Claude Lorrain, copper printing plate & etching First Image

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Claude Lorrain, copper printing plate & etching First Image

Claude Lorrain, copper printing plate & etching

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Claude Lorrain, copper printing plate & etching (1 of 9)

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Claude Lorrain, Copper Printing Plate and Etching Plate: 8.75"H x 11"W Print: 8.75"H x 11.25"W (1 of 11)

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Claude Monet 1800's Etching Haystacks In Giverny (1 of 2)

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Claude Lorrain - The Angel appearing to Hagar 1815 (1 of 5)

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Claude Lorrain - Mount Helicon 1815 (1 of 3)

Claude Lorrain - Mount Helicon 1815 This rare etching is plate 193 from Liber Veritatis, published by Francesco Bourlie, Rome 1815, from the original drawing of Claudio di Lorena (aka Claude Lorrain).Plate 193 depicts Mount Helicon, cro

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Claude Lorrain - The Cumaean Sybil 1815 (1 of 3)

Claude Lorrain - The Cumaean Sybil 1815 This rare etching is plate 183 from Liber Veritatis, published by Francesco Bourlie, Rome 1815, from the original drawing of Claudio di Lorena (aka Claude Lorrain).Plate 183 depicts The Cumaean Sybil

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CHAIM GOLDBERG (POLISH, 1917–2004) (1 of 2)

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Beauties of Claude Lorrain mezzotint Plate 3 (1 of 1)

Beauties of Claude Lorrain mezzotint Plate 3 Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by Thomas Lupton for the "Beauties of Claude Lorraine" portfolio. The inscription sta

Richard Earlom (1743-1822) Etching Book Plate 1776 (1 of 5)

Richard Earlom (1743-1822) Etching Book Plate 1776 Richard Earlom (1743-1822), etching after a drawing by Claude le Lorrain number 178 from the Original Collection of the Duke of Devonshire, 1776, published by John Boydell. Visible approx. 11.5 x 14.7

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Claude Lorrain / Richard Earlom etching | Liber (1 of 2)

Claude Lorrain / Richard Earlom etching | Liber The Landing on the Latium Coast Medium: etching and aquatint (after the drawing). Engraved by Richard Earlom (1742-1822) after Claude le Lorrain. From Claude Lorrain's Liber Veritatis, this is Plate 1

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Claude Lorrain (French, 1600-1682), Berger et Bergère (1 of 3)

Claude Lorrain (French, 1600-1682), Berger et Bergère etching, likely 17th century, inscribed in plate lower left, with short scratch on shepherdess' left leg, matted and framed. Platemark 7 3/4 x 10 1/4 in.; DOA 14 3/4 x 17 in.

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Richard EARLOM: Etching & Aquatints after LORRAIN (1 of 12)

Richard EARLOM: Etching & Aquatints after LORRAIN Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers:

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Claude Lorrain (French, 1600-1682), Le Port de Mer au (1 of 2)

Claude Lorrain (French, 1600-1682), Le Port de Mer au etching on laid paper, appears to be an early printing, sheet trimmed to platemark, matted and framed. Platemark 5 7/16 x 7 13/16 in.; Sheet Size 5 5/8 x 7 7/8 in.; DOA 13 1/2 x 15 5/8 in. A richly-in

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AFTER CLAUDE MONET (French. 1840-1926) (1 of 1)

AFTER CLAUDE MONET (French. 1840-1926)"Meules â Giverny". Etching in Sanguine on Arches watermark laid paper. Pulled from copper plate executed by A.M. Lauzet of Paris, dated C. 1891 and numbered 1/25. (150/300)

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Etching "No. 92," by Richard Earlom, from the original drawing by Claude Lorrain (1 of 1)

Etching "No. 92," by Richard Earlom, from the original drawing by Claude Lorrain Custom traditional gilded frame and mat included. Excellent condition. Signed in the plate. Richard Earlom British, (1743-1822) was a master of early mezzotint etching. The original drawing on which t

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Richard EARLOM: Etching & Aquatints after LORRAIN (1 of 14)

Richard EARLOM: Etching & Aquatints after LORRAIN Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers:

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Richard EARLOM: Etching & Aquatints after LORRAIN (1 of 14)

Richard EARLOM: Etching & Aquatints after LORRAIN Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers:

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CLAUDE LORRAIN, Dated 1777 Coloured Etching (1 of 4)

CLAUDE LORRAIN, Dated 1777 Coloured Etching 8 x 10 in. (plate), 15 1/2 x 17 1/2 in. (framed). Claude Gellee, who was called Lorrain after his native province of Lorraine, was born in c. 1600 at Chamagne, France, near Nancy. He settled in Rome p

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Chattock Etching & Haquette Engraving (1 of 11)

Chattock Etching & Haquette Engraving 2 piece art lot. Claude Lorrain etching after Richard S. Chattock, Cephalus and Procris, signed in the plate in the lower margin Claude and R.S. Chattock, image 6 1/2" x 8 3/4" (with frame 13 1/2" x 1

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CLAUDE LORRAIN, Dated 1777 Coloured Etching (1 of 4)

CLAUDE LORRAIN, Dated 1777 Coloured Etching 8 x 10 in. (plate), 15 1/2 x 17 1/2 in. (framed). Claude Gellee, who was called Lorrain after his native province of Lorraine, was born in c. 1600 at Chamagne, France, near Nancy. He settled in Rome p

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Claude Lorrain,(French,1600-1682) Le Passage du GuÃ©. 1634 (1 of 1)

Claude Lorrain,(French,1600-1682) Le Passage du GuÃ©. 1634 Claude Lorrain,(French,1600-1682) Le Passage du GuÃ©. 1634. Original etching printed in black ink on wove paper. Signed and dated in the plate "Claud Gille 1634", lower right. An impression of the f

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