b. 1948) Sea Cleft #1, 1998, soft ground etching and aquatint in color, pencil signed and dated in lower right with title in pencil on lower left. The Print Club of Clevelan

Catherine Kernan (American b. 1948) Sea Cleft #1, 1998, soft ground etching and aquatint in color, pencil signed and dated in lower right with title in pencil on lower left. The Print Club of Clevelan

Kernan, Catherine (American, born 1948), Sea Cleft #1, 1998, soft ground etching and aquatint in color, pencil signed, dated and titled in pencil, from an edition of 250, The Print Club of Cleveland p

Artist: Saint Clair Cemin, Brazilian (1951 - ) Title: Priestess (Green) Year: 1980 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 75 Image Size: 9 x 11.5 inches Size: 15 in. x 18.5 i

Fritz Scholder (American, 1937-2005) View from My Window in Roma, 1978 Etching and aquatint on green Roma paper ed. 33 of 50 19.25 x 26.25 (in) Signed in pencil Scholder, lower left Printed and publis

celadon oyster plate c.1875 Modeled as a circular plate with celadon wells separated by shells and seaweed, the sea green circular central well surrounded by conch shells, 9". Catalogued and curated b

A Fine Quality Minton Majolica 6 well Turquoise  oyster plate c.1875 Modeled as a circular plate with Cobalt Blue Wells separated by shells and seaweed, the sea green circular central well surrounded

Fritz Scholder (Native American, 1937-2005) View from my Window in Roma, 1978 Etching and aquatint on green Roma paper ed. 42 of 50 19.25 x 26.25 (in) Signed in pencil Scholder, lower left Watermark,

Four Majolica 6 well oyster plate c.1875 Modeled as a circular plate with alternating  white and pink wells separated by shells and seaweed, the sea green circular central well surrounded by conch sh

A Fine Quality Minton Majolica 6 well celadon oyster plate c.1875 Modeled as a circular plate with celadon wells separated by shells and seaweed, the sea green circular central well surrounded by conc

A Fine Quality Minton Majolica 6 well Turquoise oyster plate c.1875 Modeled as a circular plate with turquoise wells separated by shells and seaweed, the sea green circular central well surrounded by

A Majolica 6 well oyster plate c.1875 Modeled as a circular plate with alternating  white and pink wells separated by shells and seaweed, the sea green circular central well surrounded by conch shell

LOUIS ICART (French 1888-1950) "Green Screen" Aquatint etching. Sight: 20 x 17 1/2 inches; Frame: 26 x 22 inches. Signed lower right: Louis Icart; windmill stamp lower left; publisher information uppe

Joan Miro (Catalan Spanish, 1893-1983). Limited Edition etching and aquatint printed in green, 1973. Titled, "Picasso i Els Reventos." An abstract composition with shapes and an eye form. Hand numbere

Sonia Delaunay (French, 1885-1979) Circular Composition. Color etching and aquatint, circa 1970, pencil signed lower right and inscribed 'H.C.' (the edition was 125), unframed 19.5" x 15.5"

William Green, (6) Lake District aquatint etchings, William Green (English, 1760-1823), "Yewbarrow from Bowderdale" and others, aquatint etchings on paper, published at Ambleside, June 1, 1815, by Wm.

Robert Motherwell (1915-1991) DANCE II (BELKNAP 200; ENBERG/BANACH 231) Lift-ground etching and aquatint, 1978, on J.B. Green paper, signed and numbered 29/30 in pencil, printed by Catherine Mosley, G

John Levee (1924-2017): Season's Greetings Crayon and wash on paper, 1959, signed 'John', titled and dated at bottom; and Untitled, etching and aquatint in black and green on wove paper, 196

Francisco De Goya Y Lucientes, Spain, 1749-1828, No one has seen us (Nadie nos ha visto.), Plate 79 from Los Capricos, etching with aquatint, circular embossed blind stamp right corner (CNEW60)(MM) Di

UNTITLED CROSS-HATCH WITH GREEN, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 17 x 22 &#18

John Levee (1924-2017): Season's Greetings </ Crayon and wash on paper, 1959, signed 'John', titled and dated at bottom; and&#160;Untitled,&#160;etching and aquatint in black and green on wove paper,

The interior centre carved in raised relief with a sinuous dragon, the exterior carved overlapping petals, covered overall in crackled sea-green glaze, with circular stand. Approx. 11.6-2.5 inch (w/o